| Amazing Grace Chorale 3 parties SAB [Octavo] - Intermédiaire Alfred Publishing
Arranged by Sonja Poorman. 19th Century American melody, words by John Newton. F...(+)
Arranged by Sonja
Poorman. 19th Century
American melody, words by
John Newton. For Choir.
(SAB). Choral Octavo.
Choral Octavo. 12 pages.
Published by Alfred
Publishing. Level:
Moderate (grade 3).
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Amazing Grace Chorale SATB SATB, Piano [Octavo] - Intermédiaire Alfred Publishing
Arranged by Sonja Poorman. 19th Century American melody, words by John Newton. F...(+)
Arranged by Sonja
Poorman. 19th Century
American melody, words by
John Newton. For Choir.
(SATB). Choral Octavo.
Level: Moderate (grade
3). Choral Octavo. 12
pages. Published by
Alfred Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| German Romanticism Flûte traversière et Piano [Partition + CD] - Intermédiaire Mitropa Music
Flute and Piano - intermediate SKU: BT.2004-14-400-M Selected pieces f...(+)
Flute and Piano -
intermediate SKU:
BT.2004-14-400-M
Selected pieces from
the 19th century.
Composed by Carl Maria
von Weber, Carl Reinecke,
Felix Bartholdy
Mendelssohn, Franz
Schubert, Johannes
Brahms, Richard Wagner,
and Robert Schumann.
Arranged by Franco
Cesarini. Book with CD.
Composed 2014. 48 pages.
Mitropa Music
#2004-14-400 M. Published
by Mitropa Music
(BT.2004-14-400-M).
ISBN 9789043137065.
International. G
erman Romanticism
includes selected works
from some of the most
important composers of
the style, to
whom—in terms of
musical
history—the
Austrian Franz Schubert
also belongs. Besides
Carl Maria von Weber he
represents the Early
Romanticperiod, while
Felix Mendelssohn
Bartholdy and Robert
Schumann belong to the
High Romantic era.
Richard Wagner, Carl
Reinecke and Johannes
Brahms represent the
later 19th
century. The enclosed
CD provides a
demonstration of each
piece, followed by the
piano accompaniment with
which to play
along.
German
Romanticism bevat
meesterwerken van een
aantal van de
belangrijkste componisten
in deze stijl, tot wie in
muzikaal-historisch
opzicht ook de
Oostenrijker Franz
Schubert behoorde.
Evenals Carl Maria von
Weber vertegenwoordigt
hij devroegromantische
periode, terwijl Felix
Mendelssohn Bartholdy en
Robert Schumann tot de
hoogromantiek behoren.
Richard Wagner, Carl
Reinecke en Johannes
Brahms componeerden hun
werken later in de 19e
eeuw. Op de
meegeleverde cd staat van
elk stuk een demoversie,
gevolgd door een
play-alongversie met
alleen de
pianobegeleiding.
Internationale
Ausgabe. Deutschsprachi
ge Ausgabe:
Meisterwerke der
deutschen Romantik
(2008-14-400
M)
German
Romanticism
(Chefs-d’œuvre
du romantisme allemand)
rassemble un choix de
morceaux signés des
plus grands compositeurs
de ce style, parmi
lesquels figure en termes
d’histoire de la
musique
l’Autrichien Franz
Schubert. Avec Carl
Mariavon Weber, il
représente les
débuts du romantisme,
tandis que Felix
Mendelssohn et Robert
Schumann appartiennent
l’apogée de la
période romantique.
Richard Wagner, Carl
Reinecke et Johannes
Brahms représentent la
fin du XIXe
siècle. Sur le
compact disc inclus, vous
trouverez deux versions
de chaque pièce : une
version intégrale et
une version où ne
subsiste que
laccompagnement.
<
I>German Romanticism
raccoglie opere di alcuni
dei più importanti
esponenti di questo
stile, cui appartiene
storicamente anche il
compositore austriaco
Franz Schubert. Accanto a
Carl Maria von Weber,
Schubert rappresenta il
primo Romanticismo,mentre
Felix Mendelssohn
Bartholdy e Robert
Schumann ne sono il
cuore. Richard Wagner,
Carl Reinecke e Johannes
Brahms rappresentano
l’ultima parte del
19° secolo. Il CD
incluso propone
lincisione completa di
ogni brano, seguita da
una traccia con il solo
accompagnamento del piano
per consentirvi di
eseguire la parte
solista. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| When Christmas Morn Is Dawning Chorale SATB SATB, Orgue MorningStar Music Publishers
Composed by K. Lee Scott. Christmas, 21st Century. Octavo. MorningStar Music Pu...(+)
Composed by K. Lee Scott.
Christmas, 21st Century.
Octavo. MorningStar Music
Publishers #50-1010.
Published by MorningStar
Music Publishers
(MN.50-1010).
0.48
$2.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Softly And Tenderly Chorale SATB [Octavo] Hope Publishing Company
Composed by Will L. Thompson. Arranged by Joel Raney. For SATB choir. General Wo...(+)
Composed by Will L.
Thompson. Arranged by
Joel Raney. For SATB
choir. General Worship,
hymn-setting. Octavo. 12
pages. Published by Hope
Publishing Company
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Canti con flauto I. Seven Songs of the 19th century for upper voice, flute and piano Carus Verlag
Composed by Various. Edited by Peter Thalheimer. For voice and flute. This editi...(+)
Composed by Various.
Edited by Peter
Thalheimer. For voice and
flute. This edition:
Paperbound. Canti con
Flauto I. Collection.
Composed 1978. 40 pages.
Published by Carus Verlag
$35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zion Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, C...(+)
Orchestra Bassoon 1,
Bassoon 2, Bassoon 3,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass,
Flute 1, Flute 2, Flute
3, Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Oboe 3, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piano,
Timpani, Trombone 1 and
more. SKU:
PR.466000470 Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470). UPC:
680160099405. 11 x 17
inches. This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wake Me a Song Chorale TTBB TTBB, Piano Carl Fischer
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886). Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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