PARTITIONS GRATUITES : VIOLON ET ALTO
- Clementi - Sonatina

(Muzio Clementi Opera Omnia - Volume XIV). By Muzio Clementi (1752-1832). Edited by David Rowland. Critical commentary. 692 pages. Published by Ut Orpheus

Piano SKU: HU.HN330 Composed by Muzio Clementi. Edited by Sonja Gerlach. Piano Solo, Piano and Keyboard, Repertoire, Collections. Selected Piano Sonatas, Volume 2 (1790-1805). Classical. Softcover Book. 156 pages. G. Henle #HN330. Published by G. Henle (HU.HN330).

Haydn, Mozart, Beethoven, Clementi, Kuhlau, Weber. Composed by Franz Joseph Haydn (1732-1809), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Muzio Clementi (1752-1832), Friedrich Kuhlau (1786-1832), and Weber. Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Classical; Masterwork. Book. 84 pages. Kalmus Classic Edition #00-K09838. Published by Kalmus Classic Edition

Piano Solo. By Muzio Clementi. Edited by S> Gerlach, A. Tyson. For piano solo. This edition: HN817. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: 3 and 7. Urtext edition (Paper-bound). 11 pages. Published by G. Henle.

This item will ship directly from our Australia warehouse! Piano SKU: HU.HN317 Composed by Muzio Clementi. Edited by Sonja Gerlach. Piano Solo, Piano and Keyboard, Repertoire, Collections. Selected Piano Sonatas, Volume 1 (1768-1785). Classical. Softcover Book. 104 pages. G. Henle #HN317. Published by G. Henle (HU.HN317).

Books and Journals

SKU: UT.QC-2

Composed by Rohan H. Stewart-MacDonald. Hardback (Cloth Hard Cover with Jacket). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 2. Published by Ut Orpheus (UT.QC-2).

ISBN 9788881094585. 6.5 x 9.5 inches.

The career of Muzio Clementi (1752-1832) spanned the lives of both Mozart and Beethoven and was exceptionally diverse. It encompassed performing on the keyboard, conducting, teaching, business activities and composition in the realms of keyboard, chamber and orchestral music. This book focuses on Clementi’s keyboard sonatas and aims to shed new light on their relationship with the complex cross-currents of late eighteenth-century musical style, both in England, where Clementi was active for much of his career, and the continent, which he visited periodically.
The first chapter summarises Clementi’s historical reputation as it developed in the nineteenth and twentieth centuries, and evaluates the impact on it of the significant developments in Clementi scholarship since 2000. The aim is to stress the deficiencies of the established view of Clementi as a keyboard pedagogue and to stress the importance of liberating him as much as possible from this ingrained perception. This is attempted, in the remaining chapters, through close, analytical readings of a variety of keyboard sonatas from all stages of his career, comparing them with a range of works by Haydn, Mozart, Beethoven and other contemporaries such as Jan Ladislav Dussek (1760-1812). The comparisons are made from the perspectives of distinguishing features of Clementi’s style such as his unusually intense deployment of strict counterpoint in the later keyboard sonatas; his cultivation of irregularity in recapitulations; his use of the ‘three-key’ exposition in the middle-to-later stages of his career that seems to anticipate nineteenth-century developments, and also his assimilation of heightened virtuosity into the earlier sonatas, often in the form of cadenzas more suggestive of the keyboard concerto – a genre Clementi seems, rather strangely, to have neglected. The book has been envisaged as a direct response, not only to the most recent scholarship on Clementi, but also to current approaches to eighteenth-century music in general, including the interdisciplinary work of Annette Richards.

Books and Journals

SKU: UT.QC-1

Edited by Massimiliano Sala Richard Bösel. Paperback (Soft Cover). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 1. Published by Ut Orpheus (UT.QC-1).

ISBN 9788881094509. 6.5 x 9.5 inches.

Saggi di Eva Badura-Skoda, Otto Biba, Federico Celestini, Andrea Coen, Dorothy de Val, Anselm Gerhard, Alberto Iesuè, Roberto Illiano, Leon Plantinga, David Rowland, Luca Sala, Massimiliano Sala, Rohan H. Stewart-MacDonald


L’Istituto Storico Austriaco a Roma, in collaborazione con la Sezione di Storia della Musica dell’Istituto Storico Germanico a Roma, il Comitato Scientifico degli Opera omnia di Muzio Clementi e il Da Ponte-Institut für Librettologie, Don Juan-Forschung und Sammlungsgeschichte di Vienna, ha organizzato dal 4 al 6 dicembre 2002 un symposium internazionale di studi dal titolo Muzio Clementi. Cosmopolita della musica, che ha inteso riunire nella città natale dell’autore i maggiori esperti di Clementi in occasione del 250° anniversario della nascita del compositore.
I numerosi interventi del symposium si sono articolati in complessive 4 sezioni (Muzio Clementi nel 250^o anniversario della nascita; Clementi: un romano a Londra; L’altro Clementi; Clementi e la «Wiener Klassik»), svoltesi presso la sede dell’Istituto Storico Austriaco (5 e 6 dicembre).
La manifestazione ha messo in luce soprattutto la dimensione europea degli interscambi culturali dovuti al fenomeno delle migrazioni dei musicisti, dei rapporti internazionali inerenti all’editoria, all’impresariato e al commercio degli strumenti a tastiera.

Piano Solo. By Muzio Clementi. Arranged by Riccardo Risalti. Piano Large Works (Arranged for piano). Size 9x12 inches. 80 pages. Published by Ricordi.