PARTITIONS GRATUITES :
- Lacrimosa - Flute

Excerpts: I. Introitus: Requiem aeternam, II. Kyrie eleison, III. Sequenz: 1. Dies irae, 3. Rex tremendae majestatis, 5. Confutatis maledictis, 6, Lacrimosa dies illa - SATB choir ad libitum. By Wolfgang Amadeus Mozart. Arranged by Marco Somadossi. Concert band. Classical, Transcription. Level: Grade 4.5. Score and set of parts. Duration 15:00. Published by Scomegna Edizioni Musicali (Italian import).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Cameron LaBarr. Amanda Quist Choral Series. Music Education. Octavo. 8 pages. Published by Walton Music (GI.WW1613).

SATB Choir - Grade 4

SKU: HL.14030962

Composed by Bent Sorensen. Music Sales America. Hymns & Chorals. Vocal Score. Composed 2002. 12 pages. Edition Wilhelm Hansen #WH29967. Published by Edition Wilhelm Hansen (HL.14030962).

ISBN 9788759856789.

Work for SATB Choir A Cappella dating from 1985.

From Da Vinci Requiem. Composed by Cecilia McDowall. Sacred choral - mixed voices. Vocal score. Duration 4.5'. Oxford University Press #9780193529052. Published by Oxford University Press

SATB Chorus & Organ

SKU: SU.90810195

For SATB Chorus & Organ. Composed by Nancy Galbraith. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral. Choral Octavo. Composed 2004. Subito Music Corporation #90810195. Published by Subito Music Corporation (SU.90810195).

Galbraith's Requiem is a masterpiece that had the audience members on their feet at the end, cheering with tears in their eyes. --Pittsburgh Tribune-Review ...a piece with universal appeal. Its seven sections included the powerful chords of the Tuba Mirum and a tender Lacrimosa, indicating the scope and breadth of Galbraith's vision in a work that built, movement by movement, a contemporary spiritual connection. --Pittsburgh Post-Gazette. Study Score: available for sale (#90810190).

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.