| San Pedro de Alcântara Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres. $209.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Caminemos con Jesús GIA Publications
SKU: GI.G-1064 Composed by Tony Alonso S.J. Sacred. GIA Publications #106...(+)
SKU: GI.G-1064
Composed by Tony Alonso
S.J. Sacred. GIA
Publications #1064.
Published by GIA
Publications (GI.G-1064).
UPC:
785147006428. From
the music of the Buena
Vista Social Club to
Gloria Estefan, the
lyrical melodies and
infectious rhythms of
Cuban music have become
embedded in U.S. culture.
With Caminemos con
Jesús / Let Us Walk
with Jesus, composer Tony
Alonso presents a
groundbreaking collection
of liturgical music that
calls on his own Cuban
musical heritage to
provide new ways of
singing the liturgy in
Spanish, English or
bilingually. The first
project of its kind,
Caminemos con Jesús
not only utilizes rich
Cuban idioms but also
explores what style and
musical form can teach us
about praying together
across cultural and
linguistic boundaries.
The dynamic
call-and-response form
that is a hallmark of
traditional Cuban music
makes these songs
especially compelling
choices for bilingual
worship, allowing
assemblies to learn,
internalize, and pray
easily in both Spanish
and English.
“Qué AlegrÃa
Cuando Me Dijeron / I
Rejoiced When I Heard
Them Say†uses the
words of the psalm as a
rhythmic mantra, creating
a fresh and engaging way
to gather as the Body of
Christ. “LetanÃa
a la Madre de las
Américas / Litany of
Mary of The
Americas,†invokes
the Mary of many names
and nations with a simple
yet strong response that
will enliven Marian
feasts throughout the
year. The gentle
simplicity of “Tres
Guajiros / Three
Peasantsâ€
re-imagines the story of
the Magi as humble
peasants bringing gifts
of the land to honor the
newborn Jesus. Also, in
this collection and for
the first time in
published form, is Gloria
Estefan’s
“Caridad,†a
powerful and poetic
prayer to Our Lady of
Charity, the patroness of
Cuba. All of the pieces
of this collection focus
on the importance of
bringing the voices of
the assembly to the
forefront while the
arrangements are
skillfully crafted to be
accessible to musicians
of all abilities. In
addition to the
spiral-bound edition,
individual octavos, and
flute and brass parts,
Caminemos con Jesús
offers a special edition
featuring parts for
guitar, percussion and
other instruments central
to Cuban music. The
studio recording is a
stunning source of prayer
and inspiration, produced
in Miami by Grammy Award
winner Juan Delgado and
featuring some of the
finest Cuban-American
musicians today. GIA
Publications, Inc. is
committed to responding
to the rich diversity of
the contemporary Church.
With Caminemos con
Jesús, we offer you
our very best bilingual
music for the liturgical
year. “The
music of my
father’s Cuban
homeland has been the
language of my heart for
as long as I can
remember. These songs
infuse that rich
tradition with the unique
sabor of my own
experience as a
Cuban-American in a
distinctly liturgical
shape that I hope will
inspire others in their
daily camino con
Jesús.â€
–Tony Alonso
Featuring “Live
Mercy, Be Holy / Vive la
Misericordia, Vive la
Santidad,†the 2020
Los Angeles Religious
Education Congress theme
song! Desde la música
de Buena Vista Social
Club hasta la de Gloria
Estefan, las melodÃas
lÃricas y ritmos
contagiosos de la
música cubana son
incrustados en la cultura
estadounidense. Con
Caminemos con Jesús /
Let Us Walk with Jesus,
el compositor Tony Alonso
presenta una colección
innovadora de música
litúrgica que
incorpora su herencia
musical cubana para
producir una manera nueva
de cantar la liturgia
— en español,
inglés o
bilingüemente. El
primer proyecto de este
tipo, Caminemos con
Jesús no sólo
utiliza modismos ricos de
Cuba sino también
explora lo que el estilo
y la forma musical nos
pueden enseñar con
respeto a rezar juntos a
través de los
lÃmites culturales y
lingüÃsticos.Â
La forma dinámica de
llamada-y-respuesta que
es un sello distintivo de
la música cubana
tradicional crea opciones
cautivadoras para los
rituales bilingües
donde la asamblea puede
aprender, interiorizar y
rezar facilmente tanto en
español como en
inglés. “Qué
AlegrÃa Cuando Me
Dijeron†incorpora
la letra del salmo como
una mantra rÃtmica,
creando una manera
original para congregar
al Cuerpo de Cristo. La
“LetanÃa a la
Madre de las
Américas,†la
cual invoca a la MarÃa
de muchos nombres y
naciones utilizando una
respuesta sencilla y
fuerte, enriquecerá a
las fiestas marianas de
muchos pueblos durante
todo el año. La
sencillez suave de
“Tres
Guajiros†reimagina
la historia de los Reyes
Magos como guajiros
humildes, trayendo
regalos de la tierra para
honrar al recién
nacido Jesús.
