PARTITIONS GRATUITES :
- Credo \

3 sopranos

SKU: HL.49019909

From A Worcester Ladymass. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Choral. Softcover. Composed 2008. 6 pages. Duration 6'. Schott Music #ED13330. Published by Schott Music (HL.49019909).

ISBN 9790220134111. UPC: 196288025597. 9.0x12.0x0.073 inches. Latin.

Bryars' settings of Benedicamus Domino and Credo were written to complete a Ladymass that had been constructed from the Worcester Fragments. They were composed with the intention of seamless integration into the original settings, maintaining the same spirit and sound world of the existing music.

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-050

Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2014. De Haske Publications #DHP 1145564-050. Published by De Haske Publications (BT.DHP-1145564-050).

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000921

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Oboe 1. Sacred vocal music, Mass sections. Single Part, Oboe 1. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/21. Published by Carus Verlag (CA.4000921).

ISBN 9790007248048. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000912

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/12. Published by Carus Verlag (CA.4000912).

ISBN 9790007248000. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000903

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections. Vocal score. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/03. Published by Carus Verlag (CA.4000903).

ISBN 9790007241551. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000949

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Organ. Sacred vocal music, Mass sections. Single Part, Organ. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/49. Published by Carus Verlag (CA.4000949).

ISBN 9790007248055. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000900

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections. Full score. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/00. Published by Carus Verlag (CA.4000900).

ISBN 9790007187729. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000911

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 1. Sacred vocal music, Mass sections. Single Part, Violin 1. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/11. Published by Carus Verlag (CA.4000911).

ISBN 9790007247997. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.