Julius Klengel VIOLON, ALTO, PIANO

Bach, Johann Sebastian (1685 - 1750), transcr. for Cello and Piano by Julius Klengel. For Cello. String - Cello and Piano. Masterwork. 68 pages. Published by Alfred Publishing.

Edited by Transcr. Klengel. Masterworks; String - Viola Collection. Kalmus Edition. Masterwork. Book. 36 pages. Kalmus Classic Edition #00-K04305. Published by Kalmus Classic Edition

Cello Method. By Paul Klengel. (Cello). String Solo. Size 9x12 inches. 44 pages. Published by Schirmer.

Edited by Transcr. Klengel. Masterworks; String - Viola Collection. Kalmus Edition. Masterwork. Book. 28 pages. Kalmus Classic Edition #00-K04304. Published by Kalmus Classic Edition

12-part Trombone Choir - Advanced

SKU: CY.CC3139

Composed by Julius Klengel. Arranged by Brian Conklin. Classical. Score and Parts. Cherry Classics #CC3139. Published by Cherry Classics (CY.CC3139).

ISBN 9790530111079. 8.5 x 11 in inches.

Hymnus, Op 57 is a piece first composed for 12 cellos by Julius Klengel and first published in 1920. Klengel was one of the most important German cellists and pedagogues of the German Romantic period. Hymnus is a lush, chordal and spiritual work composed in memory of the great conductor Artur Nikisch. It has been beautifully arranged for 12-part Trombone Choir by Brian Conklin. This 6 minute work is appropriate for advanced performers.

Bass Clarinet Ensemble

SKU: IS.BCE7278EM

Composed by Julius Klengel. Arranged by Matt Johnston. Woodwinds - Bass Clarinet / Basset Horn. Metropolis Music Publishers #BCE7278EM. Published by Metropolis Music Publishers (IS.BCE7278EM).

ISBN 9790365072781.

Juli us Klengel (1859 - 1933) was a German cellist who is most well-known for his compositions for his own instrument, most notably a large output of works for multiple cellos. After joining the Leipzig Gewandhaus Orchestra at the age of 15, he became the principal cellist for the group in 1881 at the age of 22. The largest cello ensemble he composed was his Hymnus, Op. 57, for twelve cellos. In crafting this arrangement for twelve low clarinets, unfortunately, it was not as simple as just transposing the parts into the bass clarinet key. Ultimately, the decision was made to transpose the work from G major to B-flat major, in order to better suit the ranges of the instrument. Also, the addition of the two contra clarinets allowed the accommodation of this transposition, as well as giving some flexibility in regards to shifting some phrases amongst the parts.

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag