Five-Two Pour Strat Ssl-52-1- Applications : Country, Pop, Blues, Classic Rock Et Heavy Rock.- Aimant : Alnico Ii Et V- Nombre Conducteurs : 1- Résistance : 6.7 K- Pic: 8.2 Khz

Five-Two Pour Tele Str52-1- Applications : Country, Pop, Blues, Classic Rock Et Heavy Rock.- Position : Manche- Aimant : Alnico Ii Et V- Nombre Conducteurs : 1- Résistance : 7.9 K- Pic: 10 Khz- Finition : Noir

NUX SIXTYFIVE OVERDRIVEAu-delà des sons clairs et cristallins pour lequel ils sont mondialement reconnus, les amplis à lampes type BlackFace65 produisent des sonorités d overdrive punchy chargées d harmoniques et de compression ! Les plus grands guitaristes Blues/Rock devaient pour cela pousser le volume de l ampli très loin pour obtenir ce grain si particulier, mais attention aux oreilles!Le Nux SixtyFive overdrive reproduit fidèlement ce son saturé légendaire avec un circuit analogique construit autour d un étage de gain JRC4558. La technologie OP AMP intégrée recréé la saturation des lampes de manière bluffante!Caractéristiques :Overdrive analogique type BlackFace65 Technologie OP Amp simulant la saturation des lampesCircuit analogique avec étage de gain JRC4558Réglages: level, gain, bass, trebleTrimpot pour ajuster la saturationTruebypassAlimentation : Pile 9V (fournie) ou secteur 9V DC centre négatifDimensions : 121 x 77 x 48 mmPoids : 230 g

Sound Particles SkyDust 3D (ESD); virtual synthesizer; innovative, large-scale 3D synthesizer for spatial sound synthesis with 8 oscillators, 256-voice polyphony, stereo FM matrix, countless modulation options, arpeggiator and polyphonic sequencer, sophisticated preset system and much more; each oscillator features several basic waveforms along with Waveform Modifiers, five envelopes with up to six stages and five LFOs for pitch, filter, spatial and amp and many more; all oscillators feature their own multimode filter with adjustable key tracking, velocity control etc.; each of the eight oscillators can act as an FM operator and be freely connected using a FM Matrix; integrated Arpeggiator with seven pattern and and the ability to add additional octaves; polyphonic sequencer featuring 128 steps, a Force Scale feature, various play modes as well as many options to control and manipulate the sound including spatial control; extensive options for positioning and moving the oscillators in the 3D audio field using envelopes, LFOs, the sequencer, controller and more; macro controls and modulation matrix enable more sound tweaking options; internal effect section with four slots for Bit Crush, Delay, Distortion, EQ and Reverb; support of many different output formats from Mono to Stereo and Binaural to 5.1, 7.1.2, Auro 11.1 and 13.1, 22.2 to Ambisonics up to 6th order; five HRTF datasets, with more than 100 HRTF profiles as well as Support for SOFA files for personalized HRTFs; clever preset management with hundreds of factory sound for an instant start, sub-presets for different parts of the synthesis, search filters and randomizing options; scalable user interface

Cherry Audio Pro Soloist Synthesizer (ESD); virtual synthesizer; based upon a well known, preset-based monophonic analog synthesizer from 1972; every aspect precisely modeled in exacting detail incl. the the panel interface and the 30 presets; different user interfaces for Performance, Edit as well aa Arpeggio and Effect Mode; all Pro Soloist voicing parameters reproduced and exposed, including the five parallel 2-pole bandpass filters of the Resonator Bank, expanded with individual frequency curves; dual-layer voicing architecture with 16 polyphonic voices per layer to create split and stack combinations; Panel Control for selecting layer controls, including utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets; Touch Sensor Effects controls to apply aftertouch to volume, brilliance (filter), and portamento, with adjustable touch sensitivity; monophonic and polyphonice voice modes with different trigger options; VCO with sawtooth and pulse waves, plus a Super Wave option for fatter tones; VCO modulation with ADSR PWM, AR PWM, LFO PWM, and LFO FM; four-pole filter with filter invert and many modulation options; resonant highpass filter with cutoff frequency from 20 Hz to 1300 Hz; Resonator Bank with five parallel bandpass filters with continuously variable and modulatable frequency and resonance controls; VCA with modulation by ADSR, AR, LFO, and velocity, and independent per-layer control over volume and panning for stereo tones; ADSR and AR envelope generators; Modulation Matrix with six slots, 22 sources and 58 destinations; Arpeggiator with four modes and MIDI tempo sync; internal effect section featuring distortion, phaser, flanger / chorus, echo and reverb with five algorithms; full MIDI control and DAW automation for all controls; more than 400 presets; scalable user interface with Focus zoom-in feature, as well as standard UI zoom and resize with drag

