PARTITIONS GRATUITES :
- Prototype

Mezzo-soprano, Flute, Clarinet in B, Percussion (Soprano)

SKU: PE.EP73330

For Mezzo-soprano and Chamber Ensemble. Composed by Emily Howard and Words by Laura Tunbridge. Performance Music Ensemble; Single Titles; Vocal Solo. Peters Contemporary Chamber Series. Contemporary; Secular. Part(s). 52 pages. Edition Peters #98-EP73330. Published by Edition Peters (PE.EP73330).

ISBN 9790577017730.

Ada sketches by Emily Howard is a short dramatic scena for mezzo-soprano and chamber ensemble that imagines an inner world of mathematician Ada Lovelace. The work is concerned with creative processes with Lovelace (mezzo) experiencing a number of different creative discoveries as she explores a mathematical equation as solved by Charles Babbage's hypothetical 1842 Analytical Engine, a prototype for the world's first computer. As she works, a musical solution to the equation gains a life of its own, causing Lovelace to contemplate her own position in history. The text was written by Professor Laura Tunbridge. Ada sketches was first performed on May 12, 2011 as part of Soundings X, at the Austrian Cultural Forum, London.

This product is Printed on Demand and may take several weeks to fulfill.

Orchestra 2 Bassoons, 2 Clarinets, 2 Oboes, 3 Flutes (3rd doubles Piccolo), 3 Trombones, 3 Trumpets, 4 Horns, 4 Trumpets ad lib. (in rear of hall), Bass Clarinet, Bass Drum, Cele, Contrabassoon, Cymbals, English Horn, Gong, Harp, Snare Drum, Timpani, Triangle, Tuba

SKU: PR.47600137L

Composed by Radie Britain. This edition: Large Score. Contemporary. Large Score. With Standard notation. Composed 1946. Duration 13 minutes. Theodore Presser Company #476-00137L. Published by Theodore Presser Company (PR.47600137L).

UPC: 680160637157. 11x17 inches.

This piece, dedicated to the memory of a heroic feat, does not desire to be classed as a Symphonic Poem in the generally accepted sense of this term. It does not attempt to picture, or to strictly follow, the various mechanical and realistic phases of this heroic adventure although, on the other hand, it does not entirely avoid allusion to such realistic phenomena as are characteristic of and inseperable from the nature of this adventure and the technical means of its realization. The composer's main object, however, was to try to express in sound the emotional phases of an adventure that might be called a prototype of modern romance; to touch upon its human aspect and its ethical meaning, not only in the relation to the individual, but to humanity in general. To the individual, the venturing Hero, refer the opening phrases; the sinister aspect of a bold inspiration at its first manifestation. To his human environments, his character and conquering spirit, refer certain lyrical as well as martial and ehical themes. According to the nature of the venture, the clash of motoric forces and that of an indomitable spirit with the threatening elements presented themselves for musical consideration as well as the plausible uncertainty of the outcome, the increasing conficence and the final victory, and triumphant victory itself. And as emotion in its purest and most intense form reverts to the primitive, the composer thought it not amiss to make fragmentary use of the anthems of two nations, thus symbolizing the appeal from soil to soil; an appeal that found its joyous echo in all humanity. And in the midst of the turbulent rejoicing stands the lone figure of the Hero whose daring had materialized the dream of aeons.

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH342-FSP).

(March). By Grafulla. Arranged by Loras Schissel. Concert band. Heritage of the March Series. Audio recording available separately (item CL.WFR325). March. Grade 3.5. Score and set of parts. Composed 2002. Duration 4 minutes, 21 seconds. Published by C.L. Barnhouse

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 contrabassoons, timpani, 2 violins, viola, basso continuo

SKU: CA.4094200

Composed by Antonio Salieri. Edited by Rudolf Kelber. This edition: Paperbound. German title: La Passione di Gesu Cristo. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Full score. Composed 1776. 272 pages. Duration 105 minutes. Carus Verlag #CV 40.942/00. Published by Carus Verlag (CA.4094200).

ISBN 9790007078423. Key: B flat major. Language: Italian. Text: Metastasio, Pietro. Text: Pietro Metastasio.

Pietro Metastasio's libretto to azione sacra La Passione di Gesu Cristo (1730) is a prototype for the Italian Catholic oratorio of the 18th century, in which the Biblical text is entirely transformed into free verse. Originally written for Antonio Caldara, the text has been set to music many times. However, the famous poet wrote in a letter to the 26-year-old composer that the setting, in the style of Italian Opera seria, was the most expressive music that has ever been written for this poem. German and English translations of the libretto are provided in this edition.

Grade 3

SKU: CL.012-3194-75

March. Composed by Grafulla. Arranged by Schissel. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR325). Oversized, spiral-bound score. Composed 2002. Duration 4 minutes, 21 seconds. Opus III Wind Orchestra Publications #012-3194-75. Published by Opus III Wind Orchestra Publications (CL.012-3194-75).

This great march has been called a masterpiece, a band classic and the prototype of the concert march. Featuring stylistic influences from both German and Italian marches, it has a marvelous balance of technique and melody. Loras J. Schissel's new edition from the Barnhouse Heritage of the March Series provides parts for the modern concert band instrumentation as well as stylistic guidance to the performance practices of the period.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Guitar

SKU: AP.1-ADV10026

English/German Language Edition. Composed by Peter O'Mara. Guitar Method or Supplement; Improvisation; Method/Instruction; Play-Along. Advance Music. Funk. Book and CD. Advance Music #01-ADV10026. Published by Advance Music (AP.1-ADV10026).

UPC: 805095100266. English.

There are a lot of books on the market offering licks in the funk/fusion style but this book goes a lot further. The 16 challenging compositions by renowned Australian guitarist Peter O'Mara cover a variety of tempos and grooves and are presented using a real rhythm section (from Klaus Doldinger's Passport) to achieve maximum authenticity. Rhythm guitar riffs are integrated into the overall groove and there is plenty of room for improvisation as well. The audio play-along tracks are presented in an order of increasing complexity. CD 1 contains complete recordings of all instruments so that you can hear how each track can sound. CD 2 omits all guitar parts so that you can play along with the rhythm section and create your own soli and rhythm parts. MIDI files of all compositions are also included on CD 2.

Titles: Funky Unity * African Heritage * Bad-Son * Livin' in L.A. * Power Tower * Scolclone * Learn from Stern * Got the News? * Shufflin' Hit * Da Fonk * Miles a Minute * Prototype * Hang Five * Spring Song * Dragon Fly * Kangaroo.

(Bohmische Hirtenmesse). By Jakub Jan Ryba (1765-1815). Edited by Milan Kuna. For Soli SATB, SATB Choir, Flute, 2 Clarinets, 2 Horns, Trumpet, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. Score available separately - see item CA.4067800. Masses, German, Masses, Latin, Christmas. Level 2. Vocal score. Language: Czech/German. 64 pages. Duration 37 min. Published by Carus Verlag