PARTITIONS GRATUITES :
- Pat Thomas

Arranged by by Tom Fettke, with additional words, and Thomas Grassi. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Folk; Sacred. Choral Octavo. 16 pages. Alfred Music #00- 48456. Published by Alfred Music

By Queens Own. For Bagpipes. Traditional. Sheet Music. 294 pages. Published by Paterson Ltd.

SKU: CA.4017110

Composed by Franz Liszt. Edited by Thomas Kohlhase. German title: Pater Noster (2). Sacred vocal music, End of the church year, Our Father. Full score. 8 pages. Carus Verlag #CV 40.171/10. Published by Carus Verlag (CA.4017110).

ISBN 9790007063689.

Scor e available separately - see item CA.4017100.

Drum Kit

SKU: HL.14044224

Composed by Thomas Patris. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1106. Published by Play Music France (HL.14044224).

French.

Piano - intermediate

SKU: BT.WA-4135-401

Composed by Ludwig van Beethoven. Arranged by Thomas A. Johnson. The Walsh Collection. Classical. Book Only. Composed 2005. 4 pages. The Walsh Collection #WA 4135-401. Published by The Walsh Collection (BT.WA-4135-401).

English.

This expressive piece has been skillfully arranged in this version for piano.

SKU: HL.49019465

Composed by Robert Schumann. Edited by Andreas Meyer. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 240 pages. Schott Music #ED21432. Published by Schott Music (HL.49019465).

ISBN 9783795708061. UPC: 884088914219. 6.45x9.5x0.662 inches. German.

Die groe konzertante Geste und das selbstvergessene, um auere Wirkungen unbekummerte Spiel, die unheimliche Nachtseite der Romantik und das hausliche Gluck im stillen Winkel - der spate Schumann bietet widerspruchliche Perspektiven und extreme, zuweilen experimentelle Antworten auf Fragen seiner Zeit und seiner kunstlerischen Existenz. Einen auffalligen Schwerpunkt im Schaffen der Jahre ab 1850 bilden Kompositionen fur Streichinstrumente - Konzerte, Kammermusik, Bearbeitungen. Der spate Schumann entdeckt die Farbe der Streicher gewissermaen neu, unbekummert um spielerische Konventionen und gattungsasthetische Erwartungen. Die Autoren dieses Bandes unternehmen eine Annaherung an dieses so faszinierende wie ratselhafte Werk, das infolge von Schumanns Erkrankung in Teilen zunachst nur zogerlich oder gar nicht veroffentlicht wurde. Thematisiert werden auerdem Fragen der Interpretation und der Schumann-Rezeption im 20. Jahrhundert.

Chorus a cappella

SKU: BR.CHB-5366

Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Sheet Music. Composed 1925. Breitkopf and Haertel #CHB 5366. Published by Breitkopf and Haertel (BR.CHB-5366).

ISBN 9790004412961. 7.5 x 10.5 inches. Latin.

Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (CHB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music.

Chorus a cappella

SKU: BR.CHB-5366-02

Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Choral score. Composed 1925. 52 pages. Breitkopf and Haertel #ChB 5366-02. Published by Breitkopf and Haertel (BR.CHB-5366-02).

ISBN 9790004412961. 7.5 x 10.5 inches. Latin.

Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (ChB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music.