| New York Overture Orchestre Notevole Music Publishing
Orchestra SKU: SU.97022030 For Orchestra. Composed by William Thom...(+)
Orchestra SKU:
SU.97022030 For
Orchestra. Composed
by William Thomas
McKinley. Orchestra.
Study Score. Notevole
Music Publishing
#97022030. Published by
Notevole Music Publishing
(SU.97022030).
New York
Overture was commissioned
by the New York Chamber
Symphony and composed for
the rich and bright sound
that this orchestra
reveals under Gerard
Schwarz’s wonderfully
buoyant and energetic
leadership. Having worked
with these intense
artists many times
before, I found it easy
to imagine, in a single
vision, a dramatic
overture cast in a
traditional and serious
manner. My impressions
and memories of New York
provided a direct
catalyst. Woven into the
overture are a number of
‘hints’ derived from
well-known melodies which
have endured as popular
romanticizations of New
York’s manifold
personality. Coupled with
these ‘hints’ are my
own Tin-Pan Alley and
jazz experiences,
presented and transformed
throughout the melodic
and harmonic fabric.
Rhythmically, the New
York Overture seeks to
create perpetual motion
and movement as a
metaphor for what we see
and encounter in the New
York streets, with their
intricate rhythmic
patterns of pulsing
energy. Listeners will, I
hope, discover in it
their own feelings and
memories, aroused by the
aura of this dazzling,
varied, and yet
monolithic city.
—William Thomas
McKinley (© 1990), from
12-13 May 1990 program
and his notes. 2(1) 2 2
2; 2200; timp/perc, pno,
hp; stgs Duration: 14'
Composed: 1989 Published
by: Notevole Music
Publishing Performance
materials available on
rental:. $54.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Disclosures Piano seul Peermusic Classical
Piano (Piano Solo) SKU: HL.354338 For Solo Piano. Composed by Rich...(+)
Piano (Piano Solo)
SKU: HL.354338
For Solo Piano.
Composed by Richard
Wilson. Peermusic
Classical. Classical.
Softcover. Duration 600
seconds. Peermusic
Classical #70303-501.
Published by Peermusic
Classical (HL.354338).
ISBN 9781705107669.
UPC: 840126936964.
9.0x12.0x0.109
inches. Richard
Wilson was born in
Cleveland on May 15,
1941. He studied piano
with Roslyn Pettibone,
Egbert Fischer, and
Leonard Shure, andcello
with Robert Ripley and
Ernst Silberstein. After
beginning composition
studies with Roslyn
Pettibone and Howard
Whittaker, he went on in
1959 to Harvard, studying
with Randall Thompson,
G.W. Woodworth, and
principally with Robert
Moevs, and graduating in
1963 magna cum laude.
Awarded the Frank
Huntington Beebe Award
for study abroad, he
continued studying piano
with Friedrich Wührer
in Munich, and
composition, again with
Moevs, in Rome, where he
also gave piano recitals.
Wilson joined the faculty
of Vassar College in
1966. He was appointed to
the Mary Conover Mellon
Professorship of Music
there in 1988, and he has
served three times as
chairman of the
Department of Music.
Wilson has been
commissioned by the San
Francisco Symphony, the
American Symphony, the
New Juilliard Ensemble,
the Koussevitzky
Foundation, the Fromm
Foundation, Chamber Music
America, the Chicago
Chamber Musicians, the
Walter W. Naumburg
Foundation, and the
Library of Congress. His
works have been heard in
such American musical
centers as New York,
Philadelphia, Washington,
Boston, Cleveland, and
Los Angeles and at the
Aspen Music Festival, but
also in London, Berlin,
Frankfurt, Zurich, Milan,
Amsterdam, Graz,
Leningrad, Stockholm,
Tokyo, Bogota, and a
number of Australian
cities. The recipient in
1992 of a Guggenheim
Fellowship, he was
awarded the Elise L.
Stoeger Prize of the
Chamber Music Society of
Lincoln Center in 1994,
the Academy Award from
the American Academy of
Arts and Letters in 2004,
and has served as
composer in residence
with the American
Symphony Orchestra since
1992. Wilson has been
praised by 21st Century
Music as a
“splendidly
talented and highly
accomplished composer
whose music rewards
seeking out†and by
the New York Sun as
“possessed of a
hard-won idiom that has
grown and developed over
the years into a probing
blend of wit, classic
form, modern harmony, and
impressionistic
color.†Writing in
the New Yorker, Andrew
Porter called his String
Quartet No. 3 a
“richly wrought and
unusual
composition,†while
the New York Times called
it “a work of
substance and
expressivity ... [that]
merits a place in the
active
repertory.â€. $17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book Instruments en Do [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway.
Softcover.
696 pages. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Broadway Fake Book Instruments en Do Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Crucible (Die Hexenjagd) Opéra [Vocal Score] Galaxy Music Corporation
An Opera in 4 Acts. Composed by Robert Ward. Full Length Opera. 20th Century and...(+)
An Opera in 4 Acts.
Composed by Robert Ward.
Full Length Opera. 20th
Century and Opera. Vocal
score. With translations
and plot synopsis. 288
pages. Galaxy Music
Corporation #7.0028.
Published by Galaxy Music
Corporation
(3)$53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| LYRE OF ORPHEUS Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello 1,
Violoncello 2 SKU:
PR.114414290 For
String Sextet.
Composed by Shulamit Ran.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed December 16
2008. 22+8+8+7+8+8+8
pages. Duration 15
minutes. Theodore Presser
Company #114-41429.
