PARTITIONS GRATUITES :
- Bach BWV 772 786

By Johann Sebastian Bach. Edited by Dr. Richard Jones. For Piano solo Harpsichord Keyboard. Level: 4, 5, 6, 7. 32 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

2 Cellos

SKU: M7.DOHR-12660

Composed by Johann Sebastian Bach. Arranged by Rolf Henning Scheifes. Sheet music. Score (also performance score). 32 pages. MDS (Music Distribution Services) #DOHR 12660. Published by MDS (Music Distribution Services) (M7.DOHR-12660).

ISBN 9790202026601.

Volume 2: Inventions Nos. 8-15. Composed by Johann Sebastian Bach (1685-1750). Score and parts. BWV 772-786. Published by Ut Orpheus (UT.CH-07.2).

Clarinet duet

SKU: PR.ZM29970

Composed by Johann Sebastian Bach. With Standard notation. BWV 772-786. Zimmermann #ZM29970. Published by Zimmermann (PR.ZM29970).

2 flutes

SKU: PR.ZM26980

Composed by Johann Sebastian Bach. With Standard notation. BWV 772-786. 52 pages. Zimmermann #ZM26980. Published by Zimmermann (PR.ZM26980).

2 flutes

SKU: PR.ZM11980

Composed by Johann Sebastian Bach. With Standard notation. BWV 772-786. 44 pages. Zimmermann #ZM11980. Published by Zimmermann (PR.ZM11980).

By Johann Sebastian Bach. Edited by Dr. Richard Jones. For Piano solo Harpsichord Keyboard. Level: 4, 5, 6, 7, 8. 80 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano

SKU: BT.EMBZ6912

BWV 772-786. By Peter Solymos. By Johann Sebastian Bach. EMB Urtext. Educational Tool. Book Only. Composed 1972. 32 pages. Editio Musica Budapest #EMBZ6912. Published by Editio Musica Budapest (BT.EMBZ6912).

English-German-Hungari an.

Bach's Two-Part Inventions, first printed in 1801, have played a key role in modern-day music education for decades. Bach dedicated the predecessor of these works to his son, Wilhelm Friedemann they were originally-titled Preambulum and compiled within the collection of piano music known today as Klavierbüchlein für Wilhelm Friedemann Bach (1720). The principle aim of these pedagogical works was to promote the acquisition of clean two-part playing as well as stylistically-sound cantabile playing. As a musical form, the invention left its mark on the music composition tendencies and conventions of the 17th century as well as its musical performance practices. Bach'sinventions as a whole also provide students with insight into the fundamentals of counterpoint.