PARTITIONS GRATUITES :
- Joseph-Weigh

By Franz Joseph Haydn (1732-1809). Edited by Isidor Saslav, Georg Feder. Study Score. Henle Study Scores. Softcover. 136 pages

SATB choir

SKU: ST.EM5

Composed by Orlando Gibbons. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Sacred. Choral Score. Stainer & Bell Ltd. #EM5. Published by Stainer & Bell Ltd. (ST.EM5).

ISBN 9790220206849.

Gibb ons seems to have been outside the process 'by which', wrote Joseph Kerman in The Elizabethan Madrigal, 'England first became sophisticated in the ways of Continental music.' These 20 pieces certainly, if differently, follow the pure line of William Byrd and are still of the old 'English' school. They include The Silver Swan and Dainty Fine Bird.

CONTENTS
Ah dear heart (SAA (or T) A (or T) B)
Dainty fine bird (SST (or A) TB)
Fair is the rose (SA (or S) ATB)
Fair ladies that to love (SSAT (or A) B)
Farewell all joys (SSA (or T) A (or T) B)
How art thou thralled (SS (or A) TTB)
I feign not friendship (SSAT (or A) B)
I see Ambition never pleased (SSATB)
I tremble not at noise of war (SSAT (or A) B)
I weigh not fortuneAs frown (SSAT (or A) B)
Lais now old (SATT (or A) B)
Mongst thousands good (SSAT (or A) B)
Nay let me weep (SA (or S) T (or A) T (or A) B)
NeAer let the sun (SAT (or A) TB)
Now each flowery bank of May (SST (or A) TB)
O that the learned poets (SSA (or T) B ( or T) B)
Silver Swan, The (SSA (or T) B (or T) B)
Trust not too much fair youth (SST (or A) TB)
What is our life? (SAA (or T) TB)
Yet if that age (SS (or A) T (or A) TB).

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS103

Composed by Joseph Compello. SWS FS. Young String Orchestra. Set of Score and Parts. With Standard notation. 16+16+4+10+10+10+4+8 pages. Carl Fischer Music #YAS103. Published by Carl Fischer Music (CF.YAS103).

ISBN 9780825889080. UPC: 798408089085. 8.5 x 11 inches. Key: B minor.

Joseph Compello depicts the planet Mars with The Red Planet, a heavy, brooding piece in 5/4. This piece provides cross-curricular opportunities to work with the school’s science department. Best of all, it will allow your group to show off the maturity of their playing.
The Red Planet is an original concert piece in time for a string ensemble with at least one year’s training. The opening section should be played in a boldly aggressive style. To give the parts a less complex appearance, staccato quarter-notes are used in lieu of eighth-notes followed by eight-rests. This notation will enable young players to count with greater ease.Notes on the performance:Measure 7 introduces the main theme in the first violins.Measure 15 introduces a secondary theme which becomes increasingly important as thepiece progresses.Measure 24 introduces a third theme and its counter-melody. This section should be played in a lyrically flowing style, in contrast to the main theme from m. 9.Measure 35, marked fugato, will require particular attention to entrances. The playing style reverts to the boldness of the opening mood.Measure 55 is the recapitulation with an addition of a new chromatic line. This line, given to first violins, should be soaring and equal in volume to the main theme. Note that the secondary theme (originally played in m. 15) is played only after the repeat.Measure 66 should be played much more slowly and in a grandiose manner. Here, the main theme should be given much more weight than it received in the opening statement.Note that at m. 68 the secondary theme concludes the piece ponderously in thelow strings. The conductor may dictate each note at this point and disregard the meter.This arrangement has been recorded by Carl Fischer. The performance is available on line free of charge.Thank you for choosing this composition. I hope your students and audience will find it instructiveand enjoyable.Joseph CompelloGlen Arm, Maryland.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

A Cantata for Christmas (SATB Choral Score). Composed by Mark Hayes (1953-) and Lloyd Larson. This edition: SATB Choral Score. Choral (Sacred); Choral Worship Cantata; Church Musicals; Performance Music Ensemble; Worship Resources. Jubilate Music. Christmas; Sacred. Choral score. Jubilate Music Group #00-47944. Published by Jubilate Music Group

String Quartet (2vl,va,vc)

SKU: BR.PB-5622-07

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library).

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar.

Romantic period. Study Score. 176 pages. Breitkopf and Haertel #PB 5622-07. Published by Breitkopf and Haertel (BR.PB-5622-07).

ISBN 9790004215197. 6.5 x 9 inches.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

String quartet string quartet (2vl,va,vc)

SKU: BR.EB-8939

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. This edition: Urtext. Chamber music; Folder. Edition Breitkopf. Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. Romantic period. Set of parts. 88 pages. Breitkopf and Haertel #EB 8939. Published by Breitkopf and Haertel (BR.EB-8939).

ISBN 9790004186084.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.