| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Phaethon [Conducteur et Parties séparées] - Avancé De Haske Publications
Trombone Ensemble - advanced SKU: BT.DHP-1094668-070 Pour Trombone bas...(+)
Trombone Ensemble -
advanced SKU:
BT.DHP-1094668-070
Pour Trombone basse &
Ensemble. Composed by
Maxime Aulio. De Haske
Manuscript. Set (Score &
Parts). Composed 2008. 16
pages. De Haske
Publications #DHP
1094668-070. Published by
De Haske Publications
(BT.DHP-1094668-070).
9x12 inches.
English-German-French-Dut
ch. Instrumentation
:Solo Bass Trombone
FluteEnglish HornEb
ClarinetF
HornHarpPianoDouble
BassPercussion:Vibraphone
Tubular Bell
(C#)Whip/SlapstickRatchet
Small chinese Gong rising
tone
Trombone
basse solo / Ensemble
instrumental : Fl te
traversière •
Cor anglais •
Petite Clarinette en Mib
• Cor en Fa •
Harpe • Contrebasse
• Piano /
Percussions : Vibraphone
• Cloche tube (Do#)
• Fouet •
Crécelle • Petit
gong chinois ascendant. /
PHAETHON : Le poète
latin Ovide [43 av.
J.-C./17 après J.-C.]
a consigné dans ses
Métamorphoses,
véritable texte
fondateur de la
mythologie classique,
quelques-unes des
légendes antiques les
plus immortelles dont le
mythe de Phaethon et le
char solaire. Né
d’une liaison
entre
l’Océanide
Clymène et Hélios
(le Soleil), Phaethon
entretient des doutes sur
sa filiation divine. Il
décide alors de se
rendre au palais du
Soleilpour obtenir
confirmation de son
lignage. Le Soleil
l’accueille en
fils et s'engage, par un
serment qu'il ne peut
rompre, lui accorder la
faveur de son choix pour
prouver sa paternité.
Phaethon lui demande de
le laisser conduire le
char solaire durant un
jour. Lié par son
serment, Hélios sait
qu’il doit honorer
sa promesse. Il tente
vainement de dissuader
son fils, invoquant son
jeune ge, sa condition de
mortel et le caractère
surhumain de la t che.
Sourd aux paroles de son
père, Phaethon prend
les rênes et les
quatre coursiers du
Soleil
s’élancent dans
les cieux. Très vite,
il perd le contrôle de
la situation. Le char
dévie alors de sa
course habituelle.
Phaethon, complètement
perdu, assiste impuissant
la ruine et la
dévastation qui se
répand partout sur la
terre. Alors que
l’univers entier
est en flammes, Jupiter,
pour éviter la
destruction du monde,
foudroie le jeune
Phaethon et arrête la
course du char. Le corps
embrasé du fils du
Soleil est
précipité travers
l'espace et tombe dans le
fleuve Éridan, où
les Na ades de
l'Hespérie lui
dressent un tombeau et
une épitaphe : «
Ci-gît Phaethon, qui
fut l'aurige du char de
son père ; Il ne put
le maîtriser, mais sa
grande témérité
le perdit.
»Phaethon
est une commande de
Frédéric Potier -
trombone basse solo de
l’Opéra
national de Paris et
professeur au CNSM de
Lyon -. $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wie Schon Leuchtet Der Morgenstern Variationen Fur Oboe (or Flute, Violin) And Organ - Avancé Schott
Flute, Oboe, Organ, Violin (Score & Parts) - advanced SKU: HL.49017927 (+)
Flute, Oboe, Organ,
Violin (Score & Parts) -
advanced SKU:
HL.49017927
Variations for Oboe
(Flute or Violin) and
Organ. Composed by
Naji Hakim. This edition:
Saddle stitching. Sheet
music. Woodwind.
Classical. Softcover. 36
pages. Duration 8'.
Schott Music #ED20613.
Published by Schott Music
(HL.49017927). ISBN
9790001158312. UPC:
884088566708.
9.0x12.0x0.161
inches. Naji Hakim,
born in Beirut in 1955,
studied with Jean
Langlais and Rolande
Falcinelli and is one of
the leading organ
composers of today. His
cycle of variations on
the chorale 'Wie schon
leucht uns der
Morgenstern' was
commissioned by 'Freunde
der Musik am
Liebfrauenmunster,
Ingolstadt' and premiered
by him on 14 September
2008 together with the
oboist Georgi
Kobulashwili. As is
always the case in Naji
Hakim's works, formal
brilliance and elegant
melody are combined with
a sense of the individual
tonal possibilities of
the respective
instrument. Concert piece
of 8 minutes'
duration. $34.00 - Voir plus => Acheter | | |
| Partita BWV 1013 for Trombone Alone Trombone - Avancé Cherry Classics
Trombone Unaccompanied - advanced SKU: CY.CC2651 Composed by Johann Sebas...(+)
Trombone Unaccompanied -
advanced SKU:
CY.CC2651 Composed by
Johann Sebastian Bach.
Arranged by Ralph Sauer.
Baroque. Booklet.
Published by Cherry
Classics (CY.CC2651).
This wonderful
unaccompanied work by
Johann Sebastian Bach
was, in all likelihood,
written for the
transverse flute, though
that is by no means
certain. In fact, there
is an earlier version of
the Allemande for a
keyboard or stringed
instrument.
The
Partita, originally in
the key of A minor has
been transposed down into
D minor, putting it into
a perfect range. The work
is in four
movements:
Allem
ande, Corrente, Sarabande
and Bourree Anglaise and
is appropriate for
advanced
performers.
Dist
ributed by Cherry
Classics Music for
Balquhidder Music. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Partita BWV 1013 for Tuba or Bass Trombone Alone - Avancé Cherry Classics
Tuba or Bass Trombone Unaccompanied - advanced SKU: CY.CC2753 Composed by...(+)
Tuba or Bass Trombone
Unaccompanied - advanced
SKU: CY.CC2753
Composed by Johann
Sebastian Bach. Arranged
by Ralph Sauer. Baroque.
Booklet. Published by
Cherry Classics
(CY.CC2753).
This wonderful
unaccompanied work by
Johann Sebastian Bach
was, in all likelihood,
written for the
transverse flute, though
that is by no means
certain. In fact, there
is an earlier version of
the Allemande for a
keyboard or stringed
instrument.
The
Partita, originally in
the key of A minor has
been transposed down into
G minor, putting it into
a perfect range. The work
is in four
movements:
Allem
ande, Corrente, Sarabande
and Bourree Anglaise and
is appropriate for
advanced performers. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Partita BWV 1013 for Euphonium Alone Euphonium - Avancé Cherry Classics
Euphonium Unaccompanied - advanced SKU: CY.CC2751 Composed by Johann Seba...(+)
Euphonium Unaccompanied -
advanced SKU:
CY.CC2751 Composed by
Johann Sebastian Bach.
Arranged by Ralph Sauer.
Baroque. Booklet.
Published by Cherry
Classics (CY.CC2751).
This wonderful
unaccompanied work by
Johann Sebastian Bach
was, in all likelihood,
written for the
transverse flute, though
that is by no means
certain. In fact, there
is an earlier version of
the Allemande for a
keyboard or stringed
instrument.
The
Partita, originally in
the key of A minor has
been transposed down into
D minor, putting it into
a perfect range. The work
is in four
movements:
Allem
ande, Corrente, Sarabande
and Bourree Anglaise and
is appropriate for
advanced performers. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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