PARTITIONS GRATUITES : FLUTE, VIOLIN, ALTO ET VIOLONCELLE
- TTP

SKU: HL.14015612

SKU: PR.494032000

UPC: 680160686186.

This captivating collection of 30 works for unaccompanied flute, offers refreshing and exhilarating repertoire for intermediate level flute players. Be inspired as you discover scenes of natural beauty - starry skies, a dragonfly, bird songs; enjoy lively dances with elves and ghosts; and immerse yourself in music of tender reflection. The collection features contemporary composers from around the world, with exclusively commissioned works, together with inspiring new arrangements of music by 19th and 20th century masters. Inspiring music for flute players, and suitable for concert, exam, or festival performances. Composers: Wendy Beardall-Norton, Johannes Brahms, Cecile Chaminade, Ansje De Groef, Ignacy Dobrzynski, Hans Engelmann, Emma Greenhill, Greg Harradine, Jolin Jiang, Elena Kats-Chernin, Fanny Mendelssohn, Merryl Neille, Suzanne Palmer-Holton, Sergei Rachmaninoff, Jon Raybould, Gary Schocker, Angel Villoldo. Specifications: * Contents: 30 pieces * Standard: Intermediate level (some Advanced) * Key signatures: up to two sharps and three flats * Time signatures: 4/4, 3/4, 2/4, 12/8, 6/8, 5/8, 3/8 and mixed metre * Pitch range: Middle C to Bb6 (top Bb) * Techniques: Flutter tonguing, stamping, clapping (3 works)   Free flute recordings for every piece can be found at https://www.youtube.com/c hannel/UC14kQiYx9ksLFQplZ RzN3hA For preview pages, please visit https://www.theyoungflute player.com/flutemusic.
This captivating collection of 30 works for unaccompanied flute, offers refreshing and exhilarating repertoire for intermediate level flute players.Be inspired as you discover scenes of natural beauty – starry skies, a dragonfly, bird songs; enjoy lively dances with elves and ghosts; and immerse yourself in music of tender reflection.The collection features contemporary composers from around the world, with exclusively commissioned works, together with inspiring new arrangements of music by 19th and 20th century masters.Inspiring music for flute players, and suitable for concert, exam, or festival performances.Composers: Wendy Beardall-Norton, Johannes Brahms, Cécile Chaminade, Ansje De Groef, Ignacy DobrzyÅ„ski, Hans Engelmann, Emma Greenhill, Greg Harradine, Jolin Jiang, Elena Kats-Chernin, Fanny Mendelssohn, Merryl Neille, Suzanne Palmer-Holton, Sergei Rachmaninoff, Jon Raybould, Gary Schocker, Ángel Villoldo.Specifications:� �€¢ Contents: 30 pieces• Standard: Intermediate level (some Advanced)• Key signatures: up to two sharps and three flats• Time signatures: 4/4, 3/4, 2/4, 12/8, 6/8, 5/8, 3/8 and mixed metre• Pitch range: Middle C to Bb6 (top Bb)• Techniques: Flutter tonguing, stamping, clapping (3 works) Free flute recordings for every piece can be found at https://www.youtube.com/c hannel/UC14kQiYx9ksLFQplZ RzN3hAFor preview pages, please visit https://www.theyoungflute player.com/flutemusic.

SKU: DY.DO-1525

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
Envoyer des commentaires

Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

SKU: DB.09-00732

SKU: CF.CM9730

ISBN 9781491161098. UPC: 680160919697. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About Jonas Halgrimsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him. The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven.... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward. https://digicoll.library. wisc.edu/Jonas/Alheim/Alh eim.html A good friend asked if I would write a song for her ensemble. The parameters were that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson's writings. There is such a need for three-part music that is both exciting, accessible, and challenging. Director's Note Truly consider how the work can come to 'life' off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page! Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles Accompaniment Note The accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
AboutJónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven....   The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.     https://digicoll.library. wisc.edu/Jonas/Alheim/Alh eim.htmlA good friend asked if I would write a song for her ensemble.  The parameters were that it had to be three-part with a limited range in the Bass part.  With these stipulations I began to write.  I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings.   There is such a need for three-part music that is both exciting, accessible, and challenging. Director� �€™s NoteTruly consider how the work can come to ‘life’ off the page.  Rise and fall with phrase and sometimes each note.  The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensemblesAccompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm.  So long as the momentum of the work is pressed onward, you are doing this work justice.

