| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Celebrating Christmas (14 Grade 4 Solos With Piano Accompaniment) - E-Flat Alto Sax Saxophone Alto [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Arranged by Frank J. Halfertly. Score and Parts. 30 pages. Published by Kend...(+)
Arranged by Frank J.
Halfertly. Score and
Parts.
30 pages. Published by
Kendor
Music Inc
$13.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joy To The World and O Come All Ye Faithful [Conducteur] Santorella Publications
Piano, Voice, Guitar SKU: SP.TS321 Composed by Jonathon Robbins. Arranged...(+)
Piano, Voice, Guitar
SKU: SP.TS321
Composed by Jonathon
Robbins. Arranged by
Jonathon Robbins. Solo;
Christmas. Best of
Christmas series.
Christmas. Score. With
Text Language: English. 8
pages. Santorella
Publications #TS321.
Published by Santorella
Publications (SP.TS321).
ISBN 9781585604210.
UPC:
649571003210. We
are always price
conscious and understand
the financial burdens
placed on piano teachers,
students and performers
to continue to grow their
own personal music
library. With this in
mind, we decided to
publish a series of 2 in
1 Christmas sheets
arranged in a piano vocal
(PVG) format that has
only the specific
title(s) that you are
interested in buying this
holiday season. Rather
than purchase a large
costly collection of
songs that you may or may
not have an opportunity
to perform this year, we
have provided an
inexpensive alternative.
For just $4.95, you can
buy just those one or two
songs you truly want.
That's two songs for the
price of one! Each
arrangement is derived
from Santorella
Publications'
best-selling Piano Vocal
Christmas songbook, The
Best Of Christmas * Piano
Vocal Edition by Jonathon
Robbins which is also
available with or without
a performance CD. If cost
is not an issue and you'd
like to purchase this
fantastic collection, be
our guest, but if a big
songbook is just not in
the Christmas budget this
year, now you can buy
only those titles you've
settled on for your
holiday performance.
Here's your chance to
learn Joy To The World
and O Come All Ye
Faithful. Please be sure
to review our entire list
of Christmas song titles
available. Every piano
vocal (PVG) arrangement
includes lyrics and chord
box diagrams for guitar
so everyone can sing
along. Merry Christmas
from Santorella
Publications! Look at all
the great Christmas
sheets to choose from:
(TS321 - TS333) Joy To
The World and O Come All
Ye Faithful - We Three
Kings and I Saw Three
Ships - Carol Of The
Bells and O Little Town
Of Bethlehem - Deck The
Halls and Silent Night -
Angels We Have Heard On
High and Away In A Manger
- Jingle Bells and God
Rest Ye Merry Gentlemen -
Jingle, Jingle, Jingle
and O Christmas Tree -
The Most Wonderful Day Of
The Year and It Came Upon
A Midnight Clear -
Rockin' Around The
Christmas Tree and Up On
The Housetop - Holly
Jolly Christmas and
Silver and Gold - What
Child Is This
(Greensleeves) and Hark,
The Herald Angles Sing -
O Holy Night and The
First Noel - Rudolph, The
Red Nosed Reindeer and
Jolly Old St.
Nicholas. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alto Saxophone Concerto (Revised) Saxophone Alto et Piano Southern Music Ltd
Solo and Piano Reduction. Composed by Jaromir Weinberger (1886-1967). Arra...(+)
Solo and Piano Reduction.
Composed by Jaromir
Weinberger (1886-1967).
Arranged by Tristan
Willems.
Southern Music.
Classical,
Concert. Softcover. 24
pages. Southern Music
Company #SU821. Published
by
Southern Music Company
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Jingle, Jingle, Jingle, Joy To The World, Bringing The Season's Cheer Piano seul [Conducteur] - Facile Santorella Publications
Easy Piano - Easy SKU: SP.TS305 Composed by Craig Stevens. Arranged by Cr...(+)
Easy Piano - Easy SKU:
SP.TS305 Composed by
Craig Stevens. Arranged
by Craig Stevens. Solo;
Christmas. Best of
Christmas series.
