| George Gershwin: Lullaby - Piano Solo
Piano seul [Feuillet] - Intermédiaire Alfred Publishing
Composed by George Gershwin (1898-1937), arranged by Alicia Zizzo. Single piece ...(+)
Composed by George
Gershwin (1898-1937),
arranged by Alicia Zizzo.
Single piece for solo
piano. D Major. 8 pages.
Published by Alfred
Publishing.
(2)$10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Leroy Anderson: A Trumpeter's Lullaby (Bb Trumpet and Piano)
Trompette, Piano [Feuillet] Alfred Publishing
Composed by Leroy Anderson (1908-1975). Trumpet solo single for trumpet solo and...(+)
Composed by Leroy
Anderson (1908-1975).
Trumpet solo single for
trumpet solo and piano
accompaniment. With
standard notation, solo
part and piano
accompaniment. F Major.
Series: Belwin
Instrumental Solos. 6
pages. Published by
Alfred Publishing.
(13)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Billy Joel: Lullabye (Goodnight, My Angel)
Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Soft rock
and pop rock. G Major. 5
pages. 9x12 inches.
Published by Hal Leonard
(18)$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Billy Joel: Lullabye (Goodnight, My Angel) - TTBB Chorale TTBB TTBB A Cappella [Octavo] - Intermédiaire Hal Leonard
Performed by Billy Joel, arranged by Kirby Shaw. Octavo for TTBB choir (a cappel...(+)
Performed by Billy Joel,
arranged by Kirby Shaw.
Octavo for TTBB choir (a
cappella). G Major.
Series: Hal Leonard
Choral. 8 pages.
Published by Hal Leonard.
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Billy Joel: Lullabye (Goodnight, My Angel) - SATTBB Chorale SATTBB A Cappella [Octavo] - Intermédiaire Hal Leonard
Performed by Billy Joel, arranged by Phillip Lawson. Octavo for SATTBB choir (A ...(+)
Performed by Billy Joel,
arranged by Phillip
Lawson. Octavo for SATTBB
choir (A Cappella). With
piano rehearsal part. G
Major. Series: Hal
Leonard King's Singer's
Choral. 8 pages.
Published by Hal Leonard.
(3)$2.30 $2.185 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5). ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Evening Lullaby Carl Fischer
Choral SAB Choir, Piano SKU: CF.CM9701 Composed by Reginal Wright. Mjts. ...(+)
Choral SAB Choir, Piano
SKU: CF.CM9701
Composed by Reginal
Wright. Mjts. 12 pages.
Duration 3 minutes, 6
seconds. Carl Fischer
Music #CM9701. Published
by Carl Fischer Music
(CF.CM9701). ISBN
9781491160091. UPC:
680160918690. Key: E
major. English. Louisa
May Alcott. Evening
Lullaby is based on the
poem Lullaby by Louisa
May Alcott. This poem
describes nature's
response to the evening
and narrates how various
creatures are soothed to
sleep by the evening's
quiet melody. When
performing, please bear
in mind the lilting feel
of the 3/4 time
signature. Placing
emphasis on the strong
beat (beat 1) should
create the soothing,
rocking motion needed for
the lullaby. Within each
phrase, connect the lines
while performing the rise
and fall of the dynamics.
In respect to dynamics,
be careful not to exceed
mezzo-forte while always
maintaining energy in the
tone. Regarding the
harmonic texture, be
intentional to blend and
balance each section with
tall vowels and steady
vibrato as suspensions
are prevalent throughout
the piece.
 . Evening Lullaby
is based on the poem
Lullaby by Louisa May
Alcott. This poem
describes nature's
response to the evening
and narrates how various
creatures are soothed to
sleep by the evening's
quiet melody.When
performing, please bear
in mind the lilting feel
of the ¾ time
signature. Placing
emphasis on the strong
beat (beat 1) should
create the soothing,
rocking motion needed for
the lullaby. Within
each phrase, connect the
lines while performing
the rise and fall of the
dynamics.  In
respect to dynamics, be
careful not to exceed
mezzo-forte while always
maintaining energy in the
tone.Regarding the
harmonic texture, be
intentional to blend and
balance each section with
tall vowels and steady
vibrato as suspensions
are prevalent throughout
the piece. . $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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