| Ich will den Herrn loben allezeit (I) [Conducteur] - Avancé Carus Verlag
With Basso continuo - Level 5 SKU: CA.170100 Composed by Gottfried August...(+)
With Basso continuo -
Level 5 SKU:
CA.170100 Composed by
Gottfried August
Homilius. Edited by
Christoph Albrecht.
German title: Ich Will
Den Herrn Loben (In B)
Org+E. Sacred, Motets,
Psalms, German;
Occasions: Praise and
thanks. Full score. HoWV
V.17. Duration 3 minutes.
Carus Verlag #CV
01.701/00. Published by
Carus Verlag (CA.170100).
ISBN 9790007005948.
Key: C major. Language:
German/English. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Heucke S Glueckliche Prinz Op28 Piano seul [Partition + CD] - Avancé Schott
Piano (NOTEN+CD) - advanced SKU: HL.49033071 Ein Marchen mit 21 leicht...(+)
Piano (NOTEN+CD) -
advanced SKU:
HL.49033071 Ein
Marchen mit 21 leichten
Klavierstucken.
Composed by Stefan
Heucke. This edition:
Hardback/Hard Cover. Book
with CD. Edition Schott.
Oscar Wildes anruhrendes
Marchen - zum Lesen,
Schauen und Horen.
Edition with CD. Composed
1998. Op. 28. 48 pages.
Schott Music #ED 9406.
Published by Schott Music
(HL.49033071). ISBN
9783795755898. German.
Brigitte Smith. In
Oscar Wildes bekanntem
Marchen hat der
Gluckliche Prinz auf den
ersten Blick alles, was
eine Statue sich nur
wunschen kann: Er steht
hoch uber der Stadt, uber
und uber mit Gold
bedeckt, mit Edelsteinen
geschmuckt und von den
Menschen respektvoll
bewundert. Und dennoch
gibt er all das auf: Er
verschenkt sein Gold und
seine Edelsteine. Eine
kleine Schwalbe hilft
ihm, die Kostbarkeiten an
Notleidende zu verteilen,
an Vergessene und
Verlassene, an hungrige
Kinder, die davon Brot
kaufen konnen. Sommer und
Herbst vergehen, Schnee
fallt und es wird kalt.
Die Schwalbe aber will
den Prinzen nicht
verlassen - sie erfriert
und fallt tot zu Fussen
des Prinzen nieder.
Dieser ist inzwischen so
unansehnlich geworden,
dass ihn die Menschen,
die ihn zuvor mit
Ehrfurcht betrachteten,
von seinem Sockel sturzen
und einschmelzen. Nur das
Bleiherz will im Hochofen
nicht schmelzen, und so
wird es auf einen
Kehrichthaufen geworfen,
auf dem auch die tote
Schwalbe liegt. So
bleiben am Ende in Oscar
Wildes Marchen Liebe und
Freundschaft als Werte
bestehenDie 21 kleinen
Klavierstucke von Stefan
Heucke beleuchten die
Episoden des Marchens
musikalisch, vertiefen
den emotionalen Gehalt
und sind fur Kinder sehr
hubsch anzuhoren.
Fortgeschrittene
Klavierschuler oder
Erwachsene werden die
Stucke auch selbst
spielen konnen.Auf der
beiliegenden CD wird das
Marchen von Elfi von
Kalckreuth erzahlt. $28.99 - Voir plus => Acheter | | |
| Emmanuel Alexis Chabrier: Espana Rhapsody 2 Pianos, 4 mains - Avancé Alfred Publishing
Concert Transcription for Two Pianos. By Emmanuel Alexis Chabrier. Arranged by R...(+)
Concert Transcription for
Two Pianos. By Emmanuel
Alexis Chabrier. Arranged
by Richard Simm. For
Piano. This edition: 2
copies required. Piano
Duo (2 Pianos, 4 Hands).
Latin. Level: Advanced.
Book. 40 pages. Published
by Alfred Publishing.
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 12 Quartets Volume 1 [Conducteur] - Avancé Schott
Vocal (SATB) - advanced SKU: HL.49007404 Aus dem Toskanischen. Com...(+)
Vocal (SATB) - advanced
SKU: HL.49007404
Aus dem
Toskanischen.
Composed by Cornelius Uwe
Gustav Jenner. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score. 32
pages. Duration 18'.
Schott Music #ED7635.
Published by Schott Music
(HL.49007404). ISBN
9790001079716. UPC:
884088077884.
9.0x12.0x0.086 inches.
German. $36.00 - Voir plus => Acheter | | |
| Quartets 12 Vol.1 Chorus Score Chorale SATB SATB, Piano - Avancé Schott
4 voices (SATB) with piano (SATB) - advanced SKU: HL.49007405 Aus dem ...(+)
4 voices (SATB) with
piano (SATB) - advanced
SKU: HL.49007405
Aus dem
Toskanischen.
Composed by Cornelius Uwe
Gustav Jenner. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Choral Score.
16 pages. Duration 18'.
Schott Music #ED 7635-01.
Published by Schott Music
(HL.49007405). ISBN
9790001079723.
9.0x12.0x0.055 inches.
German. $6.99 - Voir plus => Acheter | | |
| William Walton : Battle of Britain Ensemble de cuivres [Set de Parties séparées] - Avancé Winwood Music
By William Walton (1902-1983). Arranged by Edward Watson. For Brass Band. Superb...(+)
By William Walton
(1902-1983). Arranged by
Edward Watson. For Brass
Band. Superb adaptation
from the film score.
Serious Concert.
Advanced. Instrumental
Parts. Standard Notation.
Duration 12:15. Published
by Winwood Music .
Instrumental Parts.
Serious Concert.
$111.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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