PARTITIONS GRATUITES :
- 20 Studies for the Violoncello

Score & Parts Cello

SKU: HL.51481132

For Violoncello and Piano. Composed by Jean-Louis Duport. Edited by Norbert Gertsch. Henle Music Folios. Classical. Softcover. 42 pages. G. Henle #HN1132. Published by G. Henle (HL.51481132).

UPC: 840126989656. 9.0x12.0x0.35 inches.

“More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello,” then-famous Berlin cellist Jean-Louis Duport thus opens his “Essai” from 1806, dedicated to “Professeurs de Violoncelle.” His methodology revolutionized cello technique, and the 21 etudes printed in its appendix are still regarded today as perhaps the most important set of studies for all budding cellists. Modelled after the volumes of etudes for violin, Henle is also issuing the Urtext here, together with all original fingerings and bowings, while also offering alternatives by the famous cellist and teacher Wolfgang Emanuel Schmidt. This edition also offers a second cello part provided by Duport for accompaniment.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

For Violin and Piano Schott Student Edition Repertoire. Composed by Edward Elgar (1857-1934). Schott Student Edition. Repertoire. Softcover. 20 pages. Schott Music #SE1003. Published by Schott Music

Composed by Marcel Farago. Published by Schaffner Publishing Company (SC.120016).

Violoncello Solo. By Mikhail Bukinik. Schott. Book only. Size 9x12 inches. 24 pages. Published by Schott.

Cello and Piano. Composed by Mario Pilati. String Solo. Classical. Softcover. Composed 2018. 20 pages. Ricordi #NR14185400. Published by Ricordi

Cello solo

SKU: BR.EB-9357

2 Studies for Solo Violoncello. Composed by Martin Smolka. Solo instruments; stapled. Edition Breitkopf.

Compulsory Piece for the Final Round oft he ARD International Music Competition (Munich, September 2019)

Music post-1945; New music (post-2000). Score. Composed 2019. 16 pages. Duration 9'. Breitkopf and Haertel #EB 9357. Published by Breitkopf and Haertel (BR.EB-9357).

ISBN 9790004188279. 9 x 12 inches.

The sound of the cello in this piece should be foggy like voice of Ella Fitzgerald. Sweet, smooth and pleasant, but at the same time slightly hoarse, rustle, dirty. There are almost only natural harmonics; either single, or in chords (triple-stops) including two natural harmonics, or double-stops of two harmonics. All should be played flautando, sul tasto and molto lasciar vibrare. Flautando and sul tasto should serve in search for the foggy color - harmonics should speak less clear than normally, but more smooth and decent.(Martin Smolka) ,Like Ella' would be suited to a player of a high standard as many harmonics are in higher positions and played as triple-stops. I would recommend ,Like Ella' to an advanced cellist seeking to learn a piece of modern music to add to their concert repertoire.(Mitchell Smith, AUSTA Stringendo)

Compul sory Piece for the Final Round of the ARD International Music Competition (Munich, September 2019).

2 Cellos

SKU: BT.EMBZ14201

By Arpad Pejtsik. EMB Music for Beginners. Method. Book Only. Composed 1999. 68 pages. Editio Musica Budapest #EMBZ14201. Published by Editio Musica Budapest (BT.EMBZ14201).

The fourth violoncello volume of the series Music for Beginners offers beginners who wish to get acquainted with camber music as well, a selection from the music literature of more than two centuries, starting from the late 17th century to the early 20th century. It contains both demanding polyphonic works and popular melodic pieces. The easier pieces included in the volume can already be performed after two or three years of serious studies. The range of the pieces extends in general to the fourth position and cannot go beyond it, except in scale progression.