PARTITIONS GRATUITES :
- Lohengrin Prelude to Act 3

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit) - grade 5

SKU: CN.R10230

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score and parts. Duration 3:00. Published by G & M Brand Music Publishers (CN.R10230).

Music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In Wagner's own words - awaken the mute lines of this score to bright surrounding life.

In a letter addressed to My dear Liszt, dated May 1852, Richard Wagner writes: It was you who awakened the mute lines of this score to bright surrounding life. He was referring to a performance of his opera Lohengrin which Franz Liszt conducted at the Weirner Court Theatre on August 28, 1850. The letter was sent from Zurich, since Wagner was exiled from Germany at this time. He had completed his romantic opera, Lohengrin, some five years earlier but doubted whether he would ever hear it performed. The action takes place in Antwerp in the first half of the 10th century. Elsa and Lohengrin are to be married and the 3rd Act opens as they proceed in great splendour, accompanied by their respective noblewomen and noblemen, to the cathedral. As a Prelude to the curtain rising Wagner unleashed music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In the opera this magnificent Prelude leads directly into the Bridal Scene as Elsa and Lohengrin make their way solemnly to the betrothal ceremony. Wagner achieves this change of mood and atmosphere most skillfully. In arranging the Prelude for concert performance the challenge was to provide an ending which provides a satisfactory climax to Wagner's blaze of instrumental colour, without proceeding to the solemn betrothal music. This was resolved by using the composer's own mighty flourish to end Act I of his opera. Now, the gauntlet is thrown down to all who perform it to - in Wagner's own words - awaken the mute lines of this score to bright surrounding life..

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit) - grade 5

SKU: CN.S11230

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score only. Duration 3:00. Published by G & M Brand Music Publishers (CN.S11230).

Music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In Wagner's own words - awaken the mute lines of this score to bright surrounding life.

In a letter addressed to My dear Liszt, dated May 1852, Richard Wagner writes: It was you who awakened the mute lines of this score to bright surrounding life. He was referring to a performance of his opera Lohengrin which Franz Liszt conducted at the Weirner Court Theatre on August 28, 1850. The letter was sent from Zurich, since Wagner was exiled from Germany at this time. He had completed his romantic opera, Lohengrin, some five years earlier but doubted whether he would ever hear it performed. The action takes place in Antwerp in the first half of the 10th century. Elsa and Lohengrin are to be married and the 3rd Act opens as they proceed in great splendour, accompanied by their respective noblewomen and noblemen, to the cathedral. As a Prelude to the curtain rising Wagner unleashed music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In the opera this magnificent Prelude leads directly into the Bridal Scene as Elsa and Lohengrin make their way solemnly to the betrothal ceremony. Wagner achieves this change of mood and atmosphere most skillfully. In arranging the Prelude for concert performance the challenge was to provide an ending which provides a satisfactory climax to Wagner's blaze of instrumental colour, without proceeding to the solemn betrothal music. This was resolved by using the composer's own mighty flourish to end Act I of his opera. Now, the gauntlet is thrown down to all who perform it to - in Wagner's own words - awaken the mute lines of this score to bright surrounding life..

By Alan Gout (Compiler) ; Martin Frith (Editor). For Saxophone. Classical. Sheet Music. 64 pages. Published by Music Sales.

Concert band - Grade 4

SKU: CL.012-4470-75

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Oversized, spiral-bound score. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-75. Published by Opus III Wind Orchestra Publications (CL.012-4470-75).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4470-01

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Extra full score. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-01. Published by Opus III Wind Orchestra Publications (CL.012-4470-01).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4470-00

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Score and set of parts. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-00. Published by Opus III Wind Orchestra Publications (CL.012-4470-00).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith