| George Gershwin: Gershwin By Special Arrangement - Flute/Oboe
Flûte traversière [Partition + CD] - Intermédiaire Alfred Publishing
Composed by George Gershwin (1898-1937). For flute solo (or oboe). Includes inst...(+)
Composed by George
Gershwin (1898-1937). For
flute solo (or oboe).
Includes instrumental
solo songbook and
accompaniment CD. With
instructional text.
Standards and 20th
century. 24 pages.
(7)$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Indices Hautbois Carl Fischer
Solo Oboe SKU: CF.FE95 Oboe Solo. Composed by David Cope. With Sta...(+)
Solo Oboe SKU:
CF.FE95 Oboe
Solo. Composed by
David Cope. With Standard
notation. 10 pages. Carl
Fischer Music #FE95.
Published by Carl Fischer
Music (CF.FE95). ISBN
9780825879050. UPC:
798408079055. 9.5 x 13
inches. David Cope,
composer-cyborg, has
become a unique force in
contemporary music,
seeking to wed his
musical DNA with computer
algorhythms to produce
new and fascinating sonic
imagery. In Indices,
however, we see an
earlier Cope (1973), and
a full-on performance
piece for one performer.
The oboist is instructed
to use a prepared piano
onstage, while performing
Cope's intricate
set-piece on both
instruments. For advanced
performers. Duration:
8'. $24.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prairie Light Theodore Presser Co.
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most
enduringly and frequently
played orchestral work,
Prairie Light is a
fascinating musical
companion to three of
Georgia
O’Keeffe’s
most unusual paintings,
Light Coming on the
Plains, Canyon with
Crows, and Starlight
Night. This work is ideal
for performances using
visual projections of the
paintings, and is
frequently programmed for
subscription concerts as
well as those for
educational settings.
Duration: 14’
Parts available on
rental. This work for
full orchestra was
inspired by three
paintings of the noted
Americanartist Georgia
O’Keeffe. These
three watercolors were
done in 1917 while the
artist was living in
Canyon, Texas (near
Amarillo), and deal
primarily with color and
shape. Consequently, the
music is primarily
concerned with broad
lines and shapes rather
than rhythms, with subtle
washes of color rather
than constant harmonic
movement, and with
arching melody instead of
linear counterpoint.The
first movement, Light
Coming on the Plains, is
an elliptical-shaped
painting, deep blue to
indigo with a
“horizon†at
the bottom that seems
flat and unchanging. The
sun hasn’t risen
yet, although it does in
the course of this
movement, but it seems
instead to be providing
light from behind the
canvas. The music is
unmoving in terms of
rhythm or harmony
(although there is a
modulation midway
through), a color-infused
mantra of sound that is
almost Eastern.At the
height of the sun, we
proceed to the second
movement, entitled Canyon
with Crows. The canyon is
red-orange, with black
crows circling above
friendly unfolding hills.
The music is gentle but
lively and more rhythmic,
with the birds
represented by solo oboe,
clarinet, and sometimes
flute. Halfway through,
the brass have a chorale
version of the opening
motive, played very
slowly, over the unending
triplets of woodwinds and
strings. At the end of
the movement, the
birds return for a
duo-cadenza, accompanied
by the dying rays of the
sun in muted strings and
the ongoing triplets of
the solo quartet.The
stage is set for the
final movement, Starlight
Night. In
O’Keeffe’s
painting, the stars are
represented by
regularly-spaced
rectangles of bright pale
yellow on a blue-black
sky, with the same shape
to the field of vision
and the horizon that is
found in Light Coming on
the Plains. The stars
become audible: harp,
celesta, glockenspiel,
and string pizzicati all
lend a sparkle while a
solo flute introduces a
slowly unfolding theme.
After this theme has been
heard twice and the sky
has begun to really
brighten, there is a
sudden interruption: a
xylophone and a piano
begin another
“mantra†in
brittle staccato chords.
This is the same
mechanical eternity as
O’Keeffe’s
regularly-spaced square
stars, and it continues
on its own as the night
progresses. The music
builds and grows as the
moon rises and arcs, then
falls as the pre-dawn
light that opened the
work returns to bring it
to a close. Acycle of
light, changing with the
movements of sun, moon,
and stars, appearing
differently from various
points of view
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tropanka and Patsh Tantz - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Ride Cymbal, Tambourine,
Tom-tom, Triangle, Wood
Block, alto Saxophone 1
and more. - Grade 3
SKU: CF.CPS264
Composed by Lauren
Bernofsky. Cps. Set of
Score and Parts.
1+8+8+4+4+8+8+8+4+4+4+4+4
+4+4+4+4+4+28 pages.
Duration 3 minutes, 39
seconds. Carl Fischer
Music #CPS264. Published
by Carl Fischer Music
(CF.CPS264). ISBN
9781491161418. UPC:
680160920006. Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tropanka and Patsh Tantz - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Ride Cymbal, Tambourine,
Tom-tom, Triangle, Wood
Block, alto Saxophone 1
and more. - Grade 3
SKU: CF.CPS264F
Composed by Lauren
Bernofsky. Cps. Full
score. 28 pages. Duration
3 minutes, 39 seconds.
Carl Fischer Music
#CPS264F. Published by
Carl Fischer Music
(CF.CPS264F). ISBN
9781491161746. UPC:
680160920433. Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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