PARTITIONS GRATUITES :
- Laura E

The Decade Series. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 192 pages. Published by Hal Leonard.

(Jazz Play-Along Volume 176). By Johnny Mercer. For E�§ Instruments, C Instruments, B-flat Instruments, Bass Clef Instruments. Jazz Play Along. Softcover with CD. 80 pages. Published by Hal Leonard

Waltz E-flat major. Composed by Frederic Chopin (1810-1849). Edited by Emil von Sauer. Arranged by Emil Sauer. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. Op. 18. 12 pages. Schott Music #ED0293. Published by Schott Music

Piano, Vocal and Guitar

SKU: BT.VOLMB375

Composed by Laura Pausini. Pop & Rock. Book Only. Composed 2015. Volonte e Co #VOLMB375. Published by Volonte e Co (BT.VOLMB375).

ISBN 9788863883695. Italian.

Antologia completa (27 brani) dei più grandi successi di Laura Pausini, compresi gli ultimi inediti, in trascrizioni per piano,voce e chitarra: Dove resto solo io, Se non te, Limpido, e poi Ascolta il tuo cuore, Benedetta passione, Benvenuto, Come senon fosse stato mai amore, Con la musica alla radio, E ritorno da te, In assenza di te, Incancellabile, Invece no, La prospettiva di me, La solitudine, Le cose che non mi aspetto, Le cose che vivi, Mi rubi lanima, Non cè, Non ho mai smesso, Restain ascolto, Se non te, Spaccacuore, Strani amori, tra te e il mare, Un amico è così, Una storia che vale, Unemergenza damore, Vivimi.

Mezzo-soprano voice, 2 soprano voices and 5 players (t.sax.(bcl) - tpt. - pf. - vn.(va) * db)

SKU: HL.49003206

Composed by Alexander Goehr. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Commissioned by the Aldeburgh Festival with financial assistance from the Arts Council of Great Britain. Classical. Score. Composed 1989-1990. Op. 51. 160 pages. Duration 45'. Schott Music #ED 12451. Published by Schott Music (HL.49003206).

ISBN 9790220118609. 8.25x11.75x0.499 inches. English.

W.H. Auden: Sing, Ariel, sing * Spenser: He ceast * E. Pound: Tell her that sheds * Milton: Such a sacred and home-felt delight * Th. Campion: Rose-cheeked Laura, come * Milton: Such sober certainty * Shakespeare: O you are well-tun'd now! * W.B. Yeats: Old lecher with a love on every wind * J. Hollander: Across the street a tenor whine * Collins: With woeful measures wan Despair * Th. Hardy: Thus I, faltering forward * W.H. Ausen: ... rebuke * C. Raine: There is so much to celebrate * Coleridge: I see them all * Hollander: ... my unground grain * W. Stevens: The time of year has grown indifferent * W.H. Auden: ... unanxious one, sing * P. larkin: I squeezed up the last stair to the room in the roof * Shakespeare: Thou hast nor youth nor age * W. Stevens: The palm at the end of the mind * W. Stevens: Without human meaning * H. Vaughan: All's in deep sleep and night * W. Stevens: The rock of autumn, glittering * W.H. Auden: ... brillantly, lightly.

Books and Journals

SKU: UT.APS-11

Edited by Víctor Sánchez Sánchez. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 11. Published by Ut Orpheus (UT.APS-11).

ISBN 9788881095131. 6.5 x 9.5 inches.

Essays by Victor Sanchez Sanchez, Rudolf Rasch, Juan Jose Pastor Comin, Ireri E. Chavez Barcenas, Alberto Hernandez Mateos, Fatima Bethencourt Perez, Olga Jesurum, Beatriz Alonso Perez-Avila, Diana Blichman, Aurelia Pessarrodona, Laura de Miguel Fuertes, Sara Navarro Lalanda, Cristina Diez Rodriguez, Francesc Cortes i Mir, Maria Encina Cortizo, Ramon Sobrino, Francisco J. Gimenez-Rodriguez, Gloria Araceli Rodriguez-Lorenzo

Espana e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de Cervantes recorrio en su juventud la peninsula italiana. Las relaciones politicas tuvieron su culminacion en 1759 cuando Carlos de Borbon paso de ser rey de Napoles a trasladarse a Madrid al aceptar la corona espanola. Los intercambios culturales tambien incluyeron la musica, como se muestra en la presencia en Espana del gran castrato Farinelli o compositores como el piacentino Corselli, el napolitano Domenico Scarlatti o el luques Luigi Boccherini. Gran parte de estos intercambios habian tenido una base institucional, en torno a la monarquia, las casas nobiliarias o la Iglesia. Pero a partir de 1750 asistimos a un desarrollo de vias mas informales, que enriquecen el panorama. Se abren asi nuevas luces y perspectivas a estos flujos musicales entre Espana e Italia, con temas como el mercado, la edicion, la ensenanza, el comercio de la opera o los conciertos. Este libro explora estos trasvases musicales entre Espana e Italia entre las decadas centrales del siglo xviii y la primera mitad del siglo xix, un periodo en el que se produce el paso hacia la sociedad contemporanea.