PARTITIONS GRATUITES : ALTO (VIOLE)
- Bach's Toccata

ISBN 0739018620. Baroque; Masterwork. Transcribed from the famous original organ work, Willard Palmer presents here Bach's most well-known "Toccata" for performance at the piano, unsimplified, and containing every note of the original piece.

(BWV 565). By Johann Sebastian Bach (1685-1750). Arranged by Victor López. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Concert Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 3. 234 pages. Published by Alfred Music Publishing

Piano Solo. By Johann Sebastian Bach. Arranged by Edwin Hughes. Piano Collection. Size 9x12 inches. 92 pages. Published by G. Schirmer, Inc.

Composed by Johann Sebastian Bach (1685-1750). Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Donald Hunsberger Wind Library. Form: Fugue; Toccata. Baroque; Masterwork Arrangement. Part(s); Score. 322 pages. Alfred Music #00-DH9802. Published by Alfred Music

Piano

SKU: C4.9790902257176

Composed by Johann Sebastian Bach. Edited by Daniel Mitterdorfer and Harold Fabrikant. Arranged by Eugen d'Albert. Classical. Score. Crescendo Music Publications #9790902257176. Published by Crescendo Music Publications (C4.9790902257176).

ISBN 9790902257176. 8.27 x 11.7 inches.

Eugen d'Albert (1864-1932) enjoyed an illustrious and colourful career as both concert pianist and composer. He wished to include J.S. Bach's music in his concerts and sought the grandeur of some of the large secular organ works. The transcriptions he made for this purpose are arguably better than the numerous Bach transcriptions made by his contemporaries. D'Albert's versions of eight secular masterworks present them remarkably close to their original form, yet perfectly matched to the modern piano. At times, they make very considerable technical demands, but the effort to master them is amply rewarded.

This 116-page volume marks their first appearance since they were first issued over a century ago. Many errors and inaccuracies have been remedied and English translations of his musical terms have been provided.

8-part Trombone Ensemble - advanced

SKU: CY.CC2947

Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Score and parts. 50 pages. Cherry Classics #2947. Published by Cherry Classics (CY.CC2947).

ISBN 9790530057667.

Bach 's Toccata and Fugue in D minor BWV 565 is possibly the most famous work in the organ repertoire. It was written as early as 1704 while the composer was in his teens, which could explain some of its unusual features. It first appeared in publication in 1833 by way of Felix Mendelssohn.
The first appearance of this work as a transcription and recording for brass came in 1979 by Frederick Mills and the Canadian Brass, becoming an iconic work in the ensemble's repertoire.
Ralph Sauer has had a great deal of success with his transcriptions of Bach's works. This work of about 9 minutes in length for 8-part Trombone Ensemble of advanced performers is brilliantly thought out and can be the cornerstone of a concert program.

Toccata In D Minor, arguably Bach's most famous toccata, is faithfully edited and transcribed here by Sydney Pickles for Piano solo

Organ

SKU: HL.49045488

Fur Orgel. Composed by Christian Jost. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 2011. 32 pages. Duration 15'. Schott Music #ED 21065. Published by Schott Music (HL.49045488).

ISBN 9790001176088. 9.0x12.0x0.145 inches.

There is no other work more closely associated with the organ than Johann Sebastian Bach's Toccata in D minor. During my compositional preparation, I repeatedly found myself returning to this work. I had a number of different formal models in mind, but felt myself gravitating towards the rhapsodic character of toccata form so that my new composition for organ ultimately became a toccata developing from a pedal point on the fundamental note 'D'. As is appropriate to the volume of a large modern organ, my concept focuses on symphonic tonal layers whose suggestive maelstrom originates from the inner strength of repeating elements and their register- like augmentation, culminating in the unleashing of polyrhythmic progressions. (Christian Jost).