Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS105
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+2+5+8 pages.
Duration 1 minute, 46
seconds. Carl Fischer
Music #FAS105. Published
by Carl Fischer Music
(CF.FAS105).
ISBN
9781491151365. UPC:
680160908868. 9 x 12
inches. Key: B
minor.
Composer Bud
Woodruff continues to
present compositions that
students will love to
perform and will learn
from playing. The title,
Dorian's Barn has a
unique double meaning in
that it is dedicated to a
man named Dorian and it
is in the Dorian mode.
The addition of the word
'barn' in the title also
adds to the music a fun
country backwoods
aesthetic.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed.
The title
Dorian's Barn is
a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too.
As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode.
.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed.
A The title
Dorian's BarnA
is a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too.
A As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode.
.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed.
A The title
Dorian's BarnA
is a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too.
A As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode.
.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed.
The title
Dorian's Barn is
a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too.
As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode.
.
I had
promised a piece for my
valued friend, Dorian
Barnes, in exchange for
some repair work he
performed on my violin at
an inconvenient time for
him. He is a very gifted
luthier, which is a very
ancient craft, and in
addition to carving
modern instruments, he
has also carved more
archaic stringed
instrument. So I wanted
to write a piece that
captured the gist of what
those original
instruments might have
performed. The title
Dorian's Barn is a twist
on his name (Dorian
Barnes), but also gave a
good bit of inspiration
to the piece, too. There
are many ancient,
deserted, old barns where
I live, and they are all
wonderfully made, but
there is no telling what
one might find inside of
one of them. There is a
real sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a
further twist on Dorian's
name, the piece is
primarily in the E-Dorian
mode.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is a
twist on his name (Dorian
Barnes), but also gave a
good bit of inspiration
to the piece, too. There
are many ancient,
deserted, old barns where
I live, and they are all
wonderfully made, but
there is no telling what
one might find inside of
one of them. There is a
real sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a
further twist on Dorian's
name, the piece is
primarily in the E-Dorian
mode.
B Dorian