Christmas. Score. With
Text Language: English. 8
pages. Santorella
Publications #TS305.
Published by Santorella
Publications (SP.TS305).
ISBN 9781585604050.
UPC:
649571003050. Every
one at Santorella
Publications is extremely
sensitive to the costly
demands placed on piano
teachers and their
tenacious students. With
this in mind, we decided
to publish a series of
Christmas sheets for easy
piano with only those
specific titles that you
and/or your student(s)
have decided to perform
for their holiday
concert, recital or maybe
just for family and
friends. Rather than
purchase a large costly
collection of songs that
you may or may not have
the opportunity to
perform this year, we
have provided an
inexpensive alternative.
For just $4.95, you can
buy just that one, two or
three songs that you
truly want to learn this
holiday season. That's
three songs for the price
of one! Each arrangement
derives from our
best-selling Christmas
songbook, The Best Of
Christmas For Easy Piano
by Craig Stevens which is
also available with or
without a performance CD.
If cost is not an issue
and you'd like to buy
this fantastic
collection, be our guest,
but if a big songbook is
not in the budget this
year, that's quite
alright. Why not choose
only those titles you've
settled on for your
Christmas performance?
Here's your chance to
learn O Come All Ye
Faithful, Deck The Halls
and The Snow Lay On The
Ground published by
Santorella Publications.
Be sure to review our
entire list of songs
available for easy piano
and yes, every one
includes lyrics to sing
along. Merry Christmas!
Look at all the great
Christmas sheets to
choose from: (TS301 -
TS313) O Come All Ye
Faithful, Deck the Halls,
The Snow Lay on the
Ground - I Saw Three
Ships, Hark! The Herald
Angels Sing, Angels We
Have Heard on High - We
Wish You a Merry
Christmas, Angels From
the Realms of Glory, We
Three Kings - Jingle
Bells, Silver and Gold,
Away in The Manger -
Jingle, Jingle, Jingle,
Joy To The World,
Bringing the Season's
Cheer - O Christmas Tree,
It Came Upon a Midnight
Clear, The Coventry Carol
- Holly and the Ivy, Good
King Wenceslas, Away in a
Manger - The Most
Wonderful Day of the
Year, Up On the Housetop,
I Heard the Bells on
Christmas Day - Holly
Jolly Christmas, Silent
Night, O Little Town of
Bethlehem - Rudolph, the
Red-Nosed Reindeer, Jolly
Old St. Nicholas, What
Child Is This?
(Greensleeves) - Rockin'
Around the Christmas
Tree, Carol of the Bells
- O Holy Night, The First
Noel - 12 Days of
Christmas. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas Classics For Saxophone Quartet - Full Score - Intermédiaire Kendor Music Inc.
Quartet 2 Eb Altos, Bb Tenor and Eb Baritone Saxophone - 3-4 SKU: KN.15951(+)
Quartet 2 Eb Altos, Bb
Tenor and Eb Baritone
Saxophone - 3-4 SKU:
KN.15951 Composed by
Various. Arranged by
Frank Halferty. Ensemble.
Kendor Ensemble Series.
Kendor Music Inc #15951.
Published by Kendor Music
Inc (KN.15951). UPC:
822795159516. With
great variety of style
and a refreshing harmonic
touch, this grade 3-4
collection is destined to
become a go-to resource
for saxophone
quartets.
Contents
: Bring A Torch,
Jeanette, Isabella; Deck
The Halls; God Rest Ye
Merry Gentlemen; In The
Bleak Midwinter; Jingle
Bells; Joy To The World;
O Come, O Come, Emmanuel;
Silent Night; Ukrainian
Bell Carol; Up On The
Housetop; We Three Kings;
We Wish You A Merry
Christmas; What Child Is
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