PARTITIONS GRATUITES : QUINTETTE à VENT : FLûTE, CLARINETTE, HAUTBOIS, COR, BASSON
- Concert Aria

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Thomas Seedorf. For piano. This edition: Urtext edition. Paperback. Piano reduction, anthology. Text Language: German/English. Published by Baerenreiter Verlag

Organ (Organ)

SKU: HL.48180057

[Concert Variations for Organ]. Composed by Joseph Bonnet. Leduc. Classical. Softcover. 11 pages. Alphonse Leduc #AL14123. Published by Alphonse Leduc (HL.48180057).

UPC: 888680795702. 9.0x12.0x0.075 inches.

Composer and organist, Joseph Bonnet (1884-1944) is considered one of the most major French pipe organ players. It is no surprise, therefore, that his Concert Variations for Organ are very well informed. Following his studies at the Paris Conservatoire, Bonnet took over as concert organist at the institution. Concert Variations for Organ was compiled in 1906, soon after his graduation. The work begins with a helpful index of the organ registrations and performance directions. Concert Variations begins with a virtuosic, cadenza-like theme in E minor. Following this, four variations are heard, all containing contrast in organ sound, tonality and exploited melody and rhythm. For all advanced, aspiring organists, Bonnet's Concert Variations is an essential addition to the repertoire.

Composed by Barbara Harlow. For 3 trumpets, guitar, bass. Instrumental accompaniment only. Octavo/score sold separately (SBMP-567, SBMP-567.1). Concert. Mariachi band parts. Published by Santa Barbara Music Publishing

Concert Arias for Tenor by Wolfgang Amadeus Mozart (1756-1791). For Tenor Solo Voice and Piano. Published by Subito Music Corporation

Grade 3

SKU: CL.CTS-8026-01

For Flexible Ensemble. Composed by Claude T. Smith. Arranged by Earp. Concert Band. Extra score. Composed 2021. Claude T. Smith Publications #CTS-8026-01. Published by Claude T. Smith Publications (CL.CTS-8026-01).

Concert Variations was written for the Lambda Chapter of Phi Beta Mu and originally premiered at the Missouri Music Educators Convention in 1975. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.