PARTITIONS GRATUITES :
- 3 verses.

3-part equal voices, cantor, assembly, keyboard accompaniment - Beginning

SKU: GI.G-007889

Composed by Ed Bolduc. Pentecost. Tune Name: Veni, Sancte Spiritus. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #007889. Published by GIA Publications (GI.G-007889).

UPC: 641151078892.

Ed has written a cantor, choir, and assembly-friendly setting of the Sequence for Pentecost using the approved text from The Roman Missal. The stepwise motion of the lyrical melody facilitates a quick learn. The piece begins in D major for the first four verses, modulates to E for the next three verses, moves to F for verses 8 and 9, and concludes with the final verse in G. The interval relationships are the same with each modulation, highlighti ng the words and adding a sense of urgency. The octavo includes a keyboard part, but you will note that this can be performed with just a simple guitar accompaniment. And, guitar pages are included in the octavo.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument 1, C instrument 2, cello - Beginning

SKU: GI.G-6044

Composed by Michael Mahler. Ascension. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6044. Published by GIA Publications (GI.G-6044).

English.

This piece can be used as a mantralike refrain over which the verses can be layered. It is a gentle song—a comforting reminder of God’s undying love in times of hardship, sorrow, anger, or guilt. Refrain may be used as ostinato. For cantor or soloist.

Refrain may be used as ostinato.

3-part equal voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument, guitar - Beginning

SKU: GI.G-7684

Composed by Paul Tate. Pentecost B. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7684. Published by GIA Publications (GI.G-7684).

UPC: 785147768401. English. Text Source: Based on Galatians 5:16–17, 22–25. Text by David Haas. Scripture: Galatians 5:16–17, 22–25.

Cast in 3-part harmony, this is a welcome contribution to the ensemble repertoire. The refrain is a bit extended, and the somewhat shorter verses, drawn from Galations 5, are in the form of call and response between cantor and all. For cantor or soloist.

3-part equal voices, 3-part mixed - Early intermediate

SKU: GI.G-7392

Composed by Glenn Wonacott. Lent 1 C. Choral. Sacred. Octavo. 4 pages. GIA Publications #7392. Published by GIA Publications (GI.G-7392).

UPC: 785147739203. English. Text Source: Psalm 91:1-2, NIV Scripture: Psalm 91:1–2.

The chant-like treatment of the Psalm verses, in addition to creating a simply lovely setting, can also be a great exercise in sensitively conveying the meaning of the words through proper textual stress—a skill that can be applied to less lyrical pieces in the choral repertoire. The voice parts are minimal in scope (each roughly an octave), but the fluctuating accidentals will require some attention for tuning.

3-part equal voices, cantor, assembly, keyboard accompaniment, guitar

SKU: GI.G-008220

Canto de Misericordia. Composed by Peter M. Kolar. Lent 2 A. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #008220. Published by GIA Publications (GI.G-008220).

UPC: 641151082202. English, Spanish.

The theme song for the 2004 Los Angeles Religious Education Congress! The easily sung refrain is set to a samba rhythm and the verses have more of a rock feel. And, the coda has a rap‚ over the refrain performed by Kolar himself. Your contemporary ensembles must have this one! From the recording God Is My Rock (WLP 017274). Additional instrumental parts include trumpets, accordion, electric lead and bass guitar (WLP 008223).

3-part mixed choir and piano

SKU: LO.15-3852H

Composed by Russell L. Robinson. Choral. Concert, General, Spiritual. Octavo. Heritage Music Press #15/3852H. Published by Heritage Music Press (LO.15-3852H).

ISBN 9780787774431.

This delightful and lively pairing of spirituals from Russ Robinson is available in SAB or Two-part voicing. A handclapping pattern is featured between verses to enhance the rhythmic excitement of this setting. The two spirituals, I'm Gonna Sing When the Spirit Says Sing and Swing Low, Sweet Chariot are introduced independently before being combined in and exciting conclusion with a soaring descant.