|
| Concerto - Piano And Orchestra - Solo Part
Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra -
difficult SKU:
HL.49046544 For
piano and orchestra.
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
1985-1988. Duration 24'.
Schott Music #ED23178.
Published by Schott Music
(HL.49046544). ISBN
9781705122655. UPC:
842819108726.
9.0x12.0x0.224
inches. I composed
the Piano Concerto in two
stages: the first three
movements during the
years 1985-86, the next
two in 1987, the final
autograph of the last
movement was ready by
January, 1988. The
concerto is dedicated to
the American conductor
Mario di Bonaventura. The
markings of the movements
are the following: 1.
Vivace molto ritmico e
preciso 2. Lento e
deserto 3. Vivace
cantabile 4. Allegro
risoluto 5. Presto
luminoso.The first
performance of the
three-movement Concerto
was on October 23rd, 1986
in Graz. Mario di
Bonaventura conducted
while his brother,
Anthony di Bonaventura,
was the soloist. Two days
later the performance was
repeated in the Vienna
Konzerthaus. After
hearing the work twice, I
came to the conclusion
that the third movement
is not an adequate
finale; my feeling of
form demanded
continuation, a
supplement. That led to
the composing of the next
two movements. The
premiere of the whole
cycle took place on
February 29th, 1988, in
the Vienna Konzerthaus
with the same conductor
and the same pianist. The
orchestra consisted of
the following: flute,
oboe, clarinet, bassoon,
horn, trumpet, tenor
trombone, percussion and
strings. The flautist
also plays the piccoIo,
the clarinetist, the alto
ocarina. The percussion
is made up of diverse
instruments, which one
musician-virtuoso can
play. It is more
practical, however, if
two or three musicians
share the instruments.
Besides traditional
instruments the
percussion part calls
also for two simple wind
instruments: the swanee
whistle and the
harmonica. The string
instrument parts (two
violins, viola, cello and
doubles bass) can be
performed soloistic since
they do not contain
divisi. For balance,
however, the ensemble
playing is recommended,
for example 6-8 first
violins, 6-8 second, 4-6
violas, 4-6 cellos, 3-4
double basses. In the
Piano Concerto I realized
new concepts of harmony
and rhythm. The first
movement is entirely
written in bimetry:
simultaneously 12/8 and
4/4 (8/8). This relates
to the known triplet on a
doule relation and in
itself is nothing new.
Because, however, I
articulate 12 triola and
8 duola pulses, an
entangled, up till now
unheard kind of polymetry
is created. The rhythm is
additionally complicated
because of asymmetric
groupings inside two
speed layers, which means
accents are
asymmetrically
distributed. These
groups, as in the talea
technique, have a fixed,
continuously repeating
rhythmic structures of
varying lengths in speed
layers of 12/8 and 4/4.
This means that the
repeating pattern in the
12/8 level and the
pattern in the 4/4 level
do not coincide and
continuously give a
kaleidoscope of renewing
combinations. In our
perception we quickly
resign from following
particular rhythmical
successions and that what
is going on in time
appears for us as
something static,
resting. This music, if
it is played properly, in
the right tempo and with
the right accents inside
particular layers, after
a certain time 'rises, as
it were, as a plane after
taking off: the rhythmic
action, too complex to be
able to follow in detail,
begins flying. This
diffusion of individual
structures into a
different global
structure is one of my
basic compositional
concepts: from the end of
the fifties, from the
orchestral works
Apparitions and
Atmospheres I
continuously have been
looking for new ways of
resolving this basic
question. The harmony of
the first movement is
based on mixtures, hence
on the parallel leading
of voices. This technique
is used here in a rather
simple form; later in the
fourth movement it will
be considerably
developed. The second
movement (the only slow
one amongst five
movements) also has a
talea type of structure,
it is however much
simpler rhythmically,
because it contains only
one speed layer. The
melody is consisted in
the development of a
rigorous interval mode in
which two minor seconds
and one major second
alternate therefore nine
notes inside an octave.
