PARTITIONS GRATUITES :
- Reger, Max

SKU: CA.2430320

Composed by Max Reger. Edited by Ingeborg Schreiber. This edition: Paperbound. Veroffentlichungen des Max-Reger-Instituts, Musicological books. German title: Reger: Max Reger in seinen Konzerten: Programme der Konzerte Regers. Veroffentlichungen des Max-Reger-Instituts, Musicological books. Book. 348 pages. Carus Verlag #CV 24.303/20. Published by Carus Verlag (CA.2430320).

ISBN 9790007101497. Language: German.

A publication of the Max Reger Institute.

SKU: CA.2430330

Composed by Max Reger. Edited by Ingeborg Schreiber, Ottmar Schreiber. This edition: Paperbound. Veroffentlichungen des Max-Reger-Instituts, Musicological books. German title: Reger: Max Reger in seinen Konzerten: Rezensionen der Konzerte Regers. Veroffentlichungen des Max-Reger-Instituts, Musicological books. Book. 383 pages. Carus Verlag #CV 24.303/30. Published by Carus Verlag (CA.2430330).

ISBN 9790007101503. Language: German.

A publication of the Max Reger Institute.

SKU: CA.2430310

Composed by Max Reger. Edited by Ingeborg Schreiber, Ottmar Schreiber. This edition: Paperbound. Veroffentlichungen des Max-Reger-Instituts, Musicological books. German title: Reger: Max Reger in seinen Konzerten: Reger konzertiert. Veroffentlichungen des Max-Reger-Instituts, Musicological books. Book. 244 pages. Carus Verlag #CV 24.303/10. Published by Carus Verlag (CA.2430310).

ISBN 9790007101480. Language: German.

A publication of the Max Reger Institute.

SKU: CA.5280900

Composed by Max Reger. Edited by Stefan Konig, Dennis Ried. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Reger, Max: Reger Hybrid Edition of Works, Vol. II/2: Songs II (1889-1899). Full score (complete edition / selected edition). Published by Carus Verlag (CA.5280900).

ISBN 9790007246525.

With the songs Reger wrote between summer 1889 and spring 1901, he made his mark in the music world. His style displayed a harmonic and melodic intransigence which challenged, fascinated, and irritated performers and audiences in equal measure. The song collections which Reger compiled became ever more extensive: opp. 35 and 37 contained six and five songs, opp. 43 and 48 eight and seven, and opp. 51 and 55 twelve and fifteen songs. As well as this, he wrote some individual pieces for inclusion in the Neue Musik-Zeitung (WoO VII/23-29).

In his assiduous search for texts, Reger turned to contemporary lyric poetry with its plurality of styles. The poems which he set were by representatives of the literary Jugendstil (art nouveau) and impressionist movements, including Otto Julius Bierbaum, Detlev von Liliencron, and Richard Dehmel. Here, Reger's musical hallmarks were intensity and subtlety of feeling, a desire for intimacy, and a modern emotional language. This corresponded with the concentration on the modern declamatory song following on from Hugo Wolf, to whom op. 51 is dedicated. In addition, Reger ventured to set texts which Richard Strauss had also set previously, in the process finding different solutions in mood and tonal language.

I n January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.

For the first time, in this edition the digital component for this volume will no longer be supplied on a data storage device, but published in an online portal.

Co ntent
Sechs Lieder Op. 35
Funf Gesange Op. 37
Lieder WoO VII/21 und VII/22
Acht Lieder Op. 43
Sieben Lieder Op. 48
Lieder WoO VII/23-29
Zwolf Lieder Op. 51
Funfzehn Lieder Op. 55

Appendix
Tra nspositions.

SKU: CA.5281600

Composed by Max Reger. Reger, Max: Reger Hybrid Edition of Works: Works for mixed voice unaccompanied choir II (1904-1914). Full score (complete edition / selected edition). Published by Carus Verlag (CA.5281600).

ISBN 9790007261863.

This second part-volume contains mixed choruses composed by Reger between 1904 and 1914. Most are sacred works, including the great motets op. 110 (Mein Odem ist schwach, Ach Herr, strafe mich nicht!, O Tod, wie bitter bist du), the Acht geistliche Gesange (Eight Sacred Songs) op. 138, and the fragmentary Vater unser. Functional liturgical music is represented with the Easter motet Lasset uns den Herren preisen, the Vier Kirchengesange (Four Church Songs) and the English-language Responsories. With the secular works, the Zwolf Chore aus dem Volksliederbuch (Twelve Choruses from the Volksliederbuch) form a substantial portion, flanked by Reger's setting of Good Night written for a school book, and the Abschiedslied for Fritz Stein.

In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). As a Hybrid Edition it is exploring new approaches in editorial techniques.

For the first time, in this edition the digital component for this volume will no longer be supplied on a data storage device, but published in an online portal.

Con tent:

Vier Kirchengesange WoO VI/20
Motette >>Mein Odem ist schwach<< op. 110 Nr. 1
Vater unser WoO VI/22
Motette >>Ach Herr, strafe mich nicht!<< op. 110 Nr. 2
Responsories WoO VI/23
Lasset uns den Herren preisen WoO VI/24
Motette >>O Tod, wie bitter bist du<< op. 110 Nr. 3
Good Night WoO VI/25
Zwolf Chore aus dem Volksliederbuch WoO VI/26
Abschiedslied WoO /VI 27
Acht geistliche Gesange op. 138

(Clothbound, 2 volumes in a slipcase). By Max Reger (1873-1916). Edited by Susanne Popp. Henle Complete Edition. Book only. G. Henle #HN2206. Published by G. Henle

By Max Reger. Edited by M. Kube. Organ. Pages: X and 29. Urtext edition (Paper-bound). Published by G. Henle.

SKU: CA.5283100

Composed by Max Reger. Free organ music. Reger: Max Reger-Werkausgabe. Abteilung I: Orgelwerke. Free organ music. Package. Carus Verlag #CV 52.831/00. Published by Carus Verlag (CA.5283100).

ISBN 9790007186487.