| How Firm a Foundation Chorale SATB SATB, Orgue [Octavo] Oxford University Press
By Mack Wilberg (1955-). For SATB choir and organ/orchestra and organ (3 flutes,...(+)
By Mack Wilberg (1955-).
For SATB choir and
organ/orchestra and organ
(3 flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 3 trumpets, 3
trombones, tuba, timpani,
percussion, organ,
strings). Mixed Voices.
Sacred, Choral Leaflet.
Vocal score. 12 pages.
Duration 4'. Published by
Oxford University Press
(1)$3.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata for Trumpet and String Orchestra Theodore Presser Co.
Scores Large Orchestra Score SKU: PR.41641625L Large orchestra score(+)
Scores Large Orchestra
Score SKU:
PR.41641625L Large
orchestra score.
Composed by Adolphus
Hailstork. This edition:
Large Score.
Contemporary. Large
Score. With Standard
notation. Composed 1996.
72 pages. Duration 21
minutes. Theodore Presser
Company #416-41625L.
Published by Theodore
Presser Company
(PR.41641625L). UPC:
680160643288. 11 x 14
inches. The Sonata
for Trumpet and Piano was
written in 1996 for the
husband and wife team of
Rodney Mack, trumpet and
Karen Walwyn, piano. To
encourage more
performances, I
transcribed it for
trumpet with string
quartet, and trumpet with
string orchestra. Then I
substituted a clarinet
part for the trumpet part
in all three versions.
The first movement is in
sonata form. The thematic
material and the rhythms
are influenced by blues
and jazz. The snappy
beginnins is followed by
a muted theme two. The
development begins with
repeated dark chords in
the piano, and gradualy
builds up to a climax
before theme one returns.
A descending series of
arpeggios in the trumpet
bring the movement to a
bitonal ending. The
second movement begins
with a quiet figuration
in the piano, which
repeats freely, under
short statements in the
trumpet. These mournful
fragments are notated to
allow the soloist to vary
the number of times they
are repeated. Gradually
the piece unfolds in a
through-composed song.
The middle section begins
with clusters in the
piano and builds to a
climax with the
introduction of sixteenth
notes. The tranquility of
the opening returns, and
brings the movement to a
quiet close. The third
movment is in sonata
form. Theme one is a high
energy idea based on
asymmetrical meters (ex.
seven-eight, and
eleven-eight), and a
couple of motives from
Puccini operas. Theme two
is a slower treatment of
the piano idea that
opened the movement. The
development tosses all
the material around
vigorously. After a
short, quiet return of
theme two, the coda
begins. This includes a
cadenza, and a final dash
to the end. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata for Trumpet and String Orchestra Theodore Presser Co.
Scores Orchestra SKU: PR.416416250 Composed by Adolphus Hailstork. This e...(+)
Scores Orchestra SKU:
PR.416416250 Composed
by Adolphus Hailstork.
This edition: Study
Score. Contemporary. Full
score. With Standard
notation. Composed 1996.
72 pages. Duration 21
minutes. Theodore Presser
Company #416-41625.
Published by Theodore
Presser Company
(PR.416416250). UPC:
680160643271. 9 x 12
inches. The Sonata
for Trumpet and Piano was
written in 1996 for the
husband and wife team of
Rodney Mack, trumpet and
Karen Walwyn, piano. To
encourage more
performances, I
transcribed it for
trumpet with string
quartet, and trumpet with
string orchestra. Then I
substituted a clarinet
part for the trumpet part
in all three versions.
The first movement is in
sonata form. The thematic
material and the rhythms
are influenced by blues
and jazz. The snappy
beginnins is followed by
a muted theme two. The
development begins with
repeated dark chords in
the piano, and gradualy
builds up to a climax
before theme one returns.
A descending series of
arpeggios in the trumpet
bring the movement to a
bitonal ending. The
second movement begins
with a quiet figuration
in the piano, which
repeats freely, under
short statements in the
trumpet. These mournful
fragments are notated to
allow the soloist to vary
the number of times they
are repeated. Gradually
the piece unfolds in a
through-composed song.
The middle section begins
with clusters in the
piano and builds to a
climax with the
introduction of sixteenth
notes. The tranquility of
the opening returns, and
brings the movement to a
quiet close. The third
movment is in sonata
form. Theme one is a high
energy idea based on
asymmetrical meters (ex.
seven-eight, and
eleven-eight), and a
couple of motives from
Puccini operas. Theme two
is a slower treatment of
the piano idea that
opened the movement. The
development tosses all
the material around
vigorously. After a
short, quiet return of
theme two, the coda
begins. This includes a
cadenza, and a final dash
to the end. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| American Arias - Tenor Voix Tenor [Partition + Accès audio] Boosey and Hawkes
Tenor. Composed by Various. Edited by Philip Brunelle. Boosey and Hawkes Voice. ...(+)
Tenor. Composed by
Various. Edited by Philip
Brunelle. Boosey and
Hawkes Voice. Play Along.
Softcover Audio Online.
108 pages. Boosey and
Hawkes #M051933655.
Published by Boosey and
Hawkes
(2)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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