PARTITIONS GRATUITES :
- Bach-Goldberg Variation.28(Piano solo)

By Johann Sebastian Bach (1685-1750). For keyboard. Piano Solo. Dover Edition. Baroque. Collection. Introductory text. BWV 988. 47 pages. Published by Dover Publications

Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. For Piano. Book; Masterworks; Piano Solo; Solo. Alfred Masterwork Edition. Baroque; Masterwork. Advanced. 68 pages. Published by Alfred Music

Composed by Johann Sebastian Bach (1685-1750). Masterworks; Piano Collection (Miniature Score). Kalmus Edition. Form: Variations. Baroque; Masterwork. Score. 112 pages. Kalmus Classic Edition #00-K00720. Published by Kalmus Classic Edition

Piano/Keyboard

SKU: SU.12800062

For Piano/Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #12800062. Published by Subito Music Corporation (SU.12800062).

Goldberg Variations, BWV 988 (3-page Preface, 63 pages, edited for piano, no fingerings). This attractive Urtext of Bach’s popular variation cycle is not only extremely user-friendly and extra-legible, but in addition, presents groundbreaking performance practice research that explains Bach’s never-before-revealed plan of tempo relationships between variations. This discovery is highly significant with regards to the tempi chosen for the 30 variations in a complete performance. The first edition from 1741, engraved by Bach himself, shows fermatas after some, but not all, variations. Most editors assume this was an oversight by Bach, and thus, add fermatas where they do not belong. Virtually all editions of our time add fermatas where Bach did not indicate them. Perhaps the only edition that correctly reproduces Bach’s fermata indications is Peters (ed. Kurt Soldan, 1937). Mapping out Bach’s fermata plan for the complete cycle reveals an ingenious and fascinating symmetrical arrangement of pairs and groups of variations unified by direct tempo relationships. Bach’s tempo plan has never yet been honored by commercial artists because they have been steeped in false, 19th-century tempo traditions, they have been too influenced by Glenn Gould, and they have never been made aware of Bach’s use of fermatas due to faulty editions. Bach’s master plan is beautifully laid out and all the tempo relationships are explained in the three-page Preface, which also contains a tempo hierarchy matrix relevant to Bach performance as well as Bach’s well-known Table of Ornaments. This edition is ideal for pianists from the late-intermediate levels and higher as well as concert artists, scholars, and teachers who seek an informative edition of the Goldberg Variations for the concert hall or teaching studio. Piano/Keyboard Published by: BachScholar.

By Johann Sebastian Bach. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Piano - Level 6

SKU: BA.BA09656

Composed by Carl Czerny, Franz Liszt, Franz Schubert, Ignaz Moscheles, and Ludwig van Beethoven. Edited by Mario Aschauer. This edition: urtext edition. Paperback. Barenreiter Urtext. Performance score, anthology. Opus 120 / 50 v. Baerenreiter Verlag #BA09656_00. Published by Baerenreiter Verlag (BA.BA09656).

ISBN 9790006528141. 31 x 24.3 cm inches.

Beethovenâ €™s “Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli’s call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel.

The variations first printed by Diabelli fictively as “Fatherlandish Union of Artists Part I” (Beethoven’s op. 120) and “Part II” (the 50 variations of Vienna’s “most excellent composers and virtuosos”) are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print.

A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven’s day complete this special Urtext edition based on the most current research.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding