PARTITIONS GRATUITES :
- 122

SKU: HL.1753726

Royer Labs. Microphone. Hal Leonard #R-122 MKII. Published by Hal Leonard (HL.1753726).

UPC: 850035900130. 7.25x14.25x5.5 inches.

In 2022, we introduced the R-11, the world's first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier. The R-122 MKII takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely cut out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-22. The switches are located on the back of the microphone and recessed to prevent accidental activation. Features: • Phantom powered circuitry provides high output and impedance matching • -15 dB pad before the mic's electronics gives more headroom when activated • Bass cut filter reduces proximity effect and bass below 100 Hz when activated • High SPL Capabilities • No distortion up to maximum SPL rating • Extremely low residual noise • Ribbon element is not affected by heat or humidity • Absence of high frequency phase distortion • Equal sensitivity from front or back of element • Consistent frequency response regardless of distance • Rear side of mic records slightly brighter when three feet or closer to sound source.

(2+1.2.2.2/2.2.3.0,timp,p erc,str,pf solo)

SKU: TM.00122SC

Composed by Franz Liszt. Score. Lucks Music Library #A8167. Published by Lucks Music Library (TM.00122SC).

G.122; solo Pf in Sc.

(2+1.2.2.2/2.2.3.0,timp,p erc,str,pf solo)

SKU: TM.00122SET

Composed by Franz Liszt. Set Type: D. Set of parts. Lucks Music Library #A8167. Published by Lucks Music Library (TM.00122SET).

G.122; solo Pf in Sc.

Piano

SKU: HL.49047463

Piano. Composed by Nikolai Kapustin. Piano. Classical. Softcover. 20 pages. Duration 370 seconds. Schott Music #ED23876. Published by Schott Music (HL.49047463).

UPC: 842819122487. 9.0x12.0x0.098 inches.

Kapustin composed the “Two Etude-Like Trinkets” op. 122 in 2004 and later recorded them for his CD “Kapustin Returns!”, which was released in Japan in 2008.

Composed by Arvo Part (1935-). Bible, Psalm 122 (121). World Premiere: in New York / USA; by the Estonian TV Girls Choir; conducted by Aarne Saluveer. Full score (study). With Standard notation. Composed 2002. Duration 5 minutes. Universal Edition #UE032639. Published by Universal Edition

SKU: HL.1753727

Royer Labs. Microphone. Hal Leonard #R-122V. Published by Hal Leonard (HL.1753727).

UPC: 850035900024. 8.25x22.25x16.25 inches.

The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best. The R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides headroom far beyond that available from a standard phantom power supply. Sonically this translates into unmwatched clarity, detail, and airiness, along with the ability to handle brute SPL levels without flinching. Features: • Vacuum tube electronics provide high output capacity, optimal impedance to the ribbon element and low output impedance • Extremely low self-noise • Operates from a dedicated power supply • High SPL capabilities for electric guitar and percussion instruments • Absence of high-frequency peaks, “ringing” and phase shifts • Ribbon element, unaffected by impedance/load, heat or humidity • Very low magnetic leakage • Equal sensitivity from front or back of element • Consistent frequency response regardless of distance • Rear side of mic records slightly brighter when three feet or closer to sound source.