PARTITIONS GRATUITES :
- Diogenio Bigaglia

Dioogenio Bigaglia. For Soprano Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

Treble recorder and basso continuo (ABFL/BC) - intermediate

SKU: HL.49030334

Composed by Diogenio Bigaglia. Edited by Thiemo Wind. This edition: Saddle stitching. Sheet music. Edition Schott. Op. 1. 48 pages. Schott Music #ED 12262. Published by Schott Music (HL.49030334).

ISBN 9790220114502. 9.0x12.0x0.175 inches.

Two alto voices & basso continuo

SKU: HH.HH543-FSP

Composed by Diogenio Bigaglia. Score and parts. Edition HH Music Publishers #HH543-FSP. Published by Edition HH Music Publishers (HH.HH543-FSP).

ISBN 9790708185581.

Thes e previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678–1745), the Venetian monk who was also a skilled and imaginative composer. They are set to texts taken from the famously chromatic madrigals of Carlo Gesualdo published over a century earlier. The purpose of this choice was not to commemorate Gesualdo but to assemble a homogeneous group of short poems suitable for Bigaglia’s evident main aim, which was to produce a cycle of vocal duets imitating the structural layout and musical processes of the contemporary trio sonata.

Soprano voice, alto voice, strings & basso continuo

SKU: HH.HH497-FSP

Composed by Diogenio Bigaglia. Edited by Michael Talbot. Full score and parts. Edition HH Music Publishers #HH497-FSP. Published by Edition HH Music Publishers (HH.HH497-FSP).

ISBN 9790708185079.

Diog enio Bigaglia’s dramatic cantata Plutone e Proserpina for soprano, contralto, strings and continuo, composed around 1710 by this Venetian Benedictine monk highly esteemed as a composer by his contemporaries, represents his vocal chamber music at its most ambitious and attractive. Its twelve short movements comprise five solo arias, one aria for both voices singing in turn, one duet and five recitatives. The subject of the cantata, Proserpine’s gradual reconciliation to her kidnap by Pluto, who wants her as his bride, is treated in masterly fashion by the author of the text, Antonio Ottoboni, who was a leading poet in Venice at the time. There is no better work through which to make acquaintance with the fascinating, but still little known, figure of Bigaglia.

Two soprano voices & basso continuo

SKU: HH.HH535FSP

Composed by Diogenio Bigaglia. Edited by Michael Talbot. Full score and parts. Edition HH Music Publishers #HH535FSP. Published by Edition HH Music Publishers (HH.HH535FSP).

ISBN 9790708185482.

Thes e previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678–1745), the Venetian monk who was also a skilled and imaginative composer. They are set to texts taken from the famously chromatic madrigals of Carlo Gesualdo published over a century earlier. The purpose of this choice was not to commemorate Gesualdo but to assemble a homogeneous group of short poems suitable for Bigaglia’s evident main aim, which was to produce a cycle of vocal duets imitating the structural layout and musical processes of the contemporary trio sonata.

Soprano voice, alto voice & basso continuo

SKU: HH.HH542-FSP

Composed by Diogenio Bigaglia. Score and parts. Edition HH Music Publishers #HH542-FSP. Published by Edition HH Music Publishers (HH.HH542-FSP).

ISBN 9790708185574.

Thes e previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678–1745), the Venetian monk who was also a skilled and imaginative composer. They are set to texts taken from the famously chromatic madrigals of Carlo Gesualdo published over a century earlier. The purpose of this choice was not to commemorate Gesualdo but to assemble a homogeneous group of short poems suitable for Bigaglia’s evident main aim, which was to produce a cycle of vocal duets imitating the structural layout and musical processes of the contemporary trio sonata.