PARTITIONS GRATUITES :
- 21 études pour clarinette

Composed by Marcel Bitsch (1921-). Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL21842. Published by Alphonse Leduc

Clarinet (Clarinet)

SKU: HL.48180363

Composed by Auguste Pé and rier. Leduc. Classical. Softcover. 54 pages. Alphonse Leduc #AL17585. Published by Alphonse Leduc (HL.48180363).

UPC: 888680847005. 9.0x12.0x0.121 inches.

For clarinet solo.

Clarinet

SKU: HL.48181573

Composed by Victor Blancou. Leduc. Classical. CD. 24 pages. Alphonse Leduc #AL21273. Published by Alphonse Leduc (HL.48181573).

UPC: 888680845360. 9.0x12.0x0.09 inches.

Little is known about French composer, Victor Blancou. Yet, his Forty Studies remain popular in the progression of Clarinet studies. The first volume of Forty Studies contains twenty studies which focus on articulation, dynamics, scales, intervals, expression, tempo, fingering, phrasing, breath control, range, chromaticism, rhythms and ornamentation, among other aspects. This Blancou study book is essential to the progression of technique for all aspiring clarinetists..

Clarinet - Intermediate

SKU: FH.WC6

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 68/32 pages. The Frederick Harris Music Company #WC6. Published by The Frederick Harris Music Company (FH.WC6).

ISBN 978-1-55440-582-4.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
A Canticle for Ryan, op. 127 - Michael Conway Baker
Canzonetta in E flat Major, op. 19 - Gabriel Pierne
Clarinet Concerto in B flat Major: First Movement - Franz Anton Hoffmeister, arr. Mihaly Hajdu
Grande Sonate for Clarinet and Piano: Fourth Movement - Wolfgang Amadeus Mozart, arr. Franz Xavier Gleichauf
Concertino in E flat Major, op. 26, J 109 - Carl Maria von Weber, arr. Cyrille Rose
Lyrical Repertoire:
Grand duo concertante, op. 48, J 204: Second Movement - Carl Maria von Weber, arr. Carl Baermann
Sonatina for Clarinet: Second Movement - Joseph Horovitz
Sonata in E flat Major for Clarinet and Piano, op. 167: First Movement - Camille Saint-Saens
Clair matin (Idylle pour clarinette et piano) - Paul Jeanjean
Concertino in B flat Minor: First Movement - Gaetano Donizetti, arr. Raymond Meylan
Lied - Luciano Berio
Bee Navigation - Libby Larsen.

Composed by U Delecluse. Leduc. Classical. CD. 16 pages. Alphonse Leduc #AL21242. Published by Alphonse Leduc

Clarinet

SKU: HL.48181576

Composed by Henri Tomasi. Leduc. Classical. CD. 28 pages. Alphonse Leduc #AL21276. Published by Alphonse Leduc (HL.48181576).

UPC: 888680906900. 9.0x12.0x0.129 inches.

“Publ ished in 1953, the Concerto for Clarinet and Orchestra was composed by the French composer, conductor and winner of the Grand Prix de Rome in 1927, Henri Tomasi (1901-1971). This concerto was dedicated to Ulysse Delécluse (1907-1995), a French Clarinettist known for his transcription of 'Quinze études' by J. S. Bach for the clarinet. Each of its three movements were chosen to be the examination pieces at the Paris Conservatoire, the first movement for the Examination Solo in 1953 and the second and third for the Contest Solo in 1966. This concerto begins with an unconventional start, the clarinet playing on its own and being joined later by the orchestra. It also contains some unusual material such as polychords and dissonances through the piece. Notes on this concerto by Henri Tomasi himself were written in 1957, describing the importance of the improvisation for the principal topic.”.