| Through Darkened Sleepy Hollow Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Erik Morales. Concert Band/Wind Ensemble. FJH Concert Band. This musical work...(+)
By Erik Morales. Concert
Band/Wind Ensemble. FJH
Concert Band. This
musical work illustrates
the harrowing experience
of our hero, Ichabod
Crane, as he tries to
escape the fate that was
cast upon him on that
dark and scary night. The
introduction also
illustrates the
unsettling feeling Crane
has as he departs into
the darkness. Once
convinced he is being
pursued, he darts forth
suddenly on his horse,
Gunpowder, and the chase
begins. The very last
measures of the piece
illustrate the moment of
impact. The story also
suggests that Brom Bones,
a character who competed
with Crane for the
affections of a local
maiden, may have been the
perpetrator of the
horrible prank. But
Irving ingeniously hints
at this supposition and
leaves the reader to
ponder the mystery of the
legend. Score for this
title: B1299S. Extra part
for this title: B1299P.
Concert Band. Level:
Grade 3. Score and Set of
Parts. Published by The
FJH Music Company Inc.
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleepy Hollow Flûte traversière et Piano Theodore Presser Co.
Chamber Music Bass Flute, Piano SKU: PR.114419620 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano SKU:
PR.114419620 Composed
by Daniel Dorff. Sws. Set
of Score and Parts.
12+16+16 pages. Duration
8 minutes. Theodore
Presser Company
#114-41962. Published by
Theodore Presser Company
(PR.114419620). ISBN
9781491131381. UPC:
680160677269. 9 x 12
inches. Inspired by
a visit to upstate New
York’s beautiful
and notoriously haunted
Sleepy Hollow Cemetery,
Dorff has created an
atmospheric yet spooky
work for the
perfectly-suited scoring
of Two Bass Flutes and
Piano. SLEEPY HOLLOW was
commissioned by Wendy
Stern and Peter Sheridan
as a postscript to the
composer’s Sonata
(Spirit of the
Hudson). $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Two Scenes From the Hollow - Score Orchestre à Cordes - Intermédiaire Kjos Music Company
Orchestra string orchestra - Grade 3 SKU: KJ.SO264F Composed by Kirt Mosi...(+)
Orchestra string
orchestra - Grade 3
SKU: KJ.SO264F
Composed by Kirt Mosier.
String Tracks. Score.
Neil A. Kjos Music
Company #SO264F.
Published by Neil A. Kjos
Music Company
(KJ.SO264F).
Movement I:
Ichabod's Walk Movement
II: Hessian's Ride
Another exciting work
from top-selling composer
Kirt Mosier! The
two-movement piece is
based on The Legend of
Sleep Hollow: the first
section is an off-beat
tango, and the second is
a blazing musical chase
over a motor rhythm. A
thrilling ride! $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210F Composed
by Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Full
score. 12 pages. Carl
Fischer Music #YAS210F.
Published by Carl Fischer
Music (CF.YAS210F).
ISBN 9781491160701.
UPC:
680160919307. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210 Composed by
Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Set of
Score and Parts.
16+16+4+10+10+10+12
pages. Carl Fischer Music
#YAS210. Published by
Carl Fischer Music
(CF.YAS210). ISBN
9781491160442. UPC:
680160919031. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating F/C
sharps and naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/CÂ sharps and
naturals throughout and
devilishly unpredictable
harmonic patterns. The
piece also calls for
numerous extended
techniques that students
will enjoy, including
playing behind the
bridge, sul ponticello,
portamento, and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Syrinx for Unaccompanied Tenor Trombone - Avancé Cherry Classics
Unaccompanied Tenor Trombone - advanced SKU: CY.CC2515 Composed by Claude...(+)
Unaccompanied Tenor
Trombone - advanced
SKU: CY.CC2515
Composed by Claude
Debussy. Arranged by
Ralph Sauer. French
Impressionist. Booklet.
Published by Cherry
Classics (CY.CC2515).
Debussy
composed this
breathtaking
unaccompanied work in
1913, and it became the
first solo work for the
Bohm flute and the first
solo work by a major
composer since C.P.E.
Bach almost 150 years
earlier! The music
allows wide latitude for
interpretation and can
really show off the
musical imagination of
the performer. The
great French flautist
Marcel Moyse is credited
with adding phrasing and
barlines to his friend
Debussy's new work. In
classical mythology,
Syrinx was a nymph and a
follower of Artemis,
known for her chastity.