Published by Theodore
Presser Company
(PR.114414290). UPC:
680160594030. Writt
en for Concertante, a
string sextet which has
commissioned six
different works, each
highlighting one of its
players. In Ran's new
work, the second cellist,
Zvi Plesser, was
spotlighted with an
outgoing, intensely
lyrical opening theme,
according to a New York
Times review. Yet, Lyre
of Orpheus never
overlooks the
collaborative,
conversational essence of
the ensemble. Read the
full review here:
http://www.nytimes.com/20
09/03/18/arts/music/18con
c.html?_r=1&adxnnl=1&part
ner=rssnyt&emc=rss&adxnnl
x=1286200920-wRrt7MJ416+F
pOYAUe/IOQ For advanced
performers. Lyre of
Orpheus was composed for
Concertante, the New
York-based string sextet,
for its One Plus Five
Project, a three-year,
six-composer
commissioning project
designed to create six
string sextets, each
featuring one of
Concertante’s core
players.This particular
commission was made with
the goal of giving
center-stage to the
ensemble’s first
cello, a choice I was
especially grateful for,
not only because it
features Zvi Plesser, the
outstanding Israeli
cellist, but also because
it gave ma an opportunity
to highlight an
instrument for which,
from a very early stage
in my life, I have felt a
special affinity. The
cell’s
“soulâ€, so
naturally combining
passion and lyricism, has
always touched me in a
special way.As sometimes
happens, naming the piece
was the final act in the
process of creation.Â
Once titled, though, I
found myself looking
through the piece with a
mixture of delight and
astonishment – the
narrative of the almost
iconic mythological story
of love and loss seems as
one entirely plausible,
and to my mind
convincing, way to tract
the unfolding of the
musical events. Of
course, the music was
written with no such tale
(or any tale, for that
matter) in mind. But
perhaps some stories are
emblematic of so much
that is part of our lives
and psyches, of our
desires, fears and
wishes. Orpheus,
whose longing for
Eurydice recognizes no
boundaries of heaven and
hell… Love
regained, then forever
lost…Â
Orpheus’ lyre
intoning his sorrowful
yearning…Lyre of
Orpheus, approximately
fifteen minutes in
length, composed in late
2008, is intermittently
songful, caressing,
passionate, pained,
ferocious, longing.Â
The instrumentation
consists of 2 violins, 2
violas, 2 cellos, the
first of which is the
soloist/protagonist, the
second notable for having
its lowest string tuned
down a third to achieve
extra lower notes.This
commission has been made
possible by the Chamber
Music America
Commissioning Program,
with funding generously
provided by the Aaron
Copland Fund for Music,
and the Chamber Music
America Endowment
Fund. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| LYRE OF ORPHEUS [Conducteur] Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello 1,
Violoncello 2 SKU:
PR.11441429S For
String Sextet.
Composed by Shulamit Ran.
Contemporary. Full score.
With Standard notation.
Composed December 16
2008. 22 pages. Duration
15 minutes. Theodore
Presser Company
#114-41429S. Published by
Theodore Presser Company
(PR.11441429S). UPC:
680160594054. 9.5 x 13
inches. Written for
Concertante, a string
sextet which has
commissioned six
different works, each
highlighting one of its
players. In Ran's new
work, the second cellist,
Zvi Plesser, was
spotlighted with an
outgoing, intensely
lyrical opening theme,
according to a New York
Times review. Yet, Lyre
of Orpheus never
overlooks the
collaborative,
conversational essence of
the ensemble. Read the
full review here:
http://www.nytimes.com/20
09/03/18/arts/music/18con
c.html?_r=1&adxnnl=1&part
ner=rssnyt&emc=rss&adxnnl
x=1286200920-wRrt7MJ416+F
pOYAUe/IOQ For advanced
performers. Lyre of
Orpheus was composed for
Concertante, the New
York-based string sextet,
for its One Plus Five
Project, a three-year,
six-composer
commissioning project
designed to create six
string sextets, each
featuring one of
Concertante’s core
players. This
particular commission was
made with the goal of
giving center-stage to
the ensemble’s
first cello, a choice I
was especially grateful
for, not only because it
features Zvi Plesser, the
outstanding Israeli
cellist, but also because
it gave ma an opportunity
to highlight an
instrument for which,
from a very early stage
in my life, I have felt a
special affinity. The
cell’s
“soulâ€, so
naturally combining
passion and lyricism, has
always touched me in a
special way. As
sometimes happens, naming
the piece was the final
act in the process of
creation. Once
titled, though, I found
myself looking through
the piece with a mixture
of delight and
astonishment – the
narrative of the almost
iconic mythological story
of love and loss seems as
one entirely plausible,
and to my mind
convincing, way to tract
the unfolding of the
musical events. Of
course, the music was
written with no such tale
(or any tale, for that
matter) in mind. But
perhaps some stories are
emblematic of so much
that is part of our lives
and psyches, of our
desires, fears and
wishes. Orpheus,
whose longing for
Eurydice recognizes no
boundaries of heaven and
hell… Love
regained, then forever
lost…Â
Orpheus’ lyre
intoning his sorrowful
yearning… Lyre
of Orpheus, approximately
fifteen minutes in
length, composed in late
2008, is intermittently
songful, caressing,
passionate, pained,
ferocious, longing.Â
The instrumentation
consists of 2 violins, 2
violas, 2 cellos, the
first of which is the
soloist/protagonist, the
second notable for having
its lowest string tuned
down a third to achieve
extra lower
notes. This commission
has been made possible by
the Chamber Music America
Commissioning Program,
with funding generously
provided by the Aaron
Copland Fund for Music,
and the Chamber Music
America Endowment
Fund.—Shulamit
Ran. $37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Plus de résultats boutique >> |