Books and Journals
SKU: UT.APS-8
Edited by Jonathan
Goldman. Paperback (Soft
Cover). Ad Parnassum
Studies. Essays by
Giacomo Albert, Nicola
Bernardini, Remy Campos,
Michael Dias, Mylene
Gioffredo, Jonathan
Goldman, Robert Hasegawa,
Joel V. Hunt, Anna Stoll
Knecht, Benjamin M.
Korstvedt, Federico
Lazzaro, Alessandra
Carlotta Pellegrini,
Camille Rondeau, Friedem.
Classical. Books and
Journals. 320 pages. Ut
Orpheus #APS 8. Published
by Ut Orpheus (UT.APS-8).
ISBN 9788881094967.
6.5 x 9.5
inches.
Saggi di
Giacomo Albert, Nicola
Bernardini, Remy Campos,
Michael Dias, Mylene
Gioffredo, Jonathan
Goldman, Robert Hasegawa,
Joel V. Hunt, Anna Stoll
Knecht, Benjamin M.
Korstvedt, Federico
Lazzaro, Alessandra
Carlotta Pellegrini,
Camille Rondeau,
Friedemann
Sallis
A
growing number of music
scholars have lately
shifted their attention
from musical works to the
creative processes that
produced them. The study
of these processes serves
as a springboard for
interdisciplinary
research that goes beyond
the traditional
boundaries of musical
philology. These recent
orientations adopt a
heuristic approach to
musical craft in the
composer's workshop and
build on the rich
heritage of sketch
studies, while
incorporating
psychological,
anthropological,
sociological, historical
and analytical methods.
The study of the creative
process in music also
seeks to adapt the
apparatus of literary
critique
genetique. Scholars
of creative process also
regularly turn their
attention to artistic
situations in which
sketches and scores may
not be available as loci
of investigation and seek
to adapt the tools of
creativity studies to
research not only on
composers, but also
performers, improvisers,
and even artistic
directors, recording
engineers, radio
producers, commissioners
or any other actor in the
musical
field.
Texts and
Beyond offers new
orientations in the study
of the creative process
in music. The essays
included here show a
particular interest in
unfinished works and in
the logic of their
completion, as well as in
the creative interaction
of music coupled with
other arts. In twelve
chapters and an
Afterword, this volume
explores a wide variety
of topics, including
compositions by Anton
Bruckner, Gustav Mahler,
Charles Koechlin,
Giacinto Scelsi, Henry
Brant, Luciano Berio,
Brian Ferneyhough,
Jacques Hetu and Jose
Evangelista, as well as
extending to the realm of
ballet staging, composing
for the cinema and video
art.
Alessandra
