PARTITIONS GRATUITES : VENTS & ORCHESTRE CORDES
- Double Bassoon Fantasy

By Mark Ford. For marimba with wind ensemble (solo marimba (3 players), Piccolo, 2 Flute, Oboe, 2 Bb Clarinet, Bb Bass Clarinet, 2 Bassoon, Contrabassoon, Alto Sax, Tenor Sax, Baritone Sax, 3 Bb Trumpet, 2 F Horn, 3 Trombone, Bass Trombone, Euphonium, Tuba, Double Bass, Timpani, and 5 Percussion). Level 5. Score and set of parts. Published by Innovative Percussion

Score and Parts Bassoon Quartet; Woodwind Quartet (Score & Parts)

SKU: HL.50610173

10 Pieces for Bassoon Quartet (partly with other instruments) Sco. Composed by Tibor Csuhaj-Barna. EMB. Classical. Softcover. 88 pages. Editio Musica Budapest #Z20091. Published by Editio Musica Budapest (HL.50610173).

The composer was inspired to write these pieces by the Corridor Quartet (Gyorgy Lakatos, Mihaly Duffek, Zsofia Stefan, and Sara Rebeka Toth), with their open attitude to music and their enchanting sound world. The timbres of the bassoon harmony are emphasised still more by being joined by the double bass, and by a voice or flute soaring above them. One reviewer writes of the CD Corridoors:'Easy to listen to, but modern: modern, and yet easy to listen to. And because of the sound of the bassoons, it's spiced with a kindof fantasy mood, a kind of ''Lord of the Rings'' feel.'(jazzma.hu, Karoly Gaspar) The name of the Corridor Quartet refers to a corridor that leads the listeners between different centuries, styles, and genres. It joins things together, and acts as a bridge, many doors opening off from it: classical, modern and folk, jazz and rock. Tibor Csuhaj-Barna is a jazz double bass player and composer, and an associate professor (DLA) at the Liszt Ferenc Academy of Music.Over the last 30 years he has been an active performer on the Hungarian jazz scene, compiling and playing on many CDs. He has written music for theatres, choirs, and jazz lineups ranging from duos to big band.

Double bass, 2 flutes, 2 oboes, 2 clarinets, bassoon, contrabassoon and 2 horns - difficult

SKU: HL.49007047

Little fantasy for double bass and wind instruments of the serenade from Don Giovanni. Composed by Jean Franç and aix. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1981. 16 pages. Duration 3'. Schott Music #ED7205. Published by Schott Music (HL.49007047).

ISBN 9790001075503. UPC: 884088096922. 9.0x12.0x0.072 inches.

Ein musikalisches Kleinod, das mit jeder Note den ebenso sensiblen wie schalkhaften Tonkunstler verrat. Jean Francaix' Mozart New Look ist ein typisches Beispiel seiner heiteren Spielmusik, die Spass macht und gefallt. In seinem dreiminutigen Stuck ist der Geist Mozarts allgegenwartig: Wahrend der Kontrabass eine Arie aus Don Giovanni spielt, lasst Francaix mit einem Augenzwinkern gleichzeitig eine Arie aus Carmen erklingen. Eine wahre Musique pour faire plaisir!

Double bass, 2 flutes, 2 oboes, 2 clarinets, bassoon, contrabassoon and 2 horns (PARTS) - difficult

SKU: HL.49007048

Little fantasy for double bass and wind instruments of the serenade from Don Giovanni. Composed by Jean Francaix. Sheet music. Edition Schott. Classical. Set of Parts. Composed 1981. 23 pages. Duration 3'. Schott Music #ED7206. Published by Schott Music (HL.49007048).

ISBN 9790001075510. UPC: 884088096915. 9.0x12.0x0.117 inches.

Ein musikalisches Kleinod, das mit jeder Note den ebenso sensiblen wie schalkhaften Tonkunstler verrat. Jean Francaix' 'Mozart New Look' ist ein typisches Beispiel seiner heiteren Spielmusik, die Spass macht und gefallt. In seinem dreiminutigen Stuck ist der Geist Mozarts allgegenwartig: Wahrend der Kontrabass eine Arie aus 'Don Giovanni' spielt, lasst Francaix mit einem Augenzwinkern gleichzeitig eine Arie aus 'Carmen' erklingen. Eine wahre 'Musique pour faire plaisir'!

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039409

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. 1x 10.394/21 flute 1, 1x 10.394/22 flute 2, 1x 10.394/23 oboe 1, 1x 10.394/24 oboe 2, 1x 10.394/25 clarinet 1, 1x 10.394/26 clarinet 2, 1x 10.394/27 bassoon 1, 1x 10.394/28 bassoon 2, 1x 10.394/31 horn 1, 1x 10.394/32 horn 2, 1x 10.394/33 trumpet 1, 1x 10. Harmony parts. Secular choral music. Set of Orchestra Parts. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/09. Published by Carus Verlag (CA.1039409).

ISBN M-007-25218-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and parts available separately - see item CA.1039400.

By Daniel E. Forrest, Jr.. Band/Orchestra Music. Sheet music. Published by Beckenhorst Press