Pursued by the amorous
Greekgod Pan, she ran to
a river's edge and asked
for assistance from the
river nymphs. In answer,
she was transformed into
hollow water reeds that
made a haunting sound
when the god's frustrated
breath blew across them.
Pan cut the reeds to
fashion the first set of
pan pipes, which were
thereafter known as
syrinx. This work of 2
1/2 minutes for advanced
performers can add a new
dimension to your
recital, as it is often
performed offstage. The
sample performance was
recorded by Ralph Sauer
in May 2012. $15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Syrinx for Unaccompanied Tuba or Bass Trombone - Avancé Cherry Classics
Unaccompanied tuba or bass trombone - advanced SKU: CY.CC2924 Composed by...(+)
Unaccompanied tuba or
bass trombone - advanced
SKU: CY.CC2924
Composed by Claude
Debussy. Arranged by
Ralph Sauer. French
impressionist. Booklet.
Published by Cherry
Classics (CY.CC2924).
Debussy
composed this
breathtaking
unaccompanied work in
1913, and it became the
first solo work for the
Böhm flute and the
first solo work by a
major composer since
C.P.E. Bach almost 150
years
earlier.
The
music allows wide
latitude for
interpretation and can
really show off the
musical imagination of
the
performer.
The
great French flautist
Marcel Moyse is credited
with adding phrasing and
barlines to his friend
Debussy's new
work.
In
classical mythology,
Syrinx was a nymph and a
follower of Artemis,
known for her chastity.
Pursued by the amorous
Greek god Pan, she
ran to a river's edge and
asked for assistance from
the river nymphs. In
answer, she was
transformed into hollow
water reeds that made a
haunting sound when the
god's frustrated breath
blew across them. Pan cut
the reeds to fashion the
first set of pan pipes,
which were thereafter
known as
Syrinx.
This
work of 2 1/2 minutes for
advanced performers can
add a new dimension to
your recital, as it is
often performed
offstage.
The
sample performance was
recorded by Ralph Sauer
in May 2012. $15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Windows Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418140 Composed by James Matheson. Perform...(+)
Chamber Music Piano
SKU: PR.110418140
Composed by James
Matheson. Performance
Score. 24 pages. Duration
25 minutes. Theodore
Presser Company
#110-41814. Published by
Theodore Presser Company
(PR.110418140). ISBN
9781491129432. UPC:
680160640379. Mathe
son’s
five-movement work is a
setting of stained glass
windows created by Marc
Chagall and Henri Matisse
for a rustic country
church adjoining the
Rockefeller estate near
Sleepy Hollow on the
Hudson River.
Matheson’s suite
draws from four Chagall
windows: 1. Jeremiah, 2.
Isaiah, 3. Crucifixion,
4. The Good Samaritan,
and culminates with
Matisse’s 5. The
Rose. In 1954, the
Rockefeller family asked
Henri Matisse to create a
stained glass Rose
Window for the Union
Church of Pocantico
Hills, New York as a
memorial to Abby
Aldrich Rockefeller,
the great art patroness
and a founder of the
Museum of Modern Art. It
was to be the
artist’s last
work. A few years
later, Mrs.
Rockefeller’s
youngest son, David,
acting on behalf of the
family, commissioned
Marc Chagall to create an
entire series of stained
glass windows to fill
the rest of the small
church resulting in the
large, majestic
“Good
Samaritan†window
and eight sublime
smaller windows, each
depicting a biblical
figure or scene. In 2015,
Premiere Commission
commissioned James
Matheson to compose
WINDOWS to celebrate
the centennial of the
Union Church of Pocantico
Hills and the 100th
birthday of
David Rockefeller.Â
This deeply touching,
epic cycle distills into
music the intimate, often
heart-rending,
visions of Chagall as
well as the powerful
simplicity of
Matisse’s modern
design which utilizes
the striking collage
forms he employed in his
final years.
Matheson’s work
also reflects
the influence of
Olivier Messiaen’s
own
theologically-inspired
music. Like the French
master, Matheson
utilizes large-scale
blocks of harmonies with
organ-like sonorities to
support and shift the
music’s
kaleidoscopic planes of
color and set into relief
the work’s
piercing motifs and
intricate patterns. The
universal themes of love
and sacrifice
(“Jeremiahâ€
and “Isaiahâ€
), loss and altruism
(“Crucifixionâ€
and “The Good
Samaritanâ€) and the
jubilant celebration
of life and nature
(“The Roseâ€)
are memorably portrayed
in this
poignant tribute to
the human
spirit.—Bruce
Levingston. $20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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