| Otona Piano in Classical Music Piano seul Yamaha
Piano - Easy-Intermediate SKU: YM.GTP01098166 Keyboard. Arranged Classic....(+)
Piano - Easy-Intermediate
SKU:
YM.GTP01098166
Keyboard. Arranged
Classic. Score. Yamaha
Music Media #GTP01098166.
Published by Yamaha Music
Media (YM.GTP01098166).
ISBN
9784636981667. Ther
e are many music sheet
books available for
children, but not many
for adults who have just
started playing the
piano. The Otona Piano
series is designed for
those adults who are
beginner piano players.
Here is a great
piano collection for
those who want to take
their piano playing to
the next level! It is
also a great selection
for live
performances! $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Haydn: Complete Piano Sonatas, volume I Piano seul G. Henle
(Samtliche Klaviersonaten, Band I). By Franz Joseph Haydn (1732-1809). Edited by...(+)
(Samtliche
Klaviersonaten, Band I).
By Franz Joseph Haydn
(1732-1809). Edited by
Georg Feder. For Piano.
STUDY EDITION. Henle
Study Scores. Urtext
edition. SMP Level 10
(Advanced). Study score
(paper-bound). G. Henle
#HN9238. Published by G.
Henle (HL.514 study score
(paper-bound)
$31.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| OTONA PIANO Piano seul Yamaha
Piano Solo SKU: YM.GTP01100090 Very Easy Classics arranged for Adults<...(+)
Piano Solo SKU:
YM.GTP01100090
Very Easy Classics
arranged for Adults.
Composed by Various.
Otona Piano Series.
Arranged Classical Music,
Educational, Exercise,
Lesson. Score. Yamaha
Music Media #GTP01100090.
Published by Yamaha Music
Media (YM.GTP01100090).
ISBN 9784636100655.
8.5 x 12
inches. Easy
arrangements for adults
to start playing the
piano for the first time.
Features large,
easy-to-read music
sheets. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 12 Italian Keyboard Sonatas Piano seul Ricordi
Composed by Various. Edited by Cesare Fertonani. Piano Collection. Classical, I...(+)
Composed by Various.
Edited by Cesare
Fertonani. Piano
Collection. Classical,
Italian. Softcover. 68
pages. Ricordi #NR141564.
Published by Ricordi
(HL.50600875).
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata No. 1 in A minor, Op. 42 Violoncelle, Piano Sikorski
(Piano and Violoncello). By Carl Reinecke (1824-1910). For Cello, Piano Accompan...(+)
(Piano and Violoncello).
By Carl Reinecke
(1824-1910). For Cello,
Piano Accompaniment
(Score and Parts).
String. Softcover. 52
pages. Sikorski #SIK1667.
Published by Sikorski .
Softcover.
$28.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adagio Cantabile (from Sonata No. 8 Pathetique Piano seul Subito Music
Piano SKU: SU.95001001 For Piano. Composed by Ludwig van Beethoven...(+)
Piano SKU:
SU.95001001 For
Piano. Composed by
Ludwig van Beethoven.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#95001001. Published by
Subito Music Corporation
(SU.95001001).
The original
edition, formatted 2½
larger than traditional
printed music. Published
by: Large Print
Music. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Teachers' Choice 2013-2014 Grades 6 and 7 Piano seul - Intermédiaire/avancé Wells Music Publishers
Piano - Grade 4 SKU: BT.WMP2213 Selected Piano Repertory and Studies(+)
Piano - Grade 4 SKU:
BT.WMP2213
Selected Piano
Repertory and
Studies. By Josephine
Koh. Teachers' Choice.
Exam Material. Book Only.
41 pages. Wells Music
Publishers #WMP2213.
Published by Wells Music
Publishers (BT.WMP2213).
ISBN 9789810751197.
English. Teachers' Choice,
Selected Piano Repertory
& Studies for Grade 6
& 7 is
compiled to provide
teachers and students
with good options for the
2013-2014 ABRSM piano
examinations.
- Thiscollection of
interesting and appealing
piano pieces contains
editorial suggestions for
pedagogical purposes.
Most piano teachers will
find the performance
points helpful in
developing stylistic
awareness in the
students.
- Examina
tion requirements aside,
teaching details with
regards to articulation,
dynamics, fingering,
pedal marks and tempo
indications encourage
students to practise
diligently and thus
strive towards musical
excellenceandperfection.<
/li>
- Effective
technical studies, suited
to the levels have been
carefully selected,
forming in themselves,
supplementary material to
enhance the learning
process.
- Most
important of all, enjoy
the highstandards of
music typography - such
clear, professionally
laid scores, supported by
modern publishing
technology and musical
semiotics. The digital
print on quality
cream-coloured paper
ensures comfort in the
reading of
musicscores.
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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