PARTITIONS GRATUITES : ENSEMBLE à CLARINETTES
- Plea

Piano; Voice (Soprano)

SKU: HL.48009794

Voice and Piano. Composed by Georg Frederick Handel. Edited by Ford/Erlebach. Boosey & Hawkes Voice. Baroque, Classical, Collection. Book only. 106 pages. Boosey & Hawkes #M060031861. Published by Boosey & Hawkes (HL.48009794).

UPC: 073999175349. 8.5x11.5x0.427 inches.

Contents: As cheers the sun * And shall my sin-stain'd soul * Author of Peace * Ah! Think what ills * Alas! Erastea * Banish love from thy breast * Beneath the Vine * Bless'd the day * Capricious man * Daughter of Gods * Endless pleasure, endless love * Faithful cares in vain extended * Guardian Angels * Hide me from day's garish eye * My heart with tender pity swells * Me, when the sun begins to shine * No more shall armed bands * No, no, I'll take no less * Oft on a plat of rising ground * O killing shock of unexpected pain * O lovely youth * Sinners, lifts your eyes and tremble * Straight mine eye hath caught new pleasures * Together lovely innocents.

SKU: HL.348583

Voice and Piano. Composed by Maja S. K. Ratkje. Vocal. Softcover. Edition Wilhelm Hansen #WH33146. Published by Edition Wilhelm Hansen (HL.348583).

UPC: 840126931280.

Hvil (Eng.:rest) is an imperative, and a plea: the earth's plea to humankind. This plea consists of words and music which have taken shape at the same time in a close collaboration between composer and the author Aasne Linnesta. 'Hvil' was commissioned by the Nordland Musikkfestuke festival, Bodo, in 2008 and received its premier performance there by Marianne Beate Kielland and Nils Anders Mortensen. The piece is released on the album 'Come Away Death' by Kielland and Sergej Osadchuk (piano) on the Norwegian label 2L, in 2010.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Choir Secular (Women's Choir)

SKU: AP.46746

Composed by Francis Beaumont, Jay Althouse, and Sir Richard Fanshawe. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-46746. Published by Alfred Music (AP.46746).

UPC: 038081532011. English. Words adapted from poems by Sir Richard Fanshawe; Francis Beaumont; music; new words; by Jay Althouse.

Practical , timeless advice abounds in this jaunty contemporary choral with texts lifted from Renaissance-era poetry and a translation of ancient verse. The opening melody winds around the tonic triad before the B section breaks into colorful contemporary harmony in a chorale setting. Light, yet legit.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Secular (SATB choir)

SKU: AP.46744

Composed by Francis Beaumont, Jay Althouse, and Sir Richard Fanshawe. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-46744. Published by Alfred Music (AP.46744).

UPC: 038081531991. English. Words adapted from poems by Sir Richard Fanshawe; Francis Beaumont; music; new words; by Jay Althouse.

Practical , timeless advice abounds in this jaunty contemporary choral with texts lifted from Renaissance-era poetry and a translation of ancient verse. The opening melody winds around the tonic triad before the B section breaks into colorful contemporary harmony in a chorale setting. Light, yet legit.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.46745

Composed by Francis Beaumont, Jay Althouse, and Sir Richard Fanshawe. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-46745. Published by Alfred Music (AP.46745).

UPC: 038081532004. English. Words adapted from poems by Sir Richard Fanshawe; Francis Beaumont; music; new words; by Jay Althouse.

Practical , timeless advice abounds in this jaunty contemporary choral with texts lifted from Renaissance-era poetry and a translation of ancient verse. The opening melody winds around the tonic triad before the B section breaks into colorful contemporary harmony in a chorale setting. Light, yet legit.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.