También se encuentra
en esta colección, por
la primera vez en forma
publicada, el tema
musical
“Caridad†por
Gloria Estefan, que es
una oración poderosa y
poética a Nuestra
Madre de Caridad, la
patrona de Cuba. Todas
las piezas en esta
colección se enfocan
en la importancia de las
voces de la asamblea
mientras los arreglos son
accesibles para los
músicos de todas
habilidades. Además de
la edición con
espiral, las partituras
corales individuales, y
las ediciones para flauta
y instrumentos de metal,
Caminemos con Jesús
también ofrece una
edición para guitarra
con partituras
adicionales para
percusión y otros
instrumentos centrales en
la música cubana. La
grabación del estudio
es espectacular, una
fuente de oración y
inspiración. Producido
en Miami por el ganador
de Grammy Juan Delgado,
el álbum destaca los
talentos de unos de los
mejores músicos
cubano-americanos de hoy
dÃa. GIA
Publications, Inc.
está comprometido a
responder a la diversidad
rica de la Iglesia
actual. En Caminemos con
Jesús, les ofrecemos
nuestra mejor música
bilingüe para todo el
año litúrgico.
“La música de la
tierra cubana de mi padre
ha sido el lenguaje de mi
corazón desde que yo
tengo memoria. Estas
canciones infunden esa
rica tradición del
sabor único de mi
propia experiencia como
cubanoamericano con una
forma claramente
litúrgica. Es mi deseo
que esta obra inspire a
los demás en su propio
camino diario con
Jesúsâ€.
–Tony AlonsoÂ
Incluye el canto tema,
“Vive la
Misericordia, Vive la
Santidad / Live Mercy, Be
Holy,†compuesto
para el Congreso de
Educación Religiosa de
Los Angeles del 2020.
CONTENTS / CONTENIDO:
Arriba los Corazones / We
Lift Up Our Hearts
• Caminemos con
Jesús / Let Us Walk
with Jesus •
Cántico de Daniel /
Canticle of Daniel
• Caridad / Our
Lady of Charity •
LetanÃa del Santo
Nombre de Jesús /
Litany of the Holy Name
of Jesus •
LetanÃa a la Madre de
las Américas / Litany
to the Mother of the
Americas • Qué
AlegrÃa Cuando Me
Dijeron / I Rejoiced When
I Heard them Say •
Una Gran Nube de Testigos
/ A Wondrous Cloud of
Witnesses • Tres
Guajiros / Three Peasants
• Vayan Por el
Mundo Entero / Go Out to
All the World •
Vive la Misericordia,
Vive la Santidad / Live
Mercy, Be Holy. Â . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Keyboard Latin Grooves for the Creative Musician Piano seul [Partition + CD] - Facile Mayas
by Rogelio Maya. Level: Beg-Intermediate. Book/CD package. Size 9x12. 72 pages. ...(+)
by Rogelio Maya. Level:
Beg-Intermediate. Book/CD
package. Size 9x12. 72
pages. Published by Mayas
Music.
(2)$16.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Like No God We Had Imagined - Music Collection - Facile GIA Publications
Keyboard - Early intermediate SKU: GI.G-8864 Composed by Rory Cooney. Chr...(+)
Keyboard - Early
intermediate SKU:
GI.G-8864 Composed by
Rory Cooney.
Christmastide. Sacred.
Collection. GIA
Publications #8864.
Published by GIA
Publications (GI.G-8864).
UPC: 785147886433.
English. New from
Rory Cooney comes a
glorious collection of
music for the Advent and
Christmas seasons. Many
of the selections in this
collection use tunes
gathered from the
traditions of various
European cultures. Rory
arranges these beautiful
melodies and adds his own
evocative texts, creating
nostalgic yet new expres-
sions of the Christmas
story. The jewel in this
Christmas crown is surely
Rory’s SAB
arrangement of “In
the Bleak
Midwinter.†It
begins gently, quoting
the first stanza of the
Christina R ossetti text,
then branches out into
Rory’s own moving
exploration of
Christ’s
incarnation. The
“Christmas
Gloriaâ€â€”
based on the familiar
French carol
“Angels We Have
Heard on
Highâ€â€”employ
s the text from the 2010
R evised Order of Mass.
In this arrangement the
third stanza of the
prayer soars above the
final refrain as an
exhilarating soprano
descant. Much of the
newer music in this
collection can be done a
cappella. To enhance the
texture, include the
piano accompaniment,
strings, and flute.
