| Chopin Preludes for Intermediate Piano Piano seul [Partition + CD] - Intermédiaire Santorella Publications
Chopin Preludes for the Intermediate Pianist with CD (with Performance CD). Comp...(+)
Chopin Preludes for the
Intermediate Pianist with
CD (with Performance CD).
Composed by Jonathon
Robbins. Edited by
Jonathon Robbins. For
piano solo. This edition:
Paperback. Collection.
Distinctive Masterworks
series. Classical.
Intermediate. Book and
CD. Text Language:
English. 48 pages.
Published by Santorella
Publications
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bach to the Future - Intermédiaire/avancé Wilhelm Hansen
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and ...(+)
Score Orchestra;
Percussion - Grade 4
SKU: HL.14003062
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062). ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish. Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co. $82.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classics to Jazz * Complete Highlight Edition with CD Santorella Publications
Jazz Piano SKU: SP.TS154 Composed by Jonathon Robbins. Arranged by Tony S...(+)
Jazz Piano SKU:
SP.TS154 Composed by
Jonathon Robbins.
Arranged by Tony
Santorella/Jonathon
Robbins. Collection;
Jazz. Book and CD.
Santorella Publications
#TS154. Published by
Santorella Publications
(SP.TS154). ISBN
9781585602544. UPC:
649571001541. The
Classics to Jazz
collection published by
Santorella Publications
features some of the most
popular masterworks from
four of the greatest
musical geniuses in
history. Each piece is
first presented in its
original form and then on
the following page, it is
arranged with a Jazz
feel. The Classics to
Jazz series is a great
educational tool for the
advancing pianist making
the transition from
Classical studies to the
exciting world of Jazz
Piano. These curiously
irresistible melodies
arranged and edited by
Jonathon Robbins will
grab you as soon as you
begin to play. Fun and
exciting, these pieces
will become the most
played tunes in your
library. The Complete
Highlights features the
works of Carl Czerny,
Charles Hanon, Johann
Sebastian Bach and
Wolfgang Amadeus Mozart.
This late intermediate to
advanced text is a must
have - must study
assortment of challenging
crossover pieces for
those who would like to
get some fun back into
their practice sessions.
The Classics to Jazz *
Complete Highlight
Edition published by
Santorella Publications
includes a performance
CD. Each classic exercise
and jazz piece is played
up to tempo by Craig
Stevens on an acoustic
grand piano. This Craig
Stevens performance is
truly remarkable! All we
can say is Wow and so
too, will you! These four
fabulous sections
include: Johann Sebastian
Bach: Bouree in E Minor -
Minuet in G - March in D
- Corrente - Minuet in G
Minor - Little Prelude *
(derived from the
masterworks of J. S.
Bach). Carl Czerny:
Exercise No. 1 - 15 - 20
- 22 - 25 - 34 - 37 - 42
- 59 - 63 - 70 * (derived
from Czerny's 160
Eight-measure Exercises).
Charles L. Hanon:
Exercise No. 1 - 2 - 4 -
5 - 6 - 8 * (derived from
Hanon's Sixty Exercises
for the Virtuoso
Pianist). Wolfgang
Amadeus Mozart: Andante -
Larghetto - Minuet in G -
Minuet in D - Minuet in F
- Minuet in C * (derived
from the masterworks of
W. A. Mozart). $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exceptional Classics for Piano Piano seul Santorella Publications
Exceptional Classics for Piano composed by Various. Arranged by Jonathon Robbins...(+)
Exceptional Classics for
Piano composed by
Various. Arranged by
Jonathon Robbins. For
piano. This edition:
Paperback. Collection.
Classical. Book. Text
Language: English. 64
pages. Published by
Santorella Publications
(1)$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bach-Shards Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11441345S Prelude to Contrapunctu...(+)
Chamber Music String
Quartet SKU:
PR.11441345S
Prelude to
Contrapunctus X from the
Art of the Fugue.
Composed by Shulamit Ran.
Full score. With Standard
notation. Duration 4
minutes. Theodore Presser
Company #114-41345S.
Published by Theodore
Presser Company
(PR.11441345S). UPC:
680160608829. 8.5 x 11
inches. BACH-SHARDS
was commissioned by the
Brentano String Quartet
as part of their Art of
the Fugue companion-piece
project. Ran deliberately
stays within the realm of
Bach-like vocabulary,
altering syntax in ways
that add up to something
slightly different from
the anticipated sum of
the parts. The work
builds up to a climax
that makes the entry
point into Bach’s
Contrapunctus X seem
thoroughly
natural. While
composing Bach-Shards I
found myself gravitating,
intuitively and
gradually, toward a dual
goal. First, though
the tension and
dissonance inherent in
certain moments of
Bach’s own
maze-likeÂ
contrapuntal structures
could quite easily and
naturally lead one into a
pungent contemporary
terrain, I opted not to
stray outside the realm
of Bach-like materials
and harmonic
language. Instead, it
was my hope to alter
their relationships and
context in ways that add
up to a something
that’s slightly
different than the
anticipated sum of the
parts. A mildly
deconstructed Bach, if
you will. The other
important challenge I set
for myself was building
up the latter,
toccata-like portion of
Bach-Shards in a way that
would make the entry
point of the fugue which
it precedes,
Contrapunctus X, seem
thoroughly natural.Â
It was my intent to have
the first fugal entrance
feel like a huge and much
welcome release of the
energy created by my
Prelude’s
penultimate stretch, with
its bravura figurations
elaborating on an
insistent dominant pedal
point. $14.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sacred Marimbist, The (Volume 1) Marimba C. Alan Publications
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
$20.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
Plus de résultats boutique >> |