PARTITIONS GRATUITES :
- Quickened

Prepared piano solo - Moderate

SKU: SF.SEA-046-00

Composed by Elizabeth Alexander. Duration 4 minutes. Published by Seafarer Press (SF.SEA-046-00).

The word quickening dates from medieval times, referring to the first stirrings of a fetus within the womb, when it was believed to have come to life. In this imaginative 4-minute piece for prepared piano, the performer creates the illusion that deep resonances are emanating from within the body of the piano, and that the performer and audience are witnessing these faint, distant murmurs.

Arranged by Hart Morris. For 3-5 octave handbell choir. Sacred, Non-seasonal. Level 3 . Handbell score. 12 pages. Published by Hope Publishing Company

Piano Accompaniment; Vocal (Vocal Score) - intermediate

SKU: HL.50603503

Vocal Score based on the Critical Edition by Ivano Bettin. By Ivano Bettin. By Giovanni Battista Pergolesi. Edited by Ivano Bettin. Vocal Score. Opera. Softcover. Composed 2020. 323 pages. Ricordi #CP14198700. Published by Ricordi (HL.50603503).

ISBN 9788881920662. UPC: 840126928716. 8.0x10.0x0.991 inches. Italian-English. - Pergolesi - It. - Intro in It/Eng -.

Some few months after returning to Naples from Rome, where he had gone to follow the premiere of L'Olimpiade at the Teatro Tordinona during the 1735 carnival season, Giovanni Battista Pergolesi -- notwithstanding the quickened pace of the disease that would soon bring his brief life to a close -- presented the public with a new work, Il Flaminio, a commedeja pe' mmuseca set to a libretto by Gennarantonio Federico. The opera was staged as the second of season that fall at the Teatro Nuovo sopra Toledo (one of three traditional venues, together with the Teatro dei Fiorentini and the Teatro della Pace, dedicated to the production of opere buffe), where it met with a generally favorable reception. The edition includes a historical Introduction, a description of all the sources considered and a Commentary with critical notes and information related to specific problems of performance practice.

Handbell; handchimes; keyboard; organ - Level 3

SKU: HP.2703D

Arranged by Hart Morris. General Worship, Sacred. Director/Organ Score. 16 pages. Hope Publishing Company #2703D. Published by Hope Publishing Company (HP.2703D).

UPC: 763628227036.

Hymn tune This setting of the hymn tune LOBE DEN HERREN captures the exuberant adoration expressed by the text of this popular hymn. It should be played with great energy and excitement to bring forth the praise contained in each stanza. The subdued second verse uses softer dynamics and mallets, and the partial third stanza employs chimes, providing a change of mood from the opening. A meter change, key change and quickened tempo combine to provide a vivid contrast, and bring the piece to its triumphant conclusion.

(An Opera in Two Acts). Composed by David Carlson. Vocal score. Published by Carl Fischer

Composed by Joseph Gregorio. Advanced/Collegiate. Advent, 21st Century, Marian. Piano/choral score. E.C. Schirmer Publishing #8490. Published by E.C. Schirmer Publishing

Piano

SKU: IG.PFS201

Composed by Darin Tysdal. Score. Imagine Music Publishing #PFS201. Published by Imagine Music Publishing (IG.PFS201).

9 x 12 inches.

My first piano sonata was started when I was in college, but was recently revised. The main key is B-flat Major, with the first theme of the first movement being a fanfare. The second theme is more lyrical in nature, in D-flat Major. After an exposition repeat, the development deals mostly with the fanfare material. The recapitulation is by-the-book, with a sudden, surprising coda. The slow movement, placed second, has the character of a chaconne, using two different major scales in the treble and bass clefs. The tempo quickens to a dance, and an explosive climax. From out of the ashes comes the beginning of the piece, modified from it's original state. The scherzo played rather fast, mostly in octaves. There is a short trio which was influenced by Prokofiev's Fifth symphony. After the dacapo, the movement disappears into thin air. The last movement is a Rondo. The material for the A section is taken from the opening measures of the piece. The B and C sections are developments of the other themes of the first movement. The sonata ends with much finality.