Roland VR-6HD; Direct Streaming AV Mixer; Live automation with sequencing, macros and scene memories; Integrated streaming encoders enable the transmission of two live streams, each up to 1080p/60 FPS; Capable of recording directly to an SDXC card for archiving, editing and sharing; Six 1080p HDMI inputs with frame rate conversion and real-time scalers; Cinema and TV framerate support; Five layer video effects engine; a total of five outputs: 3x HDMI, 1x USB-C streaming and an independent direct streaming output; Six selectable output modes: Program, Sub-Program, Aux, Preview, Multiview and Still View; 28-channel digital audio mixer with effects and signal processors; 16 still image storage slots for screen recording or uploading BMP, JPEG and PNG image files via the alpha channel to internal non-volatile memory; Control of six PTZ cameras, compatible with numerous manufacturers and control protocols; 4.3'' touchscreen with graphic menu; Advanced device control via Bluetooth®, USB, RCA and LAN; Remote control software available for iPad, macOS and Windows; Camera tally light: wireless or wired; Technical data:; Power supply: AC adapter; Current consumption: 2.3A; Power consumption: 55W; Dimensions: 370 x 242 x 100mm; Weight: 3.4kg

Caractéristiques techniques : - Matériau : bouleau- Dimensions (mm) : 240 x 240 x 350- Surface de frappe : bouleau- Caisse de résonance : 8 couches de bouleau- Technologie de timbre : fixéSpécialement conçus pour les enfants, les deux Kids Cajons proposent aux jeunes musiciens en herbe des instruments robustes, adaptés à leur taille, avec un véritable son cajon pour leur faire découvrir ce fabuleux instrument.

Tout lampe- Amplificateur pour enregistrement- 2 canaux- Puissance commutable: 10 / 25 Watt- Lampes d'amplification: 2 x EL84- Lampes de préamplification: 6 x 12AX7- Modes canal 1: Clean, Fat et Crunch avec sélecteur de puissance multi-Watt- Contrôles canal 1: Gain, Treble, Mid/Boost, Bass, Presence, Reverb, Master- Modes canal 2: Mark IIC+, Mark IV et Xtreme avec sélecteur de puissance multi-Watt- Contrôles canal 2: Gain, Treble, Middle, Bass Presence, Reverb, Master- EQ graphique 5 bandes- Technologie Mesa Dyna-Watt- CabClone intégré: Simulation de baffle (fermé/ouvert) avec résistance de charge intégrée- Sortie casque- Intérrupteur Speaker On/Off- Intérrupteur de masse- Réverbération à ressort réglable par canal- Boucle d'effets à lampe- Connexion pour footswitch (canal & EQ)- Dimensions: 356 x 222 x 203 mm- Poids: 7,5 kg- Footswitch et housse de protection incl.- Fabriquée aux USA

iZotope RX 11 Elements EDU (ESD); Audio Restoration Software; educational version: requires proof of eligibility; basic audio restoration and repair tools for content creators and home studios; RX Repair Assistant and five other plug-ins with the algorithms of the RX 11 software; includes Voice De-noise, De-clip, De-click, De-hum, De-reverb and Repair Assistant; RX 11 Repair Assistant provides a straightforward solution to the most common restoration needs within a DAW; Repair Assistant for various audio sources automatically detects problems using machine learning and suggests a suitable treatment that can be customised by the user; Voice De-noise plugin reduces background noise in voice recordings; De-Clip plugin is capable of removing distortion from clipped recordings; De-Click plugin offers various algorithms to remove periodic or time-varying impulse noise; De-Hum plugin with Static and Dynamic Mode removes background hum including harmonics with narrow band filters; De-Hum Dynamic Mode automatically cleans up the entire audio spectrum with up to 1024 dynamic notch filters by learning the noise type; De-Reverb plugin attenuates reverbation in audio recordings

Eventide EChannel (ESD); channel strip plugin; versatile and lightweight channel strip that comes with a full set of editing options; FlexiPath routing allows to freely reorder the modules gate, compressor, and EQ; gate and compressor offer a full set of parameters and sidechain functionality; compressor can be used as de-esser; flexible parametric EQ with five bands; output section with modeled transformers for gain depending saturation effects