Perfect for any choir
large or small, the songs
in Like No God We Had
Imagined will add sparkle
to your holiday
liturgies. Contents:
Friends in Christ,
Rejoice, My Soul Gives
Glory, The Advent Herald,
Sing We Maranatha, In the
Bleak Midwinter, Tomorrow
Shall Be My Dancing Day,
Still, Still, Still, In
the Stillness of the
Night, Christmas Gloria,
Psalm 96: Christmas
Midnight, Song at the
Manger, Carol of the
Stranger, Lullaby, Little
One, Rise Up, Shepherd,
and Follow, I Saw Three
Ships, Light in the
Darkness. $27.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Swapping Song GIA Publications
SKU: GI.G-10415 Composed by John M. Feierabend. First Steps in Music. Mus...(+)
SKU: GI.G-10415
Composed by John M.
Feierabend. First Steps
in Music. Music
Education. 32 pages. GIA
Publications #10415.
Published by GIA
Publications
(GI.G-10415). ISBN
9781622775002. Iâ
™ll trade you this
for that! Whether trading
marbles, baseball cards,
or doll clothes, children
have always enjoyed the
game of trading. In this
captivating book,
illustrator Gabriella
Geida imagines this
beloved folk song as a
way of trading toys
between friends. Also
known as “The
Foolish Boy,â€
“Wim Wim Wobble
O,†“I Went
to London,†and
“Old John
Braddalum,†the
song is most likely
British in origin and was
frequently recorded in
the twentieth century.
“The Foolish
Boy†is an old
English nursery rhyme
whose story can be found
in variations in Hans
Christian Andersen and
The Brothers Grimm. The
theme of making swaps,
each one with a worse
outcome than the previous
swap, can be found in
German folklore. Like the
other picture books in
John M.
Feierabend’s First
Steps in Music series,
The Swapping Song
includes a description of
the history of the song,
the notation of the song,
and a link to a free MP3
download of the song,
sung by Jill Trinka. John
M. Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
The song may be
downloaded here: FREE MP3
Download - Full
Performance MP3 download
instructions: Windows
users right click on the
link. Mac users hold down
the Control key as you
click the link. Then
select either Save Link
As... or Save Target
As... and choose the
location you would like
to save the file on your
computer. $17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Thought About You Chorale SATB Alfred Publishing
Composed by Johnny Mercer, music by Jimmy Van Heusen. Arranged by Paul Langford....(+)
Composed by Johnny
Mercer, music by Jimmy
Van Heusen. Arranged by
Paul Langford. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Secular;
Standard. 12 pages.
Published by Alfred Music
$2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Then Sings My Soul - Choral Book Word Music
SKU: WD.080689519178 Composed by Cliff Duren. Choral, cantatas. Book. Wor...(+)
SKU:
WD.080689519178
Composed by Cliff Duren.
Choral, cantatas. Book.
Word Music #080689519178.
Published by Word Music
(WD.080689519178).
UPC:
080689519178. Hymns
revisited. Hymns
reimagined. Hymns
reinvented. Hymns
relived. Hymns
rewritten.
At
this point we've seen
everything done with
hymns that we can
possibly think of. And
you may be saying the
last thing you want or
need is another book of
hymns. And some might be
inclined to agree.
Except...
What
if, instead of working so
hard to change them or
improve them, we focus on
revealing the true
nature, power, and
majesty of our favorite
hymns? Rather, to be true
to them, and frame them
in their best light by
rediscovering a fresh
appreciation of their
well-deserved place in
our houses of worship.
Let our choirs raise
their voices in unbridled
passion, fed by the
awe-inspiring, rich,
theological and doctrinal
truths buried deep within
these tremendous songs of
the Faith. Let our
spirits rise with the
soaring melodies, and
once again give voice to
our praise of the
immortal, invisible,
only-wise God! And, more
than anything else, let
us rediscover the joy
that comes when we
encourage our
congregations to raise
our joys and triumphs
high, as together the
Church proclaims, Then
Sings My Soul, to the
greatness of our
God.
While each
great arrangement in this
book stands alone,
Then Sings My Soul
is designed to be
presented as a
through-composed worship
service of hymns,
scripture, and
inspirational readings
for Choir, Congregation,
and Worship Leaders,
created and orchestrated
by Cliff Duren. DVD
Accompaniment Track,
Orchestration, and Stem
Mixes available.
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Polly Wolly Doodle - Performance/Accompaniment CD Heritage Music Press
SKU: LO.99-1584H Composed by Brad Printz. Choral. Performance/accompanime...(+)
SKU: LO.99-1584H
Composed by Brad Printz.
Choral.
Performance/accompaniment
CD. Heritage Music Press
#99/1584H. Published by
Heritage Music Press
(LO.99-1584H). UPC:
000308080551. You'v
e never imagined this
popular American folk
song with such
interesting character
before! This innovative
arrangement will set
every toe tapping in the
audience and on the
risers! All parts are
featured on the melody at
some point, and toss in
the jugs/pop bottles,
kazoos, body Percussion,
and some whistling and
you just can't miss.
Terrific choice for
concert or festival
choirs. Also available:
Two-part (15/1619H). $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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