| Do-It-Yourself Tenor Sax Saxophone Tenor [Partition + Accès audio] - Débutant Hal Leonard
The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Met...(+)
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
$150.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jam on Top - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal, Snare
Drum, Tambourine,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2 SKU:
CF.YPS232 Composed by
Mark Lortz. Folio. Yps.
Set of Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+6
+2+3+1+1+2+3+16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #YPS232. Published
by Carl Fischer Music
(CF.YPS232). ISBN
9781491158180. UPC:
680160916788. 9 x 12
inches. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39a50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39-50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm.
39–50 could be
opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jam on Top [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal, Snare
Drum, Tambourine,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2 SKU:
CF.YPS232F Composed
by Mark Lortz. Sws. Yps.
Full score. 16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #YPS232F. Published
by Carl Fischer Music
(CF.YPS232F). ISBN
9781491158197. UPC:
680160916795. 9 x 12
inches. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39a50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39-50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm.
39–50 could be
opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Big Country Ensemble de Percussions [Conducteur] - Intermédiaire Tapspace Publications
By Bela Fleck. Arranged by Olin Johannessen. Percussion Ensemble. For Marimba 1 ...(+)
By Bela Fleck. Arranged
by Olin Johannessen.
Percussion Ensemble. For
Marimba 1 (low F or low
A), marimba 2 (low E) , 2
vibraphones, xylophone,
glockenspiel, shaker, 3
different-sized
triangles, small drumset
(snare, kick, hihat, 2 or
3 cymbals), bass guitar,
5-octave marimba
(optional), soprano sax
(optional). (players).
For percussion ensemble
and rhythm section.
Level: Medium-Difficult.
Full score and CD-Rom
(containing printable
parts). 14 pages.
Duration 3:00. Published
by Tapspace Publications.
$46.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Festival March Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
$399.98 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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