PARTITIONS GRATUITES :
- Divertimento for Two String Quartets.

Air De Concert (Haydn) Canzonetta(op.16) Panofka Der Schmetterling (Schumann) Deutscher Tanz (Haydn) Divertimento In D (Beethoven) Divertissement (Mozart) Idylle, Op.146 (Dancla) L'alouette (Lark) Mendelssohn Menuet Elegante (Mozart) Rondino (Pleyel) Rondo (Son.op.137#1) Schubert Scherzo (Wohlfahrt) Theme(allegretto Grazioso,op.11) Trauermarsch From Antigone Wiegenlied (Cradle Song) Schumann Menuetto (Haydn) Theme (Beethoven) Danse Allemande (Beethoven) 2nd St.qt., Theme From(pleyel) String Quartet #1, Theme From(pleyel) Trio And Quartet Albums - First Quartet Album For Strings (Two Violins, Viola and Cello) (Two violins, viola and cello String Trio and Quartet Collection). Arranged by Herman Hummel and Harvey S. Whistler. String quartet. For violin 1, violin 2, viola, cello. Ensemble Collection. 32 pages. Rubank Publications #RUBL165. Published by Rubank Publications

By Jordi Cervello. For 2 violins. Bowed Instruments. Duration 10:00. Published by Editorial de Musica Boileau

2 violins or violin and flute

SKU: BO.B.3102

Composed by Jordi Cervello. Woodwind. Duration 10:00. Published by Editorial de Musica Boileau (BO.B.3102).

ISBN 9788480201988.

Engl ish comments:
Divertimento I and Divertimento II, for two violins were composed in 1996. These two sister compositions have the additional attraction of being unedited works which are representative of the composer's most recent style. This etymological description, which defines a personality rather than an established musical style, takes the form of a succession of contrasting dynamic movements. One of the most outstanding features is the way in which the two instruments break away from their usual range of sounds to create the ideal conditions for suggesting their latent extent of sound possibilities in compositions that could be extended perfectly well into a string quartet. The interplay between the two instruments opens up a whole range of possibilities: short motives in an imitative style often braking out into a repetition of brief themes with a lot of personality, sequences of transformations, repetitive rhythms, etc. All theses show the virtuosity of the players on their own and together and because of their characteristics, they are written in a very clear tonal language, a times, modal, oriental, or even pentatonic. The progression of the movements is governed by a desire for variety: between the fast opening and closing movements there is a sequence of relaxed andante -some of which are in an easy two-part canon style- in scherzzi -and these are the lightest, most airy fragments of the two Divertimenti. Recordings: Ilia Ioff and Ilia Teplyakov (violins), Columna Musica (1CM0156). --Lluis Millet

Comentari os del Espanol:
Divertimento I y Divertimento II, para dos violines fueron compuestos en el ano 1996. Un atractivo adicional de estas dos composiciones hermanas raya en su condicion de obras ineditas y representativas de la ultima manera del compositor. La acepcion etimologica, que define un caracter mas que una forma musical establecida, se concreta aqui en una sucesion de movimientos contrastados de gran dinamismo. Cabe remarcar la capacidad de los instrumentos para superar su estricto ambito sonoro y crear las condiciones idoneas para sugerir toda la amplitud sonora latente en unas composiciones que, con toda propiedad, podrian ser ampliadas en cuarteto de cuerda. El juego al que se someten los dos instrumentos se halla abierto a multiples posibilidades: breves motivos en estilo imitativo susceptibles de desembocar en elementos tematicos reiterados, poco desarrollados y de fuerte personalidad, mutaciones secuenciales, ritmos obstinados, etc., que propician el virtuosismo individual y colectivo de los ejecutantes y que, por sus caracteristicas, se inscriben en un lenguaje tonal muy claro, ocasionalmente abierto, tambien, a trazos modales y orientalizantes e, incluso, a lo pentatonico. El criterio que rige la progresion de los movimientos responde a simples razones de variedad: entre los fragmentos extremos rapidos, inicial y conclusivo, una sucesion de andante distendidos -a veces en un descanso estilo canonico a dos voces- y de scherzo los fragmentos mas ingravidos y aereos de los Divertimenti. Grabaciones: Ilia Ioff y Ilia Teplyakov (violines), Columna Musica (1CM0156). --Lluis Millet.

Chamber orchestra

SKU: HH.HH191-FSP

Composed by Franz Joseph Haydn and Wranitzky. Edited by Christopher Hogwood. Chamber Orchestra. Full score and parts. Edition HH Music Publishers #HH191-FSP. Published by Edition HH Music Publishers (HH.HH191-FSP).

ISBN 9790708059684.

In these amplifications of three of Haydn's best known string quartets, Op. 71, Wranitzky expanded the ensemble to nine players by adding flute, oboe, two horns and double bass, making it one of the larger divertimento scorings for the period. First published in 1800, but overlooked by performers ever since, they are now issued here as a 3 volume set in full score with set of parts. The first of the group received its modern premiere on 1 March 2008 in New York's Carnegie Hall.

Chamber orchestra

SKU: HH.HH189-FSP

Composed by Franz Joseph Haydn and Wranitzky. Edited by Christopher Hogwood. Chamber Orchestra. Full score and parts. Edition HH Music Publishers #HH189-FSP. Published by Edition HH Music Publishers (HH.HH189-FSP).

ISBN 9790708059660.

In these amplifications of three of Haydn's best known string quartets, Op. 71, Wranitzky expanded the ensemble to nine players by adding flute, oboe, two horns and double bass, making it one of the larger divertimento scorings for the period. First published in 1800, but overlooked by performers ever since, they are now issued here as a 3 volume set in full score with set of parts. The first of the group received its modern premiere on 1 March 2008 in New York's Carnegie Hall.

Chamber orchestra

SKU: HH.HH190-FSP

Composed by Franz Joseph Haydn and Wranitzky. Edited by Christopher Hogwood. Chamber Orchestra. Full score and parts. Edition HH Music Publishers #HH190-FSP. Published by Edition HH Music Publishers (HH.HH190-FSP).

ISBN 9790708059677.

In these amplifications of three of Haydn's best known string quartets, Op. 71, Wranitzky expanded the ensemble to nine players by adding flute, oboe, two horns and double bass, making it one of the larger divertimento scorings for the period. First published in 1800, but overlooked by performers ever since, they are now issued here as a 3 volume set in full score with set of parts. The first of the group received its modern premiere on 1 March 2008 in New York's Carnegie Hall.