PARTITIONS GRATUITES :
- Raymond B

By Raymond H Haan. For Organ and 2 Trumpets or Organ and Brass Quartet . Advent/Christmas. Level: Moderately Easy. Published by MorningStar Music Publishers.

By Raymond H. Haan. For Voices: Cantor, assembly. Organ. Solo; Wedding Sacred. Level: easy. 2 pages. Published by GIA Publications.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Intermediate

SKU: GI.G-9336

Composed by John Hughes. Arranged by Raymond H Haan. Calvin Institute. Tune Name: Cwm Rhondda. Sacred. Octavo. 16 pages. GIA Publications #9336. Published by GIA Publications (GI.G-9336).

UPC: 785147933601. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.

One of the grandest tunes in Christian hymnody is CWM RHONDDA, and Raymond Haan has crafted a setting that magnifies the tune’s gravitas. The tune appears with its traditional partner, “God of Grace and God of Glory,” and would be ideal for festival or ecumenical celebrations. The brass and timpani are optional, horn in F may be substituted for the trombone I. The brass and timpani parts are optional and horn in F is a substitute for trombone I.

Books and Journals

SKU: UT.QC-5

Edited by Fabio Morabito and Louise Bernard de Raymond. Paperback (Soft Cover). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 5. Published by Ut Orpheus (UT.QC-5).

ISBN 9788881095223. 6.5 x 9.5 inches.

Essays by Louise Benrard de Raymond, Muriel Boulan, Thomas Christensen, Etienne Jardin, Ellen Lockhart, Fabio Morabito, William O'Hara, Alban Ramaut, Annette Richards, Michael B. Ward

The nineteenth-century composer has a persistent image problem: inspired, unworldly, male, writing works of genius for posterity. If it has been the project of musicologists for the last 30 years to erode this checklist, he lingers still like a bad smell. This book uses Antoine Reicha (1770-1836) as a case study through which to develop alternative approaches to the nineteenth-century composer. That Reicha was a composition teacher and prolific writer of instruction manuals, for example, provides an opportunity (and new types of sources) to focus on composers' attempts at becoming composers. How can we catch them 'in the making', exploring not a body of works and achievements, but the priorities and anxieties of these individuals (the knowledge they followed or created) in crafting their artistic identities for the public? What modes of music historiography and analysis might help explore Reicha's and his contemporaries' music beyond mapping it within local or national traditions and their transfer? Can a networked model of music-history writing - we might call it 'a history of music with no protagonist' - assist musicologists in working on non-canonical composers without retrospectively making monuments out of them? These and other questions frame this volume, in order not only to reassess Reicha, but also our disciplinary toolkit: to ask how/why/to what end we tell stories about composers in musicology more generally.

SATB chorus a capella

SKU: HH.HH457-VOC

Composed by Timothy Raymond. Satb A Capella. Rehearsal score. Edition HH Music Publishers #HH457-VOC. Published by Edition HH Music Publishers (HH.HH457-VOC).

ISBN 9790708146643.

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic language, with distant echoes of Britten, Holst and Howells, and the delicate, often sensuous textures combine to make a work of considerable expressive power that perfectly captures the essence of W. B. Yeats’s poem. Around six minutes long, it is a welcome addition to the rich repertoire of British vocal music.

SATB chorus w/optional string quartet

SKU: HH.HH457-FSP

Composed by Timothy Raymond. Satb W/Optional String Quartet. Full score and parts. Edition HH Music Publishers #HH457-FSP. Published by Edition HH Music Publishers (HH.HH457-FSP).

ISBN 9790708146667.

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic language, with distant echoes of Britten, Holst and Howells, and the delicate, often sensuous textures combine to make a work of considerable expressive power that perfectly captures the essence of W. B. Yeats’s poem. Around six minutes long, it is a welcome addition to the rich repertoire of British vocal music.