SKU: PR.494031980

UPC: 680160686162.

Young players who are just starting to read music can find it difficult to follow a duet or trio. This book solves the problem with color coded music, making it easy for clarinet beginners to follow their ensemble part.Students only need to know 4 or 5 notes to play the first duets in this book, which covers Beginner and Preliminary levels.The music spans a wide range of composers, as well as traditional tunes from around the world. There is a selection of festive music, a section of rounds, plus there are warm up exercises, each focusing on one aspect of ensemble technique. The arrangements by Karen North have been prepared in consultation with clarinet specialist Sally Lucas.The arrangements work well for two players up to a large clarinet ensemble. Many pieces offer maximum flexibility as they can be played as a Duet (use the two upper parts) or as a Trio.Free recordings of all the duets & trios: https://www.youtube.com/c hannel/UCh0MBwKcJUR75_3wX RyYj5QPreview pages: https://www.theyoungflute player.com/clarinet-music Specifications:• Beginner-Preliminary level• 32 pages• 29 duets and trios• 8 warm-up exercises• 9 rounds• Keys up to one sharp or flat• Time signatures: 2/4, 3/4, 4/4, C, 6/8, 2/2.

SKU: CF.CM9624

ISBN 9781491156971. UPC: 680160915538. 6.875 x 10.5 inches. Key: G minor. English, English. Adapted from NKJV.

With a variety of musical elements reminiscent of Eastern European and Middle Eastern folk songs, Tompkins aptly utilizes the cultural background of Biblical poetry in this dance-like setting for the emerging treble chorus. Mood shifts in the piano part, chorus, and text make this an excellent piece for experimenting with a variety of timbres, vocal colors, and expression. Highly suitable for year-round programming needs.
Adonai, My Shepherd (Psalm 23) is an English translation* of a song taken from the Tehillim (Psalms), an ancient Hebrew text which is also part of a larger collection of sacred writings, called the Ketuvim. The book of Psalms can also be found in the Bible's Old Testament. Designed to recognize the cultural background of the poetry, the musical elements of this piece are reminiscent of Eastern European and Middle Eastern folk songs. The tambourine has been added as a rhythmic device, appropriate to some types of Middle Eastern folk music, and to suggest a dance-like atmosphere. Mood shifts in the piano, chorus and text make this an excellent piece for experimenting with a variety of timbres, vocal colors and expression. For ensembles looking to incorporate added artistic dimension to performances, choirs are encouraged to make use of the performance space through creative blocking and/or movement appropriate to the style of each section. *English translation is adapted from The Complete Jewish Bible, (tr. Stern, used with permission) and The New King James Version (ed. Farstad). https://www.britannica.co m/art/tambourine.
Adon ai, My Shepherd (Psalm 23) is an English translation* of a song taken from the Tehillim (Psalms), an ancient Hebrew text which is also part of a larger collection of sacred writings, called the Ketuvim. The book of Psalms can also be found in the Bible’s Old Testament.Designed to recognize the cultural background of the poetry, the musical elements of this piece are reminiscent of Eastern European and Middle Eastern folk songs. The tambourine has been added as a rhythmic device, appropriate to some types of Middle Eastern folk music, and to suggest a dance-like atmosphere.Mood shifts in the piano, chorus and text make this an excellent piece for experimenting with a variety of timbres, vocal colors and expression. For ensembles looking to incorporate added artistic dimension to performances, choirs are encouraged to make use of the performance space through creative blocking and/or movement appropriate to the style of each section.*English translation is adapted from The Complete Jewish Bible, (tr. Stern, used with permission) and The New King James Version (ed. Farstad).https://www.brit annica.com/art/tambourine .