This mode is transposed
into different degrees
and it also determines
the harmony of the
movement; however, in
closing episode in the
piano part there is a
combination of diatonics
(white keys) and
pentatonics (black keys)
led in brilliant,
sparkling quasimixtures,
while the orchestra
continues to play in the
nine tone mode. In this
movement I used isolated
sounds and extreme
registers (piccolo in a
very low register,
bassoon in a very high
register, canons played
by the swanee whistle,
the alto ocarina and
brass with a harmon-mute'
damper, cutting sound
combinations of the
piccolo, clarinet and
oboe in an extremely high
register, also
alternating of a
whistle-siren and
xylophone). The third
movement also has one
speed layer and because
of this it appears as
simpler than the first,
but actually the rhythm
is very complicated in a
different way here. Above
the uninterrupted, fast
and regular basic pulse,
thanks to the asymmetric
distribution of accents,
different types of
hemiolas and inherent
melodical patterns appear
(the term was coined by
Gerhard Kubik in relation
to central African
music). If this movement
is played with the
adequate speed and with
very clear accentuation,
illusory
rhythmic-melodical
figures appear. These
figures are not played
directly; they do not
appear in the score, but
exist only in our
perception as a result of
co-operation of different
voices. Already earlier I
had experimented with
illusory rhythmics,
namely in Poeme
symphonique for 100
metronomes (1962), in
Continuum for harpsichord
(1968), in Monument for
two pianos (1976), and
especially in the first
and sixth piano etude
Desordre and Automne a
Varsovie (1985). The
third movement of the
Piano Concerto is up to
now the clearest example
of illusory rhythmics and
illusory melody. In
intervallic and chordal
structure this movement
is based on alternation,
and also inter-relation
of various modal and
quasi-equidistant harmony
spaces. The tempered
twelve-part division of
the octave allows for
diatonical and other
modal interval
successions, which are
not equidistant, but are
based on the alternation
of major and minor
seconds in different
groups. The tempered
system also allows for
the use of the
anhemitonic pentatonic
scale (the black keys of
the piano). From
equidistant scales,
therefore interval
formations which are
based on the division of
an octave in equal
distances, the
twelve-tone tempered
system allows only
chromatics (only minor
seconds) and the six-tone
scale (the whole-tone:
only major seconds).
Moreover, the division of
the octave into four
parts only minor thirds)
and three parts (three
major thirds) is
possible. In several
music cultures different
equidistant divisions of
an octave are accepted,
for example, in the
Javanese slendro into
five parts, in Melanesia
into seven parts, popular
also in southeastern
Asia, and apart from
this, in southern Africa.
This does not mean an
exact equidistance: there
is a certain tolerance
for the inaccurateness of
the interval tuning.
These exotic for us,
Europeans, harmony and
melody have attracted me
for several years.
However I did not want to
re-tune the piano
(microtone deviations
appear in the concerto
only in a few places in
the horn and trombone
parts led in natural
tones). After the period
of experimenting, I got
to pseudo- or
quasiequidistant
intervals, which is
neither whole-tone nor
chromatic: in the
twelve-tone system, two
whole-tone scales are
possible, shifted a minor
second apart from each
other. Therefore, I
connect these two scales
(or sound resources), and
for example, places occur
where the melodies and
figurations in the piano
part are created from
both whole tone scales;
in one band one six-tone
sound resource is
utilized, and in the
other hand, the
complementary. In this
way whole-tonality and
chromaticism mutually
reduce themselves: a type
of deformed
equidistancism is formed,
strangely brilliant and
at the same time
slanting; illusory
harmony, indeed being
created inside the
tempered twelve-tone
system, but in sound
quality not belonging to
it anymore. The
appearance of such
slantedequidistant
harmony fields
alternating with modal
fields and based on
chords built on fifths
(mainly in the piano
part), complemented with
mixtures built on fifths
in the orchestra, gives
this movement an
individual, soft-metallic
colour (a metallic sound
resulting from
harmonics). The fourth
movement was meant to be
the central movement of
the Concerto. Its
melodc-rhythmic elements
(embryos or fragments of
motives) in themselves
are simple. The movement
also begins simply, with
a succession of
overlapping of these
elements in the mixture
type structures. Also
here a kaleidoscope is
created, due to a limited
number of these elements
- of these pebbles in the
kaleidoscope - which
continuously return in
augmentations and
diminutions. Step by
step, however, so that in
the beginning we cannot
hear it, a compiled
rhythmic organization of
the talea type gradually
comes into daylight,
based on the simultaneity
of two mutually shifted
to each other speed
layers (also triplet and
duoles, however, with
different asymmetric
structures than in the
first movement). While
longer rests are
gradually filled in with
motive fragments, we
slowly come to the
conclusion that we have
found ourselves inside a
rhythmic-melodical whirl:
without change in tempo,
only through increasing
the density of the
musical events, a
rotation is created in
the stream of successive
and compiled, augmented
and diminished motive
fragments, and increasing
the density suggests
acceleration. Thanks to
the periodical structure
of the composition,
always new but however of
the same (all the motivic
cells are similar to
earlier ones but none of
them are exactly
repeated; the general
structure is therefore
self-similar), an
impression is created of
a gigantic, indissoluble
network. Also, rhythmic
structures at first
hidden gradually begin to
emerge, two independent
speed layers with their
various internal
accentuations. This
great, self-similar whirl
in a very indirect way
relates to musical
associations, which came
to my mind while watching
the graphic projection of
the mathematical sets of
Julia and of Mandelbrot
made with the help of a
computer. I saw these
wonderful pictures of
fractal creations, made
by scientists from Brema,
Peitgen and Richter, for
the first time in 1984.
