PARTITIONS GRATUITES :
- Ombra Mai Fu

By George Frideric Handel. Arranged by Henry Leck. (2 part). Creating Artistry. 8 pages. Published by Hal Leonard.

Gumbert, Ferdinand, ed, Schimon, A., ed, Per la gloria / Bononcini, Come raggio di sol / Caldara, Vittoria mio core / Carissimi, Caro mio ben / Giordani, L'augellin da'lacci / Gluck, Che faro senza Euridice / Gluck, Ombra mai fu / Händel, Verdi prati / Händel, Dopo tante e tante pene / Benedetto Marcello, Se tu m'ami / Pergolesi

Voice and Piano. By George Frideric Handel. Vocal Solo. Size 9x12 inches. 3 pages. Published by Ricordi.

Voice; Viola (Soprano)

SKU: PE.EP73727

Composed by Emily Howard. Mixed Instruments - Soprano and Viola; Solo Small Ensembles; Vocal. Edition Peters. Contemporary. Score. 28 pages. Edition Peters #98-EP73727. Published by Edition Peters (PE.EP73727).

ISBN 9790577024004.

Ombr a (2022) is a 40' dramatic vocalise for mezzo-soprano and viola in three parts, first performed as part of The Wernicke's Area, a mixed media installation led by ANU Productions at the Irish Museum of Modern Art. The work can be performed in its acoustic version or accompanied by sound design, created by Bofan Ma, based on the original immersive sound design from The Wernicke's Area.

The work responds to the story and medical condition of Debbie Boss, wife of ANU's co-artistic director and visual artist Owen Boss. In 2014 Debbie was admitted to hospital for surgery to remove a previously undiagnosed meningioma tumour from a part of the brain known as the Wernicke's Area. Since the surgery her everyday life has been affected by epilepsy. When Debbie suffers a seizure the symptoms manifest as audio hallucinations and aphasia: a loss of comprehension of both heard and spoken words.

Ombra takes inspiration from a series of diaries kept by Debbie, a trained soprano who can no longer remember the lyrics to even the simplest of songs. Responding to George F. Handel's 'Ombra mai fu', which was Debbie's favourite aria to perform, as well as to the mirage-like sounds of an AI-inflected Dublin cityscape, Ombra is a mental theatre, embodying an inward, ever circling wonder about meaning and comprehension.

In Ombra I, mezzo-soprano and viola unite in an intense unison exploration of a brief melodic fragment from 'Ombra mai fu'. A set of 8 short dramatic vignettes form Ombra II. In Ombra III, Handel's original melody is foregrounded with an instruction in the score 'Repeat ad infinitum'. As mezzo-soprano alternates between singing, humming and silence, viola is instructed to play at times with gradual or sudden transitions between p e dolce sempre and sounding 'like concete being grated', a final reference to the diaries.

Ombra is dedicated to Debbie.

Commission ed by ANU Productions as part of The Wernicke's Area, funded by the Arts Council.

Edited by Julian Elloway. For organ solo. Level B (easy). 64 pages. Published by Oxford University Press

1-2 Treble Recorders (NOTEN+CD) - easy

SKU: HL.49033175

Composed by Magolt. Edited by Hans Magolt and Rainer Butz. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Beliebten klassischen Melodien in der erfolgreichen Magolt-Reihe: so konnen auch Alt-Blockflotenspieler die bekanntesten Ohrwurmer der Klassik zum Orchester-Playback der CD selbst mitspielen. Edition with CD. 24 pages. Schott Music #ED 9575-50. Published by Schott Music (HL.49033175).

ISBN 9783795756307. 7.5x10.75x0.129 inches. German - English - French.

Here is the long-awaited volume of popular classical melodies in Magolt's successful series. Now recorder players can also enjoy playing through the best known catchy tunes in classical music for themselves with an orchestral accompaniment on CD.