PARTITIONS GRATUITES :
- RHYTHMIC SCHERZO

SKU: GI.G-317070

Medium. Composed by Garwood Whaley. Music Education. 4 pages. GIA Publications #317070. Published by GIA Publications (GI.G-317070).

ISBN 9781574634792. UPC: 073999170702.

This rhythmically driving solo with many meter changes requires the use of four drums. Dedicated to Saul Goodman, Scherzo captures the rhythmic excitement and drive of this master teacher. Click here for a YouTube video on Scherzo for Timpani.

Chamber Music harp

SKU: PO.UME09

Composed by Graeme Downes. Sws. Performance Score. Promethean Editions #UME09. Published by Promethean Editions (PO.UME09).

ISBN 9781877564918.

This enigmatic and often playful work for harp incorporates scalar material reminiscent of the Blues, with unpredictable shocks of pedal glissandi peppering the Introduction with a chromatic motif. The Scherzo that follows presents a more animated working out of the Introduction's materials, with polyrhythmic passages consisting of triplets grouped in fives, in addition to other rhythmic manifestations of the number five. Together, the two sections make for an entertaining and expressive addition to a harpist's repertoire.

Gavotte (Bach) Fantasy In A Flat,op76#1(alkan) Klavierstuck (C.p.e.bach) Etude For L.h. (Bartok) 9 Etudes For L.h. (Berens) Etude For L.h. (Berger) Etude Op.36 (Blumenfeld) Etude No. 3,op.273 (Bonimici) Etude In E Flat Minor,op.10#6 Etude For One Hand (Czerny) Capriccio In E Flat,op.26#2 Elegy (Godowsky) Meditation (Godowsky) Etude For L.h.(op.19) Greulich Four-voiced Fugue (Kalkbrenner) Exercise In Arpeggio (Kohler) Melody(weber's Freischutz)kohler Rhythmic Studies (Kohler) 3 Folk Songs For L.h. (Kohler) Hungary's God (Liszt) La Ricordanza (Marxsen) Etude,op.92,#4 (Moskowski) Scherzo (Reger) Humoreske (Reger) Romanze (Reger) Prelude And Fugue (Reger) see all... Finale (Son.for L.h.) Reinecke Moto Perpetuo (Saint-saens) Nocturne, Op.9,#2 (Scriabin) Prelude,op.9#1 (Scriabin) Exercises For L.h.(22,45)tappert Viennese Pranks (Zichy) Solfeggietto Piano Music for 1 Hand (Piano Solo). By Various. Edited by Raymond Lewenthal. Piano Collection. Difficult Class piece for the One Hand Piano Music for Specially Capable Junior Musician (SCJM) event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. SMP Level 8 (Early Advanced). 136 pages. G. Schirmer #ED2773. Published by G. Schirmer

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Piccolo, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trumpet 1, Trumpet 2, Trumpet 3, Tuba, Xylophone and more. - Grade 3-3.5

SKU: CF.CPS66F

Composed by Joseph Compello. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. Carl Fischer Music #CPS66F. Published by Carl Fischer Music (CF.CPS66F).

ISBN 9780825864742. UPC: 798408064747. 9 X 12 inches. Key: C major.

Inspired by the Slavonic Dances of Czech master Antonín Dvořák, Joseph Compello has written his own Furiant, a Bohemian dance, usually in triple meter with frequently shifting accents. This dazzling little original piece makes much of the contrast between 6/8 and 3/4. This variety of rhythmic pulse gives the piece tremendous energy and momentum. Slavic Scherzo is a selection that will energize the band and delight the audience in equal measure.

Orchestra

SKU: PO.ME08S

Composed by David Farquhar. Sws. Full score. Promethean Editions #ME08S. Published by Promethean Editions (PO.ME08S).

ISBN 9780958346771.

Comm issioned by the Auckland Philharmonia Orchestra, the opening ideas of this short but lively work call the listener to attention as they build to release a rushing-away line. The elements of this opening—three repeated notes, the falling bass-line and the scurrying string figures—provide the material from which the rest of the piece grows. The strong contrasts of the opening, however, continue throughout the movement, with frequent surprises as textures and surface rhythms change—sometimes surging forward, sometimes held back. But behind this is the steady one-in-a-bar beat of the classical scherzo, providing a background rhythmic continuity to tie the surface contrasts together.

By David Karp. For Piano. FJH Written For You Piano Solos. Solo Sheet. Published by The FJH Music Company Inc.

Two Performance Scores viola and double bass - advanced

SKU: HL.49046217

For Viola and Double Bass Two Performance Scores. Composed by Pierre Jalbert. Sheet music. String Ensemble. Softcover. Composed 2018. 12 pages. Duration 14'. Schott Music #ED30190. Published by Schott Music (HL.49046217).

ISBN 9781540056368. UPC: 888680948054. 9.0x12.0x0.075 inches.

Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude, with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo, played pizzicato by both instruments, while the third movement is the central, lyrical movement of the work, with undulating natural harmonic tremolos and a rhythmically driving interruptive middle section. The fourth movement consists almost entirely of quickly bowed natural harmonics with fleeting rhythmic tremolos on both instruments. The final movement contains rapidly driving music in constant motion, interrupted twice by cadenza-like free sections which are non-synchronized. The two instruments then come together for the final push to the end.Duo Concertante was written for James and Deborah Dunham on the occasion of their 35th anniversary, with support from the Shepherd School of Music, Rice University. Pierre Jalbert.

Clarinet, bass clarinet, piano

SKU: P2.30141

Composed by Noah D. Taylor. Concerto. Published by Potenza Music (P2.30141).

The Concerto for Clarinet and Bass Clarinet was commissioned by a Potenza Music Publications Consortium and was written for Dr. Robert Spring and Dr. Mathew Miracle. The work was premiered by the duo at the 2014 International Clarinetfest. As a composer, Taylor has always sought to capture the exciting and sweeping qualities of orchestral and film music in his own works and the double concerto is no exception. Cast in three movements, thiswork not only showcases and challenges the soloists, but also provides the listener a captivating a memorable experience. The first movement of the work opens quietly and calmly as each of the clarinets are introduced. After the haunting introduction, a fun and quirky dance ensues, marked by flashy melodic lines and asymmetrical rhythms. This work allows the clarinetist to show off the fun character of the clarinet. The second movement starts with a slow and haunting treatment of the theme, but soon gives way to a passages that become more flowing and expressive version. This middle part of the concerto allowed Taylor to writepassionately and romantically, and unbound by traditional form. As the movement fades away, it is meant to lead the listener to the fiery third movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the two soloists and accompaniment. As this scherzo-like movement develops, Taylor transforms the theme rhythmically driven passages followed by hauntingly lyric sections. As the piece builds, themes from the first movement return to tie the work together. At it's climax the Double Concerto ends with fiery virtuosity and powerful harmonic drive.