From that time they have
played a great role in my
musical concepts. This
does not mean, however,
that composing the fourth
movement I used
mathematical methods or
iterative calculus;
indeed, I did use
constructions which,
however, are not based on
mathematical thinking,
but are rather craftman's
constructions (in this
respect, my attitude
towards mathematics is
similar to that of the
graphic artist Maurits
Escher). I am concerned
rather with intuitional,
poetic, synesthetic
correspondence, not on
the scientific, but on
the poetic level of
thinking. The fifth, very
short Presto movement is
harmonically very simple,
but all the more
complicated in its
rhythmic structure: it is
based on the further
development of ''inherent
patterns of the third
movement. The
quasi-equidistance system
dominates harmonically
and melodically in this
movement, as in the
third, alternating with
harmonic fields, which
are based on the division
of the chromatic whole
into diatonics and
anhemitonic pentatonics.
Polyrhythms and harmonic
mixtures reach their
greatest density, and at
the same time this
movement is strikingly
light, enlightened with
very bright colours: at
first it seems chaotic,
but after listening to it
for a few times it is
easy to grasp its
content: many autonomous
but self-similar figures
which crossing
themselves. I present my
artistic credo in the
Piano Concerto: I
demonstrate my
independence from
criteria of the
traditional avantgarde,
as well as the
fashionable
postmodernism. Musical
illusions which I
consider to be also so
important are not a goal
in itself for me, but a
foundation for my
aesthetical attitude. I
prefer musical forms
which have a more
object-like than
processual character.
Music as frozen time, as
an object in imaginary
space evoked by music in
our imagination, as a
creation which really
develops in time, but in
imagination it exists
simultaneously in all its
moments. The spell of
time, the enduring its
passing by, closing it in
a moment of the present
is my main intention as a
composer. (Gyorgy
Ligeti). $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Classical Highlights
Orchestre à Cordes [Conducteur et Parties séparées] - Débutant
De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Classical
Highlights est un
recueil qui réunit six
arrangements de grands
thèmes classiques du
XVIIe au XIXe siècle.
Les parties sont
motivantes et facilement
accessibles, explorant
avec justesse
l’oeuvreoriginale.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Carnival of Strings [Conducteur et Parties séparées]
De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1115120-070 Compose...(+)
String Quartet or String
Orchestra - easy SKU:
BT.DHP-1115120-070
Composed by Rachel
Jennings. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2011. 20 pages. De Haske
Publications #DHP
1115120-070. Published by
De Haske Publications
(BT.DHP-1115120-070).
ISBN 9789043142441.
9x12 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Carnival of
Strings is a
delightful collection of
dances for beginner
string
orchestras.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Carnival of
Strings presenteert
een leuke verzameling
dansmuziek voor
beginnende
stijkorkesten.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
Streichorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Carnival of
Strings
präsentiert eine
reizvolle Sammlung von
Tänzen fu r
Anfänger-Streichorches
ter. Titel wie Coconut
Calypso und Waltz
Away versprechen
Stilvielfalt
undSpielspaß!
De Haske
String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon 3),
Violoncelle, Contrebasse
(ou Violoncelle 2) et
Piano. Carnival of
Strings met en
évidence quatre
délicieuses danses,
dans un charmant
arrangement pour
Orchestre
Cordes.
De
Haske String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o violino
3), violoncello,
contrabbasso (o
violoncello 2) e piano.
Con CD.Carnival of
Strings propone
quattro deliziose danze
in un piacevole
arrangiamento per
quartetto d'archi. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Folk Express
Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire
De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094712-070 Composed by Jos K...(+)
String Orchestra -
intermediate SKU:
BT.DHP-1094712-070
Composed by Jos Koning.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 44
pages. De Haske
Publications #DHP
1094712-070. Published by
De Haske Publications
(BT.DHP-1094712-070).
ISBN 9789043131858.
9x12 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well. In
Folk Express, the
string orchestra travels
the world in a tearing
rush: from Ireland
(Slippery Road
Jig) to the USA
(Paradise Polka),
followed by a sudden
landing in the heart of
the Balkan (Heading
East fromBelgrado).
De De Haske
String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Folk Express
bestaat uit drie
originele werken in
folk-stijl van Jos
Koning.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Folk Express sind
drei originale Stu cke im
Folk-Stil von Jos
Koning.
De
Haske String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Folk
Express réunit
tous les ingrédients
pour réussir un tour
du monde express en trois
étapes.
De
Haske String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Slippery Road Slip jig2.
Paradise
Polka3. Heading east from
BelgradPer effettuare il
download delle tracce
demo, clicca sul titolo
selezionato e scegli
“Salva comeâ€
nel
menu. <
/p> $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Sunny Strings
Orchestre à Cordes [Conducteur et Parties séparées] - Facile
De Haske Publications
String Orchestra - early intermediate SKU: BT.DHP-1094612-070 Four pop...(+)
String Orchestra - early
intermediate SKU:
BT.DHP-1094612-070
Four popular pieces
for string orchestra
orchestra. Composed
by Nico Dezaire. De Haske
String Orchestra Series.
Set (Score & Parts).
Composed 2009. 24 pages.
De Haske Publications
#DHP 1094612-070.
Published by De Haske
Publications
(BT.DHP-1094612-070).
ISBN 9789043131636. 12
X 9 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The four pieces in
Sunny Strings
allow the string
orchestra to sound
predominantly sunny in
mood. Have fun playing
together!
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Sunny Strings is
een moderne suite vol
verbluffende effecten in
vier delen.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Sunny Strings ist
eine moderne, vorwiegend
heitere Suite aus der
Feder von Nico Dezaire
voll verblu ffender
Effekte in vier
Sätzen.
De
Haske String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Sunny
Strings contient
quatre petits imprimés
fleuris aux mille et une
couleurs du soleil. Le
bonheur est dans
l’interprétatio
n !
De Haske
String Orchestra Series
è una nuova raccolta
pensata per i suonatori
di archi principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1. A
Sunny Day2. Sunday
Party3. Sunny Blues4. The
Ghost of TomPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Fiddle Tunes
Orchestre à Cordes [Conducteur et Parties séparées]
De Haske Publications
String Orchestra - easy SKU: BT.DHP-1094710-070 Arranged by Nicolaas Snel...(+)
String Orchestra - easy
SKU:
BT.DHP-1094710-070
Arranged by Nicolaas
Snel. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 16 pages. De Haske
Publications #DHP
1094710-070. Published by
De Haske Publications
(BT.DHP-1094710-070).
ISBN 9789043131865. 12
X 9 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Fiddle Tunes
presents five traditional
Irish fiddle tunes in
easy
arrangements.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Fiddle Tunes is
een verzameling van vijf
traditionele Ierse Fiddle
Tunes in eenvoudige
bewerkingen.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Fiddle Tunes
präsentiert fu nf
traditionelle irische
Fiddle Tunes in leichten
Bearbeitungen.
<
i>De Haske String
Orchestra Series :
Les compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Fiddle
Tunes contient cinq
« fiddle
tunes » (airs pour
violon)
irlandais.
De
Haske String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Kerry Polka2. Fly
Around3. Shady Grove4.
Irish Washerwoman5.
Pretty Little SallyPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| The Oregano Suite
Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire
De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094711-070 Composed by Jos V...(+)
String Orchestra -
intermediate SKU:
BT.DHP-1094711-070
Composed by Jos Van Den
Dungen. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 32 pages. De Haske
Publications #DHP
1094711-070. Published by
De Haske Publications
(BT.DHP-1094711-070).
ISBN 9789043131872. 12
X 9 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The Oregano Suite
is a flavoursome mix of
delightful Italianate
music.
De De
Haske String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek. Jos
van den Dongen liet zich
door Italië inspireren
toen hij deze vierdelige
suite
schreef.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
The Oregano Suite
ist eine originale,
italienisch inspirierte
Suite in vier
Sätzen.
De
Haske String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. The Oregano
Suite est un
délice de couleurs et
de parfums
d’Italie !
De Haske String
Orchestra Series è una
nuova raccolta pensata
per i suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Spaghetti Blues2. Italian
Bossa3. Tango Verona4.
Sicilienne TarantellaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|
Meant To Be: 3rd Violin
