| The Chester Piano Anthology Piano seul Chester
39 popular works for piano featuring selected works from the major exam board sy...(+)
39 popular works for
piano featuring selected
works from the major exam
board syllabuses,
spanning Grades 5 to 8
and beyond. Preface by
Young Musician of the
Year Martin James
Bartlett. Contents: Two
Interludes - II. Moderato
(Bliss) * Romanian Folk
Dance - VI. Fast Dance
(Bartok) * Prelude en
form de Scherzo (Martinu)
* Bagatelles Diverses -
VI. Spanish Dance
(Chapple) * Sonata No. 2
- II. Leger (Milhaud) *
Suite for Piano - I.
Moderate (Dello Joio) *
Puck, Op. 71, No. 3
(Grieg) * Sonatina - II.
Allegro (Elgar) * Album
for my Friends - II.
Adam's Allemande
(Gregson) * Pajar Triste
(Mompou) * Nocturne No. 8
(Poulenc) * Romance
(Yared) * Jig (1932)
(Holst) * Sonatina 1947 -
II. Andantino (Henze) *
Trois Preludes - I.
D'Ombre et de silence
(Dutilleux) * Three Piano
Pieces, Op. 5 - III.
Calmo (Wood) * A
Soldier's Tale - III.
Marche Royale
(Stravinsky) * Le Cortege
de Balkis (No. 10 from
Histoires) (Ibert) *
Consolation (No. 5 from
13 Morceaux, Op. 76)
(Sibelius) * Ecce Ancilla
Domini (Alain) * 6/11/98
(Talbot) * China Gates
(Adams) * Snowall in
Winter (Study No. 9
Hommage a Debussy)
(McCabe) * I've Turned
the Page... (Weir) *
Prelude (Saariaho) *
Prelude No. 5 (Berkeley)
* Sarabande (Arnold) *
Danse du Meunier (de
Falla) * A Hudson Cycle
(Muhly) * Petites
Esquisses d'Oiseaux - II.
Le Merie Noir (Messiaen)
* Sub Tuam Protectionem
(Maxwell Davies) * Etude
No. 14 (Glass) * Nottuno
alla Italiana (Hahn) *
Excursions - I. Vivo
(Bennett) * Two Turtle
Doves (Bennett) * Essay
III for Piano (Barber) *
Staccato Beans (Dun) *
Venus in 94 (Riley)
$29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Accordion Music from Around the World Accordéon [Partition] - Intermédiaire Mel Bay
by Frank Zucco. For keyboard accordion. All styles. Level: Beginning-Intermediat...(+)
by Frank Zucco. For
keyboard accordion. All
styles. Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x11.75. 56 pages.
Published by Mel Bay
Pub., Inc.
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Collection Mini Series: Pop Hits - Piano Piano, Guitare (duo) [Partition + CD] Editions Musicales Francaises
Guitar and Piano SKU: HL.14021534 Music Sales America. Pop. Book with CD....(+)
Guitar and Piano SKU:
HL.14021534 Music
Sales America. Pop. Book
with CD. Editions
Musicales Francaises
#EMF100072. Published by
Editions Musicales
Francaises (HL.14021534).
English-French.
Les titres de ce recueil
sont issus des grands
succes de la variete
francaise et
internationale. Tous les
themes sont arranges de
maniere a faire de chaque
piece un oeuvre
pianistique complete,
doigtes et chiffrage
harmonique a l'appui. Les
professeurs trouveront
aussi dans ce volume un
repertoire plaisant et
motivant a donner a leurs
eleves. Afin de'apporter
un cote ludique a
recueil, les midi-files
contenus dans le CD mixte
(CD audio CD rom)
offrent la possibilite
d'ecouter les titres en
MIDI au moyen de la carte
son d'un ordinateur. De
plus, avec un materiel
approprie (sequenceur,
editeur de partitions et
autres), il est possible
de changer les sons et
les tempi, de jouer
facilement des passages
en boucles ainsi que
toute autre possibilite
offerte par les
differents logiciels
actuels. Nous vous
souhaitons donc un
excellent voyage au pays
de Pops Hits et esperons
vous apporter un reel
plaisir pianistique. The
titles in this collection
are abstracts from the
greatest French and
International hits. All
of the titles are
arranged in a way to make
each piece a complete
pianistic work, fingered
with support of chord
symbol. Piano teachers
will also find in this
volume a pleasant and
attractive repertory to
make their students play
with. The playful aspect
is added to this
anthology by way of the
midi-files which
accompany the mixte CD
(CD audio and CD rom)
offering the possibility
to listen to the pieces
in midi by using the
sound card of a computer.
In addition, it is
possible to change the
sounds and the tempi with
appropriate equipment
(e.g. sequencer, score
editors and others). You
acn also easily play in
loop passages. Other
options are offered by
today's different
software. We wish you an
excellent journey into
the Piano Pop Hits world
and hope it will bring
you true pianist
pleasure. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classical Guitar Collection Guitare [Partition + CD]
Guitar SKU: BT.MUSCH80344 Composed by Gabriel Yared. TV-Film-Musical-Show...(+)
Guitar SKU:
BT.MUSCH80344
Composed by Gabriel
Yared.
TV-Film-Musical-Show.
Book with CD. Wise
Publications #MUSCH80344.
Published by Wise
Publications
(BT.MUSCH80344). ISBN
9781849385954. This
folio contains 20 of
Gabriel
Yared’s
best-loved pieces
specially arranged for
classical guitar,
including themes from
The English Patient,
Betty Blue and
The Talented Mr
Ripley.
Eachp
iece is demonstrated by
the arranger on the
included CDs. Four of the
pieces are presented in
arrangements for guitar
duet, and the second CD
includes alternative
play-along versions each
giving prominence to one
partor theother. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jul! Gehrmans Musikforlag
Voice, guitar SKU: GH.GE-11406 Text & ackord. Text & ackord till n...(+)
Voice, guitar SKU:
GH.GE-11406 Text &
ackord. Text & ackord
till nagra av de mest
alskade julsangerna - i
ett format som ar latt
att ta med sig! With
lyrics and chords.
Gehrmans Musikforlag #GE
11406. Published by
Gehrmans Musikforlag
(GH.GE-11406).
Hur ser julen
ut hemma hos dig - dans
kring granen, godisskalar
med knack och grytor som
puttrar, eller en stilla
natt i vantan pa tomten
och snofall? Att sjunga
hor julen till och i
denna bok hittar du bade
de traditionella
julsangerna och nyare
julhits som All I want
for Christmas is you,
Last Christmas och Do
they know it's Christmas.
Har finns ocksa Amanda
Jenssens populara jullat
Another Christmas. Samla
vannerna kring pianot
eller gitarren, ta fram
gloggen och klam i: Jag
vill ha mer jul, ge mig .
. .
Varje lat ar
noterad med text och
ackord och har alla
gitarrarackorden du
behover i respektive lat
i grepptabell pa samma
sida.
Det finns
for narvarande atta delar
i serien Text &
Ackord. $14.90 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fanfare and Jubilation - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137F Composed
by Michael Boo. Sws. Bps.
Full score. 16 pages.
Duration 2:20. Carl
Fischer Music #BPS137F.
Published by Carl Fischer
Music (CF.BPS137F).
ISBN 9781491158494.
UPC: 680160917099. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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