PARTITIONS GRATUITES :
- Bubbles

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

SKU: HL.1222504

Chauvet Lighting. Lighting. Hal Leonard #HBUBBLEHAZE. Published by Hal Leonard (HL.1222504).

Hurricane Bubble Haze takes party atmospherics to new levels. It's a haze machine. It's a bubble machine. It's both at the same time! This multi-purpose atmospheric machine emits bubbles, haze, or even haze-filled bubbles, and its always-ready technology lets the unit run continuously to keep the party going. Hurricane Bubble Haze features a gravity-fed bubble reservoir that recirculates unused bubble fluid reducing fluid consumption. A built-in cleaning function increases machine longevity and reduces clogs. Hurricane Bubble Haze is compatible with BJG fluid.

By Elizabeth Alexander. For Children's Choir, piano, woodblocks (SA choir, piano, woodblocks (children's choir)). Junior/Youth Choir, Concert Music. Hardship, Joy, Secular, Choral. Moderately Easy. Choral Score. Duration 15 minutes. Published by Seafarer Press

(2.1.2.1/2.2.2.0,perc,str ,men's chorus)

SKU: TM.04265SET

Composed by Sir Arthur Seymour Sullivan. Set Type: D. Set of parts. Lucks Music Library #A4848. Published by Lucks Music Library (TM.04265SET).

Starts w/Trio Champagne's Delicious Bubbles. Incl: Bruderlein und Schwesterlein (Sing to Love).

Composed by Various. Play Today Instructional Series. Instruction, Method. Softcover Audio Online. 32 pages. Published by Hal Leonard

(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard

Chamber Music Marimba, alto Saxophone

SKU: PR.114423770

Composed by Stacy Garrop. Set of Score and Parts. 16+12+16 pages. Duration 11 minutes. Theodore Presser Company #114-42377. Published by Theodore Presser Company (PR.114423770).

UPC: 680160688579.

When RoseWind Duo’s Clifford Leaman and Scott Herring commissioned me for Silver Linings, we could not have anticipated that we would be in the middle of the COVID-19 pandemic when I composed the piece. In the early summer of 2020, when the three of us met virtually to discuss possible topics, we had all been in lockdown for several months; the causes and effects of the lockdown were at the forefront of our discussion. In themidst of daily tragedies, I had been seeing news stories using the words “silver lining” to describe unexpectedly positive situations arising from our global situation, ranging from small effects (i.e. people having time to work on projects they never could get around to doing) to global ramifications (resurging animal populations in areas where they’re no longer challenged for space with humanity).Silver Linings consists of two movements. Groundhog Day, the first movement, is slow and brooding. It embodies the strong feeling of déjà vu that so many of us experienced early on into lockdown, as we seemed to live the same day repeatedly with minor variances to our schedules. There are two main musical gestures: the first opens the piece as a slow, ascending minor chord which is a representation of uncertainty, and the secondis a falling minor scale. These gestures depict how our lives were reduced to the basic building blocks of life – wake up, eat, work, eat, sleep – as our daily activities and livelihoods were suddenly knocked down. These same two gestures are utilized in the energetic second movement, Making Lemonade, except that they are spun around to reveal their silver linings: the minor chord falls to sound centered and decisive, and the minor scale rises as it bubbles with activity. Among the seeds of despair are also foundseeds of hope, and the saxophone and marimba explore this hopefulness with great vigor and excitement.