PARTITIONS GRATUITES :
- Matins

Violin 1

SKU: BR.DV-9515A-15

The people that walked in darkness. Composed by Johann Georg Reichard. Voice; stapled. Deutscher Verlag. Baroque period. Part. 4 pages. Deutscher Verlag fur Musik #DV 9515a-15. Published by Deutscher Verlag fur Musik (BR.DV-9515A-15).

ISBN 9790200490602. 9 x 12 inches. German.

In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972.

Violin 2

SKU: BR.DV-9515A-16

The people that walked in darkness. Composed by Johann Georg Reichard. Voice; stapled. Deutscher Verlag. Baroque period. Part. 4 pages. Deutscher Verlag fur Musik #DV 9515a-16. Published by Deutscher Verlag fur Musik (BR.DV-9515A-16).

ISBN 9790200490619. 9 x 12 inches. German.

In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972.

Organ (Organ)

SKU: PL.PPMO1951M

Composed by Benjamin Cornelius-Bates. Paraclete Press #PPMO1951M. Published by Paraclete Press (PL.PPMO1951M).

This work is titled for the cycle of prayers in which the Psalms are sung or chanted at eight services or Offices throughout a day and night. Each movement attempts to capture his vision of each Office, beginning with Matins sung in the darkness of early morning, continuing through each service during the daytime and closing with Compline before a night of rest.

SATB Choir

SKU: HL.14020715

Composed by J. Philip Marshall. Music Sales America. Classical. Choral Score. Music Sales #NOV441293. Published by Music Sales (HL.14020715).

This piece has been composed by J. Philip Marshall for SATB.

The Benedicite (also Benedicite, omnia opera Domini or A Song of Creation) is a canticle that is used in the Roman Catholic Liturgy of the Hours, and is also used in Anglican and Lutheran worship.

A setting of the canticle is frequently sung at Matins in the Anglican liturgy by J. Philip Marshall (1921-2005), formerly organist at St Botolph's Boston, and Ripon and Lincoln Cathedrals.

SATB and String Quartet

SKU: BT.WH33170

SATB Version - Score. Composed by Phillip Faber. Contemporary Music. Score Only. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33170. Published by Edition Wilhelm Hansen (BT.WH33170).

ISBN 9788759841617.

The work combines the Latin text for the Responsorial Chant for Matins at Christmas with a verse of the pilgrim hymn Fair is creation which can be sung in English, German or Danish. Parts: WH31170A Choral Part: WH31170B. Version for upper voices also available.

By Beatrice Quoniam / Vincent Charrier. For keyboard. Pop / Jazz. Score. 62 pages. Published by Editions Henry Lemoine