PARTITIONS GRATUITES : BANJO TAB
- English Traditional Song

Folk Voiceworks. (30 Traditional Songs). By Peter Hunt; David Oliver. For Mixed voices, unison to 5 parts. Song Book. Voiceworks. Voiceworks. 176 pages. Published by Oxford University Press

Composed by Traditional Folksong/arr. Nathaniel Adams. Arranged by Nathaniel Adams. Concert, School. Amanda Quist Choral Series. Octavo. 12 pages. Walton Music #WW1760. Published by Walton Music

Piano 4 hands - Intermediate vs Intermediate

SKU: YM.GPP01096081

Piano Ensemble. Japanese Traditional Songs. Sheet music. Yamaha Music Media #GPP01096081. Published by Yamaha Music Media (YM.GPP01096081).

ISBN 9784636960815.

Uniq ue arrangements based on the world traditional songs for 2 intermediate pianists.
Yi Shi Jie Chuan Tong Ge Yao Wei Ji Chu Zhong Xin Bian Pei De Gang Qin Er Zhong Zou .

Variations on the themes; 1. London Bridge; 2. If you're Happy and You Know It; 3. Mary Had a Little Lamb; 4. Buzz, Buzz, Buzz; 5. Ich bin ein Musikante; 6. Shoemaker's dance; 7. I've Been Working on the Railroad; 8. Yankee Doodle; 9. Frog Song; 10. Go Tell Ant Rhody
Zhu Ti Bian Zou ; 1. Lun Dun Qiao ; 2. Xing Fu Pai Shou Ge ; 3. Ma Li You Zhi Xiao Yang Gao ; 4. Xiao Mi Feng Weng Weng Weng ; 5. Wo Shi Yin Le Jia ; 6. Xiao Xie Jiang De Wu Dao ; 7. Wo Yi Zhi Zai Tie Lu Shang Gong Zuo ; 8. Yang Ji *Du De Er ; 9. Xiao Tiao Wa ; 10. Gao Su Luo Di A Yi.

Book with Online Material Piano Accompaniment; Voice (Voice and Piano)

SKU: HL.49047417

30 Traditional Pieces for 1-2 Voice and Piano Book with Online Ma. Composed by Philip Lawson. Vocal Collection. Classical, English, Folk. Softcover Media Online. 108 pages. Schott Music #ED13578D. Published by Schott Music (HL.49047417).

ISBN 9781847615671. UPC: 196288221388.

Engli sh Folk Songs is a collection of 30 arrangements for 1 or 2 voices and piano, of traditional tunes. Put together by the highly regarded singer and arranger Philip Lawson, the volume contains well known songs such as Ash Grove and Scarborough Fair, as well as many lesser known pieces. Audio recordings of all tunes performed by Philip and Sophie Lawson are available for free download. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for singers of grades 3-8.

Flute, Clarinet and Oboe

SKU: HL.14043012

Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31940. Published by Edition Wilhelm Hansen (HL.14043012).

ISBN 9788759829271.

Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.

Flute, Clarinet and Oboe

SKU: HL.14043011

Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31940A. Published by Edition Wilhelm Hansen (HL.14043011).

ISBN 9788759829288. 9.7x14.0x0.079 inches.

Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Parts. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.