| Complete Sacred Music for Ferdinando de’ Medici, Prince of Tuscany (Firenze 1704-1709) Ut Orpheus
Choir; Orchestra; Early Music SKU: UT.TME-2 Vol. I. Critical Edition(+)
Choir; Orchestra; Early
Music SKU:
UT.TME-2 Vol. I.
Critical Edition.
Composed by Giacomo
Antonio Perti. Edited by
Francesco Lora. Hardback
(Cloth Hard Cover).
Tesori Musicali Emiliani
(Emilian Musical
Treasures). Classical.
Critical commentary. Ut
Orpheus #TME 2. Published
by Ut Orpheus (UT.TME-2).
ISBN 9790215318380. 9
x 12
inches. Gaudeamu
s omnes. Mottetto a 8
voci (SATB-SATB) con
Trombe, Cornetti, Archi e
Basso Continuo; Date
melos, date honores.
Mottetto a 8 voci
(SATB-SATB) con Archi e
Basso Continuo; Cantate
laeta carmina. Mottetto a
5 voci (SSATB) con
Trombe, Cornetti, Archi e
Basso
Continuo
P
erformance Material on
Hire
Si
x grandiose Motets, with
rich appendix, and two
solemn Benedictus
make the opera
omnia of the
Bolognese Perti for the
court of the Florence
Grand Duke: the scores,
rendered here in the
tricentennial of their
composition, in that time
impressed the Emilian
audience as much as the
Tuscan one. The first
volume includes the
Motets Gaudeamus
omnes, Date melos,
date honores and
Cantate laeta
carmina, first
performed respectively in
1704, 1705 and 1706. $214.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Come, You Faithful, Raise the Strain Cloches MorningStar Music Publishers
Handbells SKU: MN.30-401 Composed by Mark Albrecht. Easter. Handbell scor...(+)
Handbells SKU:
MN.30-401 Composed by
Mark Albrecht. Easter.
Handbell score.
MorningStar Music
Publishers #30-401.
Published by MorningStar
Music Publishers
(MN.30-401). UPC:
688670304019. Based
on GAUDEAMUS PARITER.
Festive, accessible. 3
octaves (26 bells). $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gaudeamus Hodie Chorale 3 parties SAB, Piano [Octavo] Carl Fischer
Gaudeamus Hodie (Let Us Rejoice Today) (For SAB Voices with Descant, Piano (4-Ha...(+)
Gaudeamus Hodie (Let Us
Rejoice Today) (For SAB
Voices with Descant,
Piano (4-Hands) and
Optional Percussion). By
Natalie Sleeth. Arranged
by Carl Strommen. Mixed
chorus. For Soprano,
Alto, Bass, Piano
4-Hands, Percussion, SAB,
Piano 4-Hands,
Percussion, Claves,
Maracas, Conga,
Tambourine, SAB Chorus
with Descant, Piano
4-Hands, Percussion,
Claves, Maracas, Conga,
Tambourine. Choral. Piano
reduction/vocal score.
Standard notation. 16
pages. Published by Carl
Fischer
(1)$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Natalie Sleeth: Gaudeamus Hodie (Let Us Rejoice Today) 1 Piano, 4 mains [Octavo] Carl Fischer
(A Calypso Carol for Joyous Occasions) Composed by Natalie Sleeth, arranged by C...(+)
(A Calypso Carol for
Joyous Occasions)
Composed by Natalie
Sleeth, arranged by Carl
Strommen. Vocal score for
3-part choir (with
descant), piano
accompaniment (1 piano, 4
hands) and percussion.
With vocal score
notation, piano
accompaniment and drum
notation. Text language
Latin and English.
Published by Carl
Fischer.
(4)$2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come, You Faithful, Raise the Strain Chorale SATB - Débutant GIA Publications
SATB choir, SSAA choir, assembly, organ accompaniment, trumpet 1 in B-flat, trum...(+)
SATB choir, SSAA choir,
assembly, organ
accompaniment, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C, trombone
1, trombone 2 - Beginning
SKU: GI.G-3675
Concertato on
GAUDEAMUS PARITER.
Composed by Johann Horn.
Arranged by Kenneth T.
Kosche. Eastertide,
Easter Sunday. Choral.
Tune Name: Gaudeamus
Pariter. Sacred. Octavo.
16 pages. GIA
Publications #3675.
Published by GIA
Publications (GI.G-3675).
Text Source: John of
Damascus, ca.
696–754. SAT
B, optional SSAA. $1.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Czech Hymn - Facile GIA Publications
Trumpet 1 in B-flat, trumpet 2 in B-flat, horn in f, trombone, tuba - Early inte...(+)
Trumpet 1 in B-flat,
trumpet 2 in B-flat, horn
in f, trombone, tuba -
Early intermediate
SKU: GI.G-3205
Gaudeamus Pariter.
Composed by Joel Blahnik.
Arranged by Joel Blahnik.
Chamber Music. Tune Name:
Gaudeamus Pariter, Ave
Virgo Virginum. Sacred.
Instrumental part(s). GIA
Publications #3205.
Published by GIA
Publications (GI.G-3205).
Brass Quintet
(2 Tpts, Horn, Tbn,
Tuba). $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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