PARTITIONS GRATUITES : HAUTBOIS ET CLARINETTE
- CLARINET CONCERTO

(Clarinet with Piano Reduction). Composed by Bernhard Henrik Crusell (1775-1838). Edited by Johannes Umbreit and Nicolai Pfeffer. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1209. Published by G. Henle

Clarinet and Piano. Composed by Philip Sparke (1951-). Arranged by Philip Sparke. Anglo Instrumental series. Educational Tool. Book [Softcover]. Composed 2004. 40 pages. Anglo Music Press #AMP 130-401. Published by Anglo Music Press

(Clarinet in B-flat with Piano Reduction). Composed by Bernhard Henrik Crusell (1775-1838). Edited by Nicolai Pfeffer. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. 34 pages. G. Henle #HN1210. Published by G. Henle

Clarinet and Piano. Composed by Bernhard Henrik Crusell (1775-1838). Edited by Nicolai Pfeffer. Henle Music Folios. Softcover. 50 pages. G. Henle #HN1208. Published by G. Henle (HL.51481208).

(Clarinet with Piano Reduction). Composed by Louis Spohr (1784-1859). Edited by Christoph Sobanski and Ulrich Scheideler. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN995. Published by G. Henle

Composed by Carl Maria von Weber (1786-1826). Arranged by Kathryn Vedder. For bass clarinet and piano. Classical; romantic period. Piano score and part. 26 pages (score); 10 pages (part). Published by Alea Publishing

Music Minus One Clarinet. By Keith Dwyer. By Various. Sheet music. Music Minus One. Classical. Softcover Audio Online. 20 pages. Music Minus One #MMO3202. Published by Music Minus One

Clarinet and piano (solo: clar - 2.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.EB-10996

Urtext. Composed by Louis Spohr. Edited by Ullrich Schedeler. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Classical; Romantic. Piano reduction. 56 pages. Duration 20'. Breitkopf and Haertel #EB 10996. Published by Breitkopf and Haertel (BR.EB-10996).

ISBN 9790201809960. 9.5 x 12 inches.

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was undeniably one of the most accomplished works of art of its kind. Emphasized was also the great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato. The